“They said the blues were six feet under. We’re still dancin’ on the dirt.”

Six Feet Above the Blues is a 15-track resurrection of grit, ghosts, and grit-your-teeth redemption. Born from rusted strings, roadside sermons, and moonshine confessions, this debut album blends Southern Gothic storytelling with boot-stomping energy and the haunted soul of outlaw folk.

Through swamp fog and shotgun sermons, you’ll meet:

A hollow-eyed preacher who barters salvation in shadows

A hellhound more loyal than any man

A banjo cursed with blood

And a narrator who swears “God Don’t Ride Shotgun”

Whether it’s the eerie waltz of “Rattlesnake Waltz,” the foot-stomping fury of “Train Don’t Stop for Sinners,” or the rowdy last call in “Ashes in the Ale,” this record walks the line between sin and salvation — and leans hard toward the former.

Fueled by banjo, bowed bass, gang vocals, and enough smoke to choke a saint, this is music for the outlaws, the almost-gone, and the ones who never stayed buried.

🪕 Come raise a glass with the damned — you’re only six feet above the blues, after all.
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Train Don't Stop for Sinners

You are my sky when the stars are shy


Come Back Slow is a poetic and emotionally charged duet performed by a male and female voice, portraying two perspectives of a fractured relationship. The song unfolds in three verses, each revealing layers of longing, regret, and quiet resilience. The male voice reflects on abandonment and emotional distance, while the female voice responds with vulnerability and unwavering presence.

Their voices intertwine in the pre-chorus and chorus, echoing shared memories and unresolved tension. The lyrics explore themes of pride, silence, and the hope for reconciliation. Instrumental sections act as emotional bridges, using ambient textures, trembling strings, and pulsing rhythms to deepen the atmosphere. The final chorus becomes an intimate plea for healing and reconnection, as both voices converge in a moment of fragile unity.

The piece blends introspective lyricism with cinematic electronic elements, creating a soundscape that is both expansive and deeply personal — a twilight dialogue between two souls trying to find their way back.

© 2025 Text & Concept by Martin Oliver Beinersdorf (MOBest)

Come Back Slow

날 반겨주는 해질녘 노을들
오늘 하루는 어땠냐고 묻지
멍하니 바라본 어두운 하늘을
뭐라고 날 다독이는지
집가는 버스안도
안에서 보는 창밖도
사람들 속에 나도
가끔은 피하고 싶은데

알아 모든 것들이 공허함으로 다가오는 걸
한숨 뱉어봐도 똑같은 걸 
물들어가나봐 스며드나봐
피할 순 없는 건가봐

하루가 지나도 많은 건 달라지지 않아
한달이 지나도 똑같아 달라지지 않아
내 맘에 비와도 내일은 흐려지지 않아
또 하루가 지나도 don't cry yeah don't cry yeah

빅톤(VICTON)승우 - 한숨

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Miss Victon

하늘

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