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Jacob Pavek - Illume

Taken from the album ISKRA
Release date: 6 November, 2015
Composed by Peter Gregson
Buy the album - http://kning-disk.myshopify.com/collections/1631-recordings/products/iskra-string-quartet-iskra
Spotify - https://open.spotify.com/track/3pnMJEROqKSDEIG7yUxCAV

www.1631recordings.com
www.1631recordings.bandcamp.com

Iskra String Quartet - Chorale (Five)(Composed by Peter Gregson)

Written, performed and recorded by Leah Kardos
Mastered by Ben Wiffen

https://www.facebook.com/leahkardos
https://twitter.com/LeahKardos
https://www.instagram.com/leah.kardos

Pairs

Leah Kardos - Rosamond Chime - Free Download

from compilation ''Algorithmics'' (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@letambour
Composed & performed by Simon P. Castonguay

Artwork by Marin Blanc (www.marinblanc.com)
Layout by Nicolas Hyatt

Tambour - As a Relief (Algorithmics/Piano Day 2017)

Select your favorite platform:  https://ampl.ink/wPq9o 
Unity, is an emotionally evocative collection that moves the listener through moments that exalt the senses. Through cyclical and minimalist sound, the composer creates visceral experiences that are both ethereal and hauntingly beautiful.
All songs written and recorded by Bruno Sanfilippo at Onix II Studio, Barcelona, Spain
Analog Mastered on a classic SSL desk and Studer A80 reel-to-reel by Ian Hawgood, Warsaw, Poland
www.bruno-sanfilippo.com

Unity

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Upon Philip Glass Etude No. 2
strings duet: luca longobardi

formaly composed for 'Gustav Klimt', an immersive exhibition by Gianfranco Iannuzzi, Renato Gatto e Massimiliano Siccardi, produced by Culturespaces at Atelier de Lumières - Paris

Etude No.2

Ètude No.2 - Philipp Glass (Recomposed)

B01 - Dustin O'Halloran [w/ ACME String Quartet] - Opus 28

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

B01 - Dustin O'Halloran [w/ ACME String Quartet] - Opus 28

FatCat Records

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