Buy on CD/Vinyl: http://bit.ly/1yR3kBq
Buy on iTunes: http://bit.ly/1w3RIVT

Eyedea & Abilities - Smile

Contrails (Jel Remix)

On January 20th, 2012 I released my album Yours Truly for the world to hear. I had no way of anticipating the success this project would have, reaching #1 on iTunes Hip-hop, charting on Billboard, and most importantly connecting with fans worldwide.

On this 3 year anniversary of the album release, I've uploaded the entire project for stream on Soundcloud for the first time along with personal commentary on the creation of every track. This is for my people who connected with this music and continue to listen to and share my story, Yours Truly.

New Zilla coming 2015...

Purchase Yours Truly on iTunes: itunes.apple.com/us/album/yours-truly/id496237044
Purchase on Bandcamp: http://solzilla.bandcamp.com/album/yours-truly

Executive Produced by Sol Moravia-Rosenberg and Jonny Sikov
Co-Executive Produced by Nima Skeemz & Elan Wright

FOLLOW SOL
Facebook - facebook.com/solsays
Twitter - twitter.com/solzilla

Sol - Intro (Prod. Teal)

Gaston Ave

GHOST

Typhoon

Dispatch - Bats In The Belfrey [Acoustic]

Cool Whip (Prod. by J.KELR and Hevln)

Grown Up - Danny Brown (Remix Submission Final) Prod. GetDown Brown

Buzzcloud (Official)

Somewhere between DJ Screw and Bad Brains, De La Soul and Scritti Politti sits Houston’s native son, Fat Tony. For the last decade, Anthony Lawson Jude Ifeanyichukwu Obiawunaotu has been everywhere: from star-making turns on the first A$AP Rocky mixtape to hosting shows on Viceland and Super Deluxe, to co-founding a DIY culture magazine to playing every worthwhile rap party in America and burning the stage down every single time. A singular and experimentally-minded rap artist adept at both traditional regional styles and indie pop, hardcore thrash and melodic candy-painted bangers. He is punk in the platonic sense of the word: experimental and subversive, but also funny, whimsical, and virtuosic. 

Over the course of more than a half-dozen LPs, and countless other short-form gems and collaborations with everyone from Das Racist to Bun B, Fat Tony has reimagined and blurred the boundaries of hip-hop. There are a few things you can depend on in this schizophrenic world. About once or twice a year, Fat Tony will drop an album and it will sound like nothing that he has done before. There’s a spirit of creative restlessness and intelligence that runs through his deep discography. He is a national treasure, one of those rappers destined to seem forever underrated until you ask around and realize that everyone in their right mind likes Fat Tony. He is the Whataburger of rappers: if you know you know. 

Raised in Houston’s historically black and culturally radical neighborhood, the Third Ward, Tony’s mom and teachers educated him from the get-go about how this was the regional cradle for the Black Panther Party -- and how BP hero, Carl Hampton, was murdered by the Houston Police Department. It was an environment where social awareness and Pan-Africanism were always around and celebrated. His childhood home was filled with records—country music, King Sunny Adé, and Jimmy Cliff from his father’s collection, his mother’s classical music, rock, and soul, and his granny’s gospel. Then as a teenager, empowered by the internet and his discovery of independent artists like E-40, Bikini Kill, and Bad Brains, Fat Tony began recording and distributing his own music. Heavily influenced by renowned Texas rappers like UGK and Scarface, Fat Tony started playing and organizing live shows at a time when there wasn’t much of a scene for young artists in Houston. He started booking bands of all types from all over, hand-making flyers for the shows and mailing them to addresses nabbed from the Carnegie Vanguard High School student directory. 

His dedication to Houston’s rap scene earned him Houston Press Music Awards’ “Best Underground Hip Hop Artist” in 2008, 2009, 2010, and 2013. Primed for more national audiences, Fat Tony began taking his music on tour and collaborated with more artists around the country. His sonically unpredictable and emotionally vulnerable music has garnered praise from Pitchfork, The Fader, and Noisey. His achievements in rap have pushed him out of his comfort zone into other performance and hosting opportunities on TV and the Internet. This fall, Fat Tony releases Exotica on Carpark Records. It heralds his most visionary work yet, an ode to the art of storytelling through music. A rich and compact iteration of rap short fiction that firmly establishes him as his own one-man genre, the preeminent post-modern griot shooting game.

Cool Whip (Prod. by J.KELR and Hevln)

Fat Tony

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