lovely 2

Kid Cudi - All My Life

Everyone please go give me a <3 on Hypem:
http://hypem.com/artist/Zac+Brown+Band+feat.+Jimmy+Buffett
I've never tried to remix a country song before, but I kinda like the way this turned out. Let me know what you think. If you like it hit the ↻

#2 remix & #4 overall on Hypem
Supported by Sam Feldt:
https://soundcloud.com/getthesound2/getthetape10-by-sam-feldt

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Zac Brown Band feat. Jimmy Buffett - Knee Deep (Bobby Brush Remix)

Open Up Your Heart

Heaven Is Here (feat. Matisyahu)

IT’S OFFICIAL! MAJEK FASHEK DROPS “NO MORE SORROW” FEATURING 2BABA.

Music legend, Majek Fashek teams up with 2Baba for No More Sorrow, a re-worked version of his 90’s hit track Holy Spirit from the 1991 Spirit of Love album. The classic song is reintroduced to a new generation of music enthusiasts via this updated version produced by Majek and mixed/mastered by Wole Oni.

'No More Sorrow' is a soul-lifting song in which Majek prophecies about Eldorado, a future where humanity lives in peace and harmony. With lyrics are heavily inspired by Biblical scriptures, Majek and 2Baba, two of the most critically acclaimed African performers of the last quarter of a century serve a message of hope to a world grappling with strife and seemingly unending crises.

2Baba who has repeatedly listed Majek Fashek as one of his biggest influences shines effortlessly beside the returning reggae legend on a song he has identified as one of his favourite Majek classics. He stated, “It's an honour to collaborate with one of Africa's greatest musicians of all time. To go from admiring him from a distance to actually having the opportunity to record with him and contribute to his legacy is something I cherish”.

Majek Fashek remains a strong force to reckon with in music as seen by his headline-grabbing performances at notable events this year. With the GistMe-funded release, No More Sorrow marks the formal return to the buzzing recording scene for the legendary 'Rain Maker' as he is fondly called by fans all over the globe.



No More Sorrow Single

No More Sorrow

Majek Fashek - No More Sorrow Ft. 2Baba

Fenfo

Kokoro

Pirates Choice

Utrus Horas

This Is Marijata

I Walk Alone

Fatoumata Diawara (a.k.a. Fatou) was born of Malian parents in the Ivory Coast in 1982. As a child she became a member of her father’s dance troupe and was a popular performer of the wildly flailing didadi dance from Wassoulou, her ancestral home in western Mali. She was an energetic and headstrong girl and at the age of 12 her refusal to go to school prompted her parents to send her to live and be disciplined by an aunt in Bamako. She was not to see her parents again for more than a decade. 

Her aunt was an actress, and a few years after arriving, Diawara found herself on a film set looking after her aunt’s infant child. The film’s director was captivated by Diawara’s adolescent beauty and she was given a one-line part in the final scene of the film Taafe Fangan (The Power of Women). This led to a lead role in a film by the celebrated director Cheick Omar Sissoko: 1999’s La Genèse (Genesis). 

At the age of 18 Diawara travelled to Paris to perform the classical Greek role of Antigone on stage. After touring with the production she returned to Mali where she was given the lead in Dani Kouyaté’s popular 2001 film Sia, The Dream of the Python. The film tells the story of a West African legend called Sia, a young girl who defies tradition. To many in Mali, Guinea, Senegal, and Burkina Faso, Diawara is Sia thanks to the film’s enormous success throughout the region.

Offers for further acting roles poured in but Diawara’s family wanted her to settle down and marry and forced her to announce, live on Malian television, that she was abandoning her career as an actress. 

In 2002 Jean-Louis Courcoult, the director of the renowned French theatre company, Royale de Luxe, travelled to Bamako to offer Diawara a part in his new production. An unmarried woman is considered a minor in Malian society so her family’s permission was required. They refused. After much soul-searching Diawara took the daring decision to run away and at the Bamako airport she managed to board a plane for Paris, narrowly escaping the pursuit of the police who had been alerted to the girl’s “kidnapping.” 

With Royal de Luxe, Diawara performed a variety of roles around the world including tours in Vietnam and Mexico and throughout Europe. During rehearsals and quiet moments she took to singing backstage for her own amusement. She was overheard by the director and was soon singing solo during the company’s performances. Encouraged by the reception from audiences she began to sing in Parisian clubs and cafes during breaks from touring. Here she met Cheikh Tidiane Seck the celebrated Malian musician and producer who invited her to travel with him back to Mali to work on two projects as chorus vocalist; Seya, the Grammy–nominated album by Malian singer Oumou Sangaré, and Red Earth, the Grammy–winning Malian project by American jazz singer Dee Dee Bridgewater. When the albums were released Diawara toured worldwide as singer and dancer with both artists. 

Kokoro

Fatoumata Diawara

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