Released on the album IN:FINITUM. Ulrike Haage, Piano, prepared piano percussion; featuring the Ensemble Laurier, String quartet.

Evocations

Released on the album In:finitum. Ulrike Haage, Piano; Eric Schaefer, Gongs.

Fingerprints

Ruhende Akten (Reprise)

Ulrike Haage, Piano & E-piano; Claude Chalhoub, Violin; taken from the Album "Weisses Land", recorded and mixed by Ricky Ojijo.

9Frogslightgreen

Ulrike Haage, Piano, Programming; taken from the Album "Weisses Land", recorded and mixed by Ricky Ojijo.

United

Ulrike Haage, Piano, Programming; ; Drums, Eric Schaefer; taken from the Album "Weisses Land", recorded and mixed by Ricky Ojijo.

Temple

From Haage's Radioplay production "Alle Vögel fliegen hoch, alle Schafe fliegen hoch, alle Engel fliegen hoch", based on the surreal stories of Leonora Carrington. Ulrike Haage, Composition, Synthesizer & Programming; Vocals by Antje Greie Fuchs (AGF).

RADIOPLAY SOUNDTRACK Nachtmusik

Musical trip through the sound universe of Haage & Schaefer, prepared piano and japanese ceramic percussion (suiruon, tatsune). Taken from the Bonus CD of In:finitum: Ana:mnesis.

Ana:mnesis II

Asa nisi masa: Ulrike Haage, piano and piano samples; Christian Meyer, additional electronics

Asa Nisi Masa

Umbra: Ulrike Haage, composition, piano samples, piano; Christian Meyer, electronics

UMBRA

This is the 5 minutes long end-credits music written for the wonderful film "Grüsse aus Fukushima. ENJOY!

Violoncello, Johanna Helm
Drums, Brigitte Haas, Eric Schaefer
Grand piano, composition, Ulrike Haage

When director Doris Dörrie made "Grüße aus Fukushima"(2016), her first movie shot entirely in Japan, her partnership with Ulrike Haage was a perfect match. Ulrike Haage composed a soundtrack which allows room for all the diverse feelings generated by this story, as her music connects unobtrusively with the pictures.



GOOD BYE FUKUSHIMA

This is music written for the wonderful film "Grüsse aus Fukushima. ENJOY!

Grand piano, electronics, composition, Ulrike Haage

When director Doris Dörrie made "Grüße aus Fukushima", her first movie shot entirely in Japan, her partnership with Ulrike Haage was a perfect match. Ulrike Haage composed a soundtrack which allows room for all the diverse feelings generated by this story, as her music connects unobtrusively with the pictures.


LEAVING MINAMISOMA

Outtake 

Grand piano, electronics, composition, Ulrike Haage

When director Doris Dörrie made "Grüße aus Fukushima"(2016), her first movie shot entirely in Japan, her partnership with Ulrike Haage was a perfect match. Ulrike Haage composed a soundtrack which allows room for all the diverse feelings generated by this story, as her music connects unobtrusively with the pictures.


BACK IN TOKYO (OUTTAKE)

Grand piano, composition, Ulrike Haage

When director Doris Dörrie made "Grüße aus Fukushima"(2016), her first movie shot entirely in Japan, her partnership with Ulrike Haage was a perfect match. Ulrike Haage composed a soundtrack which allows room for all the diverse feelings generated by this story, as her music connects unobtrusively with the pictures.


LOST FOR JUST A MOMENT

Wiegenlied

Variation on the main theme for the wonderful film "Landstück".

Abend

Original main film theme of the wonderful film "Landstück", written for violin.

Lebensgeschichten II

Pianist, composer, electronic musician, soundartist and radio author. 

Ulrike Haage is one of the most multifaceted artists in Germany today. "Every single tone & sound possesses meaning, every moment of suspension integrates into the structure, every song is a piece of art. What has never been heard departs on a tone & returns on a sound wave, measured in time immemorial and doubled in mirrors. Ulrike Haage brings to light hidden sounds - in the moment and for all eternity."(Klaus Hübner)

She once starred on the piano with all-women big-band Reichlich Weiblich, and went on to join up with Katharina Franck as the core of the highly acclaimed Rainbirds. 
She collaborated on genre-crossing and experimental projects with musicians like Alfred Harth, FM Einheit, Phil Minton and contributed to theatre productions in Zürich, Düsseldorf, Hamburg and Berlin. Since 2006 she works regularly with the drummer Eric Schaefer.

Ulrike Haage composes and directs contemporary works for films and radio, mostly published with the audiobook label Sans Soleil and the record label Blue Pearls Music. Since 2004 she releases highly respected Solo CDs. Following SÈlavy (2004, Weisses Land (2006) and In:finitum (2011) she will releases forth Solo album Maelstrom(September, 2015) and the soundtrack Grüsse aus Fukushima (2016).

Ulrike Haage Official

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