It’s difficult for me to describe these pieces in a brief text however here’s my attempt.
For these most recent pieces Compositions 1 – 4, my production methods and conceptual approach follow on from the themes in Fauve Collective you’ll find in my Overview/Introduction here : http://www.noisefestival.com/user/fauveboy and the Expertise Music production pages here: http://www.noisefestival.com/user/11638/experience. Each rendition is a result of experimentation with a variety of old and new technology from analogue synths and tape machines to computer coding and digital interfaces. Artistically I typically sought to discover neutral ground or balance with the sound. Whether there’s continuous change within a piece, or perhaps phrasing in the form of developing loops, any expressions I try to coax are summoned arbitrarily within the special projection of the boundaries in these acoustic spaces in a range of abstractions I like to try and make accessible.


Composition 1

It’s difficult for me to describe these pieces in a brief text however here’s my attempt.
For these most recent pieces Compositions 1 – 4, my production methods and conceptual approach follow on from the themes in Fauve Collective you’ll find in my Overview/Introduction here : www.noisefestival.com/user/fauveboy and the Expertise Music production pages here: www.noisefestival.com/user/11638/experience. Each rendition is a result of experimentation with a variety of old and new technology from analogue synths and tape machines to computer coding and digital interfaces. Artistically I typically sought to discover neutral ground or balance with the sound. Whether there’s continuous change within a piece, or perhaps phrasing in the form of developing loops, any expressions I try to coax are summoned arbitrarily within the special projection of the boundaries in these acoustic spaces in a range of abstractions I like to try and make accessible.

Composition 2

Composition 3

It’s difficult for me to describe these pieces in a brief text however here’s my attempt.
For these most recent pieces Compositions 1 – 4, my production methods and conceptual approach follow on from the themes in Fauve Collective you’ll find in my Overview/Introduction here : www.noisefestival.com/user/fauveboy and the Expertise Music production pages here: www.noisefestival.com/user/11638/experience. Each rendition is a result of experimentation with a variety of old and new technology from analogue synths and tape machines to computer coding and digital interfaces. Artistically I typically sought to discover neutral ground or balance with the sound. Whether there’s continuous change within a piece, or perhaps phrasing in the form of developing loops, any expressions I try to coax are summoned arbitrarily within the special projection of the boundaries in these acoustic spaces in a range of abstractions I like to try and make accessible.
Composition 4 is a collaboration I did recently with a friend studying contemporary dance. It has a tailored theme, as some of the percussive sounds are Morse code to work with a choreography concept based around the subject of communication.   

Composition 4

Compositional study with a focus on sonic gestures and textures

Gesture&Texture

Sonic composition using stochastic processes influencing the acoustic space, time, pitch and timbre of the sound

Fauveboy

Popular tracks