This is a great song!  I would love to use this song for a video I am making with your permission. Credits and all links to your social media would be in the description of course!

Mandela Effect

© 2022 Stray Fossa under exclusive license to Born Losers Records
Written and performed by Stray Fossa
Produced by William Evans
Album art by Chris Minielly (Jaguar Sun)

Closer Than We'll Ever Know

Buy vinyl on Bandcamp

Transpiring

Elsewhere EP

tracklist:
1 - Winter Train
2 - Nakamise (仲見世)
3 - Climbing A Mountain With Your Best Friend
4 - Flying Tissue
5 - Hikikomori (引き篭り)

Produced and performed by Stefano Fagnani
Mixed and mastered by Stefano Genta

Released on Loci Records (www.locirecords.com)

"Winter Train" available for free download at XLR8R: http://www.xlr8r.com/mp3/2013/11/winter-train

Buy here: locirecords.bandcamp.com/album/elsewhere-ep

Free download here

Winter Train (free download @ XLR8R)

A Beacon School's new single "Dot" is out April 8th, 2022.
Stream/purchase: https://fanlink.to/abs-dot

~

outside when narrow
the sun on the wire
lilting

to understand
the invitation
again

you felt it come true then
etched in a blinking
pattern you can’t forget

the color’s unknowing but the landing seems close
cuz it’s no different

light shifting
While all the rest fills in slowly
you find your head fizzing softly
And you swear this all feels new

But it’s no different

PURCHASE ✨

A Beacon School - Dot

From our first LP. Vinyl, CD & Digital.

Buy - https://horsebeach.bandcamp.com/

*UPDATE*

The new 4th album is currently in the works but I need a hand getting it up and running. Please check out the Kickstarter page and help me out in anyway you can.

Thanks, Ryan

https://www.kickstarter.com/projects/1362903932/horsebeach-the-fourth-album-is-imminent

Faded Eyes

Golden Haze

Summer Holiday

Produced, engineered and mixed by Jonathan Low at Miner Street Recordings, Philadelphia, PA 
Mastered by Ryan Schwabe at the Maniac Mansion

Carroll is: 
Brian Hurlow- vocals, synth, guitars 
Max Kulicke- guitar 
Charles McClung- bass, vocals 
Charlie Rudoy- drums, vocals

Bad Water

Froth — Oaxaca

I know, I’ve seen, I believe
In all the engines
Of Industry or fantasy
(Depending on the season)

Bursting at the seams
What a grim reality
Now his hands are stained
Out of time to run
If you want it done,
Say please

One, two
You’ve heard it all before…
Not to trust those men
Now you’re learning it again

Don’t know, believe, or understand
What I was seeing
The infancy of a bel esprit,
Or the ruin of a seedling?

Bursting at the seams
Have the ends, by any means
Now some hands will wring
And the stage is set
For some MAGA disease

One, two
You’ve heard it all before
In the arms of I.C.E.
They embrace you at the door

All that I can see
Is a cruel mentality
Now you’re venting spleen
And the dye is cast
But we’re back on the leash

Stop me if you’ve heard this one before
In the arms of I.C.E.
You’re not welcome anymore

Arms of Ice

Arms of I.C.E.

LUPO

That's the day I've been waiting for
Driving slow around with you
From the hill where the sun is lying 
Yellow strips of gold are straining here right into my eyes

And I'm glad you chose to spend today with me
Glad to see the sun burning
Silent you and silent me, waiting
For the sun to drown into the sea.

By my side now the river slides,
Looking for a sea to feed.
And I watch the wind
That blows invisible
Dancing with the wind
I think you know well the way I feel.

And I'm glad you chose to spend today with me
Glad to see the sun burning
Silent you and silent me, waiting
For the sun to drown into the sea.

It's change
It's nothing at all
It's changed
Nothing at all.

Lupo

"This Old Dog" is from Mac DeMarco's forthcoming album, This Old Dog, out May 5th, 2017, on Captured Tracks. All iTunes pre-orders come with Instrumentals of This Old Dog and instant grat downloads of lead singles, “My Old Man,” and “This Old Dog.”

Pre-Order Digital here: smarturl.it/thisolddog
Pre-Order Physical here: www.omnianmusicgroup.com/products/this-old-dog

This Old Dog

Mac DeMarco // This Old Dog

Hoops  - "Rules"
Off their debut album, Routines, out May 5th on Fat Possum Records

Pre-order here: http://smarturl.it/Hoops.Routines
Tickets: http://bit.ly/Hoops_Tour

Tour Dates:
2/18 - Norman, OK @ The Opolis
3/09 - Nashville, TN @ Freakin Weekend at The End
3/10 - Savannah, GA @ Savannah Stopover Music Festival
3/12-18 - Austin, TX @ SXSW
5/02 - Glasgow, UK @ The Hug and Pint
5/03 - Leeds, UK @ Headrow House
5/04 - Manchester, UK @ Soup Kitchen
5/07 - Birmingham, UK  Hare & Hounds
5/08 - Bristol, UK @ The Louisiana
5/09 - Brighton, UK @ Green Door Store
5/10 - London, UK @ The Lexington
5/12-14 - Atlanta, GA @ Shaky Knees Music Festival
5/24 - Los Angeles, CA @ The Echo ^
5/26-28 - George, WA @ Sasquatch Music Festival
6/08 - Brooklyn, NY @ Baby's All Right +
^ w/ PARTS
+ w/ Joy Again

Hoops - Rules

Elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw's harp loop; kissed by the golden Californian sun, or shrouded in gloomy, dreary fog: Sophia Kennedy is currently the most versatile composer in German pop music – not to mention the greatest singer. Her debut album "Sophia Kennedy" reveals her as a dramatic romanticist and distanced diseuse, as a deft lyricist and master of melody. In her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless R'n'B, from Frank Sinatra to Beyoncé. Her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time.

Sophia Kennedy grew up in Baltimore. Upon arriving in Hamburg to study film, she instantly became a source of enchantment. On the single "Angel Lagoon", which she recorded in the autumn of 2013 with the keyboard-maestro Carsten "Erobique" Meyer, she sounded as lovely, enthralling and blasé like no other singer of the season. In the years that followed she mainly composed music for theater, feeling around for what would eventually become her own style: irony is not an important factor, it's more about appropriation and adaptation, and through effectively minimalistic means, to create space for the voice – for the singing.

Sophia Kennedy produced and recorded the album together with Mense Reents, best known for his work with Die Vögel and Die Goldenen Zitronen. Together they developed the spartan arrangements and electronic textures that determine the willfully dense sound of this album. Often, Kennedy's voice is the only instrument that pursues a harmonic development over the repetitive structures. Then she doubles and multiplies her voice and sings alongside herself in a choir. She shines with bold syncopation over a hobbling piano, as well as in the field of the melancholic lament that suggests a late Beach Boys ballad. This results in multi-dimensional, highly individual music, which easily escapes all the traps of inwardness: just as her lyrics unfold from seemingly simple wordplay to subjective confessionals without ever regressing into the euphuistic pathos of romantic self-reflection.

This is the first songwriting record to be released on Pampa Records, and yet "Sophia Kennedy" is perfectly at home on this label, which for almost a decade has been making the connection between tradition and modernity, avant-garde inventiveness and pop sensibility. One can detect different traditions and historical impressions in every track – yet you can forego all the analysis and simply enjoy the craftsmanship with which Sophia Kennedy creates an absolutely contemporary musical language from her knowledge of classic songwriting: "I want to take tradition to the limits, to where it becomes extreme," she says, yet it sounds so easy and not at all preconceived. The unheard-of refinement of this music lies in its apparent simplicity: "You just can’t be afraid," says Sophia Kennedy, "that it turns out to be pop music."

01 - Build Me A House

ORDER CD/LP - http://wharfcatrecords.com/store/pre-order-wall-untitled-lp
ORDER ON BANDCAMP - https://wharfcatrecords.bandcamp.com/album/pre-order-untitled

If you saw WALL play in NYC or at SXSW (they were No. 2 on Time Out Austin’s top picks for SXSW 2016) you will recognize some of the tracks on their new LP, Untitled. "Everything In Between" was often a set opener, albeit in an instrumental form. Here we find the definitive full band arrangement, which shows a group capable of generating wave after wave of engaging post-punk. First single "High Ratings" advances the strengths of WALL's self-titled EP with it's look at modern anxiety stemming from social media addiction: "We're all guilty," as singer Sam York howls. Their rocking cover of Half Japanese's classic "Charmed Life" is probably the closest track in tone to "Cuban Cigars," the pop moment on the WALL EP. True to the original, it features perfectly skronky sax from Pill’s Ben Jaffe. "River Mansion" displays Vince McClelland's extensive post-punk guitar vocabulary with squalls, shrieks and plinks over the band's elegant Kroutrock groove with York and Skadden's cooing vocals occasionally synching with a slippery guitar riff. Fans of Skadden's former group, Finally Punk will appreciate "Save Me" – a tale of desperation with Skadden sharing lead vocal duties along with York. These are just a few examples of songs from this diverse and intense LP, showing us a band stretching out sonically and stylistically at their peak and right before their untimely demise. 

So there you have it -- a testament to a band that formed in an instant, burned brightly and left us with two great records. Did you see WALL at Palisades, The Silent Barn, Alphaville, Union Pool, and all the rest of them? Let this LP remind you or take you there for the first time. Mixed by Mike Kutchman at Kutch 1 Studios and mastered by Josh Bonati.

PRESS
Stereogum Premieres "High Ratings" - a jamboree of demoniac guitar lines and seductively hostile vocals
PAST PRESS
Stereogum Premieres “Fit The Part” - ripping apart at the seams and bursting through with unnerving vitality
Pitchfork Review of WALL EP - In tricks like these, WALL wriggle out from the under the weight of history

BUY LP/CD

WALL - River Mansion (from the Untitled LP)

"Marion" is the first piece of new music from Beacon's Thomas Mullarney III and Jacob Gossett since the New York duo's 2016 album, Escapements.

Order links:
The Ghostly Store: https://goo.gl/SZYKUP
Retailer of your choice: https://Ghostly.lnk.to/beacon-marion

Catch https://soundcloud.com/beaconmusicnyc on tour: http://beaconband.nyc/tour/

Marion

Beacon - Marion

Someday

Futurist. Gamer. Modernism. Archetypes. Promoter of thoughtful innovations. 
-Check out my show in the link below. 

Hoops - Rules

Fat Possum Records

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