Name: Chott El Djerid by FathomDistribution in PastPresent
Duration: 2 min 16 s
Description: "Chott El Djerid" by Muslimgauze from the album, Lazraheem Ul Leper

PastPresent

B3

https://xenoplex.bandcamp.com/album/xenoplex02

EXT REFLECTION

Year Zero is the second album of collaborative work from Apollon/Muslimgauze and is also Muslimgauze's last recorded work before he died.

The album uses dark textural soundscapes and cut-ups - the sonic equivalents of William Burroughs writings - interwoven with experimental electronic beats and pulse, ranging from mock dub to crunch drum + bass and middle-eastern patterns and sounds. The dynamic shifts between padded eerie ambience, full-on electronica and white noise distortions give the listener a feeling of unease while the concept is unfolding over 15 tracks and 66 minutes.

A rare collaborative work from Muslimgauze, the two artists work with synergy to create a truly remarkable and powerful album. The album was officially released on 1st January 2000. 

Muslimgauze - "Marrakesh Flyswot"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
If you want to order directly to the musicians :
kaizer[at]iiiha[dot]com
thomas.coquelet[at]gmail[dot]com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Follow KOU (Thomas Coquelet & Apolline Schöser) :
Website : https://koumusik.wordpress.com/

They share there first Split with SVII on BeCoq Records in oct.2022 : 
https://becoq.bandcamp.com/album/split-3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Biquetto flûte

sanctify me

Nacre

Buy/Listen in full here:

https://quadebanduk.bandcamp.com/album/nacre

Recorded by Jack Ogbourne at Louisiana, Bristol
Mixed by Larry McCarthy
Mastered and cut by Noel Summerville
Sculpture by Alice Jennings
Artwork by Ciaran Birch

Pulso

Nacre - Quade

CRTTR is pleased to present their newest format for releasing music.

The CRTTR-CLB series carries the vision of exploring different ways of challenging the notion of club music. For each release we want to bring together four artists who have somehow given us a glitchy feeling on the dancefloor, while digging or in any other listening situation. We’ll be releasing a new track every friday.

So go ahead and listen to the second batch of freshly made tunes from the following lovely artists <3<3<3

> KASMA <
https://kasma.bandcamp.com/album/latest-target
https://soundcloud.com/rafael-kasma

> VOICHECK <
https://voicheck.bandcamp.com/
https://soundcloud.com/voicheck

> N:IN <
https://ninsounds.bandcamp.com/track/aceto-balsamico-n-in-remix
https://soundcloud.com/ninsounds

> K:I:O:S:K <
https://00effort.bandcamp.com/album/a-better-tomorrow
https://soundcloud.com/kioskk

credits
released March 22, 2024

Artwork by Julia Häller
Mastering by Yves Spiri, Julia Häller
Text by Candid Rütter

Bandcamp

Kasma - B-Thruster

https://soundcloud.com/xtclvr
https://soundcloud.com/standard-deviation
🛒 https://standard-deviation.bandcamp.com/album/inverse
🔊 https://youtu.be/FzIj1OIFA8w

XTCLVR, the brainchild of Ukrainian sound artist and audio producer Artem Diachenko from Buchan near Kyiv, is set to release a new album titled 'INVERSE' on Standard Deviation. XTCLVR cinematic soundscapes have been featured in Standard Deviation’s audiovisual project 'Ridne' showcased at the CTM Festival in Berlin, ICA London and La Gaîté Lyrique in Paris. Known for his deep involvement in Kyiv's underground music scene, Artem is also a key member of the Pep Gaffe and Ejekt collectives, representing a fresh wave of Ukrainian independent artists dedicated to alternative and experimental sounds.

XTCLVR's music is characterized by deep, enveloping ambient passages and sharp synthesizer elements that often transform into hip-hop and dub bass lines. The name XTCLVR (ecstasy lover), created in 2019, humorously echoes with the techno culture.

'INVERSE' unveils a different facet of XTCLVR’s sound, with heavier and more aggressive tones. The traditional genres dissolve, and a grotesque tone draws the listener into a surreal, chimeric journeyThe album blends rich synthesizers and post-club polyrhythms with euphoric, upbeat elements, maintaining his distinctive style. Written throughout 2022-2023, the tracks on 'INVERSE' reflect a time of emotional instability and a dream-like state: is this all for real? The music features liquid sonic textures that escalate into distorted synths, fractured noisescapes, and eerie melodies. A standout track, 'FEEL ME', poses a bold inner dialogue, questioning reality itself.

'INVERSE' will be released on Standard Deviation on the 12th of July 2024.

Tracklist: 

RUFF TITLE
ALT PATH
C TRIP
SNAKES VIP
FEEL ME
SPEED SERVICE
TONAL TEARS

PREMIERE: XTCLVR - SNAKES VIP [Standard Deviation]

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Involucija I Le Chocolat Noir - Molitva mojoj sjeni [aufnahme+wiedergabe & Involucij·Org] (2024)

Artist » INVOLUCIJA - https://soundcloud.com/involucija

Ep Name »  Želja Mašta Strah [I·O EP001]

Label » INVOLUCIJA·ORG - https://soundcloud.com/involucija

Label » aufnahme+wiedergabe - https://soundcloud.com/aufnahme-wiedergabe

Berlin, Germany

Format: Vinyl 12"  + Digital Album

Release date: September 06, 2024

💲 BUY HERE 💲>>> https://involucija.bandcamp.com/album/zelja-masta-strah

he third crest of the Balkan Body Music wave is upon us:

- Modern EBM? Oh yes.
- Techno? Definitely.
- Metal? Hell yeah.

The legendary Berlin label //aufnahme + wiedergabe// has joined forces with INVOLUCIJA·ORG for this split-label release* featuring dark & beguiling vocals from Le Chocolat Noir (aka LCN, FIUME, Honored Matres).

INVOLUCIJA is an experimental post-industrial collaboration with artists from ex-Yugoslavian countries, started by Michel Morin (Sneak-Thief / Polygamy Boys) and Lucija Invo.

*Simultaneously released on aufnahme+wiedergabe as [a+w LXXIX]

Written and produced by Michel Morin & Jasmin Mahmić / Mastered by Stewart Walker 

Instagram: https://www.instagram.com/invo.lucija
Web: https://involucija.org
Distributed by @bordelloaparigi

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#involucija
#electro
#lechocolatnoir
#aufnahmewiedergabe
#commedeslarmes
#electronicmusic
#industrial
#leftfield
#techno
#ebm
#newbeat
#berlin
#germany
#idm
#noir
#obscure
#newwave
#vinyl
#synthwave

Želja Mašta Strah [I·O EP001]

PREMIERE CDL || Involucija I Le Chocolat Noir - Molitva mojoj sjeni [aufnahme+wiedergabe & Involucij·Org] (2024)

💲 BUY VINYL 💲

PREMIERE CDL || Involucija I LCN - Molitva mojoj sjeni [aufnahme+wiedergabe & Involucij·Org] (2024)

The first compilation from the ALLOY CHOIR label and platform, featuring 13 artists.

Mastering: Ashland Ristoff
Artwork: Bride

Potential Death - Hate Spiral

The Muslimgauze Preservation Society are proud to offer you a fragment of previously unreleased musical history, vintage Muslimgauze from 1990. It was around this time when a young John Goff wrote a fan letter to Bryn Jones, along with his wishes to release a Muslimgauze track. Jones promptly responded with a cassette master of not only a track, but a whole album. At the time, Muslimgauze was signed to Extreme who were wary of fans who wanted to release music by their marquee artist. On the other hand, Jones was stymied by Extreme's one-release-a-year schedule, but that did not stop him from making more music. At Jones urging, however, Extreme relented and Goff released the exquisitely hand carved single track 7-inch “Red Crescent Part 3” (The Way Out, 1993), but the rest of the tape remained unreleased. Not long after Jones' passing on January, 1999, Goff organized a tribute remix album based on fragments from the masters. Many responded, more than the album could accommodate. The results were From the Edge (Chlorophyll, 2003 on vinyl and Azra, 2004 on CD). The unreleased remixes joined the unreleased masters in the vaults, until now in a wonderful two disc set! Disc one has two tracks at 20 minutes each. Track one is “Muslimgauze live at the Manchunian Turkish Baths”and track two is “Muslimgauze Unreleased Tracks”. The music was composed not long after Uzi (Parade Amoureuse, 1989) and is a cousin to Intifaxa (Extreme, 1990), only livelier. Tracks are comprised entirely of percussive textures; from machine, to acoustic, and ethno-drums along with cymbals, bells, high-hats, chimes, and gongs among others. The sole treatments are reverb, delay, and echo. Despite the narrow palette, this is still a lush and full recording, rhythms energetic and deeply kinetic. Not quite industrial, not quite IDM, From the Edge straddles the nether-regions between genres; classic Muslimgauze. The cassette master was brought to John Delf for post production and restoration. Together, Delf and TMPS made an aesthetic decision, to focus on the music and not remove the tape hiss for fear of compromising the sound. Hence, there are source limitations, but we feel the beauty of the music more than makes up for this. Cassette culture was a fact of the 80's and we urge fans to approach this recording the way one would a recording of an old blues 78 from the 30's, a psych-rock 45 from the 60's, or an Industrial tape from the 80's. As for the remix disc, some songs will be familiar to those who have earlier editions of From the Edge, but others will be new, including a few from a band Jones loved called Faust. As always, the discs will be packaged in a super-jewel case, with papyrus covers hand printed in Egypt, a fold-open poster with liner notes, and a bonus sticker. This is lovingly restored piece of history and a missing link in the musical development of Muslimgauze. Limited to an edition of 500. 

Muslimgauze: From the Edge (Deluxe Edition)

"Qom" by Muslimgauze, from the album Iran

"Qom"by Muslimgauze

Muslimgauze - Afghan Black

"Chott El Djerid" by Muslimgauze from the album, Lazraheem Ul Leper

Chott El Djerid

Muslimgauze  - Egyptian Song Contest - Beirut Transister (2011)

TUTORIAL HOW TO EXORCISE A DEMONIC PRESENCE USING SOUND
Step 1: Identify the demon you wish to exorcise (Name + Quality)
Step 2: Take out a synthesizer or drum machine. Empathize with the demon's essence by continually playing with the effects until it sounds kind of like him/her/them
Step 3: let him/her/theirself express itself through you for a few min and fully feel that pain, all s/he /they really want is to be acknowledged.
Step 4: Declare a revocation of any subconscious contracts you may have signed that allowed that energetic signature to be present for so long, thank it for the lessons it has taught you, and tell it that it is banished from the temple and will now be sent to the galactic central sun for reprocessing.
Step 5: great job, the demonic entity has now been etherically purged from your field
Step 6: Post the track on soundcloud in case the recordings from that exorcism process can help in the extraction of for a similar demonic signature present in the field of your peer

CHAOS NEUTRALIZER

Adventures in Audio, hand-picked audio gems at fair trade to the artist. 

Chott El Djerid

FathomDistribution

Recent comments

SEGAWORMS

Related tracks