Fatima - Technology Prod. Oh No

available now on brownswood bubblers three and also forthcoming on emanative// time which drops on april the 5th 2010

Turn Your Lights On

A smoothed out, catchy little downtempo bobber from a cool late-winter night in The Vault.  Makaya bounces on a flammed rimshot, Abrams jumps in quickly with some nice bass chords, Justefan colors the progression with his singing vibraphone harmonies, and Marquis tops it all off with a gorgeous trumpet melody and solo verse.

Recorded on March 5th, 2014 by Dave Vettraino.  Personnel: Makaya McCraven - drums, Joshua Abrams - bass, Justin Thomas - vibraphone, Marquis Hill - trumpet.

Steppe Smoothe

By Lindsay Olsen

Austin Antoine - Vocals
Lindsay Olsen - Vocals
Robert Finucane - Keys
Bradford Tidwell - Guitar
Mike Rocha - Trumpet
Joe Salcedo - Bass
Etienne Rivera - Percussion
Amir Oosman - Drums

Mixed & Mastered by Amir Oosman

Touched The Ground

'Groove Curse' EP out now on 12" vinyl & digital -
Stream / Download: soulhasnotempo.lnk.to/SHNT001

Released 15th August 2014 via Soul Has No Tempo.

Soul Has No Tempo present Groove Curse, Jordan Rakei's long-awaited follow up to highly-acclaimed debut EP Franklin’s Room, his modern take on reggae-infused soul music. Groove Curse takes an evolved turn, with a sound Rakei describes as “raw, vocal-driven, groove”. With the first single off the EP, Street Light featuring Berklee College of Music Alumni, Gwen Bunn (vocalist and producer of Schoolboy Q’s Collard Greens feat. Kendrick Lamar), the release celebrates the skills of upcoming young musicians who are writing, self-producing and taking full advantage of their vocal and multi-instrumentalist talents.

Jordan Rakei - A Tribe Called Government [SHNT001]

From the EP "VI"
All music produced, composed and performed by VI.
Vocals from Poppy Ajudha
@poppyajuda

2015 Like Water
Twitter: https://twitter.com/itslouisVI
Instagram: https://www.instagram.com/_louisvi/
Facebook: https://www.facebook.com/itslouisvi/
Spotify: spoti.fi/29EscVj
iTunes: apple.co/29Dejtl

Take Your Time Ft. Poppy Ajudha

Second single " DOG IN MAN"  from the BLACKMUSICEP  now out on JAKARTARECORDS. Check the video for the single here: https://youtu.be/C-o9ZOQkdUw
Buy on iTunes here: https://itunes.apple.com/de/album/black-music-ep/id1047282240
 

Dog In Man

Hear the track live on #TightSongs hosted by @freshselects https://www.mixcloud.com/FreshSelects/tight-songs-episode-108-july-2nd-2016/

** FREE DOWNLOAD : https://www.toneden.io/cosmic_children/post/marvin **

This Ain't Livin (Marvin Edit)

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

Download Shop
https://djmaruyama.stores.jp/items/5c571e2cc2fc2848c4d24630

title:『FULLMOON LOUNGE 2017』
mixed:DJ MARUYAMA

design:
instagram.com/kenyesco
@kenyesco
送料込み
￥1,000円(代引きは別途)
DMにてお待ちしています。

作品内容
自分の好きなものと合わせる時にぴったりな音楽をレコードのみから選曲しました。
スピリチュアルなJAZZ、心地よいインストゥルメンタル、そして日本語など
オールジャンルで楽しめる作品となっています。
コーヒーを飲み、スイーツを食べる。時には、インセンス(お香)を嗅ぎながら、雑誌や本に集中するなど。
あなたのLOUNGE TIMEに、音楽を。

最後に収録されている曲は
札幌発 ノース・アンダーグラウンド・ドープ・ビーツ。札幌のジャム・バンドCHUVA CHUVAのコンポーザーAtsushi Oikawa主宰
Arts The Foundation よりMidnight Cruising。
https://soundcloud.com/user-168191255

https://www.crossculture-records.com/store/

ご購入について
https://twitter.com/DJMARUYAMA

まで。

「FULLMOON LOUNGE 2017 mix」 sample 13min

Back in Town is taken from "Suzume" LP, released 12th of April 2019
https://jlamotta.lnk.to/Suzume
Music,  production and pocket trumpet by @jay-lamotta-1 
Bass by Martin Bhul 
Rhodes piano by Doron Segal
Drums and bongos by Ra'fat Muhammad
Recorded at Jazzanova Studio, Berlin by Axel Reminder & Jose Victor Torelli
Mix by Q3000
Master by Roskow Kretschmann

Fatima - Technology Prod. Oh No

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