Sling out now

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https://Clairo.lnk.to/Sling

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https://Clairo.com
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https://Clairo.lnk.to/SoundCloud

Credits:
Written By: Clairo and Jack Antonoff
Published By: Claire Cottrill Publishing administered by Songs Of Universal, Inc. (BMI) and Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Produced By: Jack Antonoff and Clairo
Recorded By: Laura Sisk and Jack Antonoff at Allaire Studios (Mount Tonche, NY)
Second Engineering by: John Rooney
Mixed By: Jack Antonoff and Laura Sisk at Allaire Studios (Mount Tonche, NY) and at Electric Lady Studios (New York, NY)
Mastered By: Chris Gehringer, assisted by Will Quinnell at Sterling Sound
Clairo: Piano, Wurlitzer, Electric Guitar, Vocals
Jack Antonoff: Drums, Bass, Piano, Clavinet, Electric Guitar, Mellotron
Evan Smith: Saxophones, Flutes, Clarinets, Synths

Bambi

Charm out now

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clairo.lnk.to/charm

Follow Clairo:
clairo.com
Clairo.lnk.to/Instagram
Clairo.lnk.to/Twitter
Clairo.lnk.to/Facebook
Clairo.lnk.to/Spotify
Clairo.lnk.to/AppleMusic
Clairo.lnk.to/SoundCloud

Credits:
Written By: Claire Cottrill, Leon Michels, Homer Steinweiss, Nick Movshon, and Dylan Nowik
Produced By: Leon Michels and Claire Cottrill
Claire Cottrill: Vocals, Mellotron
Leon Michels: Piano, Vocals, Clarinet, Percussion, Organ
Homer Steinweiss: Drums
Nick Movshon: Bass, Mo Tuck, Percussion
Dylan Nowik: Guitar, Fuzz Bass 

Lyrics:
Da dum, da da da da dum, dum, da, da da da da dum, dum (x2)

It’s when you’re close enough to touch
I’ve forgotten the point
My train of thought destroyed

It’s when you’re loud enough to cut
In and through all the noise
My train of thought destroyed

And once you get in my ear
I see kismet sinking in
(It’s second nature)
Like the sap from a cedar
Rolling down to be near her
(It’s second nature)

It’s when you’re close enough to love
I move without a void
My train of thought destroyed

And when I tell you it’s because
I’ve known you well before
My train of thought destroyed

And once you get in my ear
I see kismet sinking in
(It’s second nature)
Like the sap from a cedar
Rolling down to be near her
(It’s second nature)

Soon you’ll realize, too
How it aligns you
Oughta know, know the 
Know the truth

Da dum, da da da da dum, dum, da, da da da da dum, dum (x2)

And once you get in my ear
I see kismet sinking in
(It’s second nature)
Like the sap from a cedar
Rolling down to be near her
(It’s second nature)

Second Nature

Luva

Love Songs

"Liquid Courage" - A soulful track that dives deep into the struggle of finding comfort in alcohol while facing emotional pain.

Lyrics:
Pour me another, I need the courage
Falling apart, it’s just like a surge
Every sip I take, it dulls the pain
But the truth’s still lurking, like a runaway train

Beneath the haze, I feel your ghost
Whispers in the dark, haunting me the most
Laughter’s a mask, it’s veiled in despair
Yeah, I know it’s wrong, but I don’t really care

(Liquid courage), talkin' 'til it’s late
Can you tell me the truth, or is it just fate
(Liquid courage), drownin' in the night
Can we fix this love, or is it outta sight

Back to the bar, where my demons meet
Wanna feel alive, but I'm stuck in defeat
Pass me the bottle, let the memories flow
Tryna numb the heartache, drink away the low

Every shot, a confession in disguise
Searching for answers in the bottom of the lies
You and I, we’re lost in the fray
Pour me another, can we find our way

(Liquid courage), talkin' 'til it’s late
Can you tell me the truth, or is it just fate
(Liquid courage), drownin' in the night
Can we fix this love, or is it outta sight

In this smoky room, the truth collides
With the bottle’s grip, we hide behind
Facing the fear of what we’ve lost
Drowning in dreams, counting the cost

(Liquid courage), talkin' 'til it’s late
Can you tell me the truth, or is it just fate
(Liquid courage), drownin' in the night
Can we fix this love, or is it outta sight

(Liquid courage), talkin’ 'til it’s late
Or is it just fate
(Liquid courage), drownin’ in the night
(Liquid courage)

#RnB #Blues #Soul #Slow
#ChromeAndSilk #Album
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

It Doesn't Work Like That (Excerpt)

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