muito boa a ambiência da música. Parabéns grande VIBE.

Ibibio Sound Machine are set to release their debut LP through Soundway Records. Fronted by British / Nigerian vocalist Eno Williams, they combine elements of West African highlife, disco, post-punk & psychedelic electro soul. Preceded by the pulsating first single 'Let's Dance', ‘Ibibio Sound Machine’ will be released 17th March.

Folk stories, recounted to Eno by her family as a child in her mother's South-Eastern Nigerian Ibibio language form the creative lyrical fabric of the album. A large dose of electronic elements and an approach as influenced by London as much as by West Africa, give the vocals and guitar lines space to breath without being overwhelmed.

From the banging sub-bass of 'Lets Dance' to the spiritual, gospel-tinged notes of the album's opening track 'Voice of the Bird', the band have turned in a dynamic and, at times, beautiful take on modern afro-soul music.

The 8-piece live band made their official live debut at this year's Transmusicales in France and will be a name to look out for in 2014

Pre-order

Ibibio Sound Machine - The Talking Fish (Asem Usem Iyak)

https://polysormi.bandcamp.com/album/23-24-a

toka albumi

Ipnotica

An official remix of "Kossa Kossa" by Ottawa's mightiest soul outfit, The Souljazz Orchestra; a cut from their massive new record "Resistance". This remix is released exclusively on  limited edition (300 pressings) 10' vinyl courtesy of Memeplex Records, celebrating 10 years of TIMEKODE in Ottawa.

Buy on Bandcamp: https://timekode.bandcamp.com/album/timekode-x-vol-1-the-souljazz-orchestra-x-bonjay-ott
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From The Souljazz Orchestra: "Kossa Kossa" was inspired by late 70s/early 80s West African disco and boogie music.  "Kossa" was initially a type of Duala dance in  Cameroon, which later became "Makossa", the style popularized by Manu Dibango, but we really flipped the genre around and made it our own.  It's probably the Souljazz tune with the most "electronic" elements ever, since we used an old analog monosynth and a Roland 808 drum machine for the first time, along with our usual acoustic instruments."

From TIMEKODE: "For this song we really picked up the tempo a lot from the original to take it from the disco/boogie world and give it more of a house / broken-beat feeling.  We also brought the full palette of sampled and synthesized drums and bass to give the SJO a boom and rattle that only drum machines can provide. Leaning heavily on the original parts, this remix takes the song and the listener on a journey from a club in West Africa on a Saturday night circ. 1976, to an after-hours in the UK on Sunday morning circ. 2016, and back."

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Produced by TIMEKODE
Drum programming by Memetic
Additional drum programming by Zattar
Space Echo by Zattar
Pre-mixed by Memetic and Don Charette at The Memeplex, Ottawa
Final mix by Alister Johnson at The Hive, Toronto
Mastered by Jason Jaknunas at Metropolis Studios, Ottawa

Original song "Kossa Kossa" is written by Pierre Chrétien and performed by The Souljazz Orchestra

The Souljazz Orchestra - Kossa Kossa (TK Kossa Remix)

Space Echo - The mystery behind the Cosmic Sound of Cabo Verde finally revealed!

In the spring of 1968 a cargo ship was getting ready to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held. 

It was the first expo of its kind to take place in the southern hemisphere and many of the leading companies in the field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few, were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.

The ship with the goods set sail on the 20th of March on a very calm morning and disappeared from the radar on the very same day.

One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from the sea. 
After consulting with the village elders, the locals had decided to open the containers to see what was inside but the news had travelled fast and before they knew it, colonial police had already arrived and secured the area. 

Portuguese scientists and physicians were ordered to the scene; and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that the government had wasted their tax money again on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. “No need for Portuguese rocket science to explain this!” they laughed. 

What the villagers didn’t know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery penetrated the event.  

Finally, a team of welders arrived to open the containers and the whole village waited impatiently. The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass. 

It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools.
This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm and these children picked up instruments that were easy to use and would become instrumental for modernising local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, banned by the Portuguese colonial rulers until 1975 probably due to the fact that it was too sexy!

Observation was made that the children who came into contact with the instruments found on the ship had prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira who by the end of the 70s would become the country´s most important music arranger. 

8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde lead by Paulino Vieira, the mastermind behind the creation and the promulgation of what is known today as “The Cosmic Sound of Cabo Verde”. 




GET THE RECORD

Dia Ja Manche  - Dionisio Maio (Leave a comment for Dionisio, tell him how much you love his song !)

112 kbps file for preview - don't be a dunce!

It’s Moscow disco! Russian selector extraordinaire @arsenii makes his RNT debut with a 3 tracker of obscure and infinitely groovy edits. From the Shaft-in-outer-space drama of “Son of the Sun,” to the proto-balearic lilt of “Jungle Melody” to the big band funk of “Fool Like A Child,” Arsenii demonstrates his skill at digging through and slicing up his ample record collection. A pretty yellow 10” with a classic jazz library label design rounds this one out nicely!

You can chart the release on Juno here:
www.juno.co.uk/products/arsenii-edits/612781-01/

Arsenii - Jungle Melody (Edit)

Grupo Magnético present El Sonido Magnético

Having notched up over a decade of playing together under various guises, Grupo Magnético are finally ready to release their debut album El Sonido Magnetico on Atenas Del Norte, imprint of acclaimed label Athens of the North.

The Forthcoming LP saw the band performing together with a supporting stella cast of guest singers and musicians from Colombia, New York, Cuba, Venezuela and the UK, who’s credits include playing and recording with legends including the likes of Tito Puente, Celia Cruz and Ray Barretto. 

These live tracks were mixed in New York by acclaimed Grammy award-winning producer Aaron Levinson, who has previously worked with Fania Records, Bio Ritmo, Jimmy Bosch and the Spanish Harlem Orchestra. 

Grupo Magnético play heavy salsa with echoes from the golden era of New York and Colombian 70’s salsa.

Grupo Magnético -  Vampiras

For fans of Chaos in the CBD and Masters at Work. Afro-influenced spiritual house from two graduates of the Bari school of jazz Nicola Conte and Gianluca Petrella. Out on Milan label Schema.

Read more & buy: http://www.stampthewax.com/2017/11/09/premiere-nicola-conte-gianluca-petrella-new-world-shuffle/
Listen on Youtube: http://bit.ly/-yt-new-world-shuffle

Listen on Youtube

Nicola Conte & Gianluca Petrella feat. Bridgette Amofah - New World Shuffle (STW Premiere)

Available from https://www.mrbongo.com/products/african-dances-vinyl-lp-cd

First official reissue of the extremely rare full-length album by Lagos-based bandleader Shina Williams. Clean copies of the original currently sell for up to £500.

The record was born in 1979 when Shina put Biddy Wright, Fred Fisher, Saliu Alabi, Prince Bola, Tutu Shoronmu, Tunde willimas and several other decorated Nigerian musicians – who played with the likes of Fela Kuti, SJOB Movement, Sonny Okoson, King Bucknor amongst others – together to record. The result is ‘African Dances’, a timeless fusion of afrobeat, electronics, boogie and disco.

Includes his most well-known song, ‘Agboju Logun’ that Williams knew was ground breaking – “I want to show the whole wide world that Africa is alive with modern musicians to reckon with anywhere,”. This album version is a different mix to the two-track 12” that came out under on Earthworks, Rough Trade in 1984.

Official Mr Bongo reissue. Replica original artwork. Licensed direct from Shina Williams.

Agboju Logun

GAMM083
vinyl release: SOLD OUT
digital release: OUT NOW

01: Catch Monkey (Vocal) 
02: Let Yourself Go
03: Taxi Driver
04: Catch Monkey (2 AM Dub) (DIGITAL ONLY)


Rich Medina: Awesome. The stuff sounds tough man. Great job! I'll be banging these joints for sure. Salute!

Daz-I-Kue: Sounding great brother. Particularly liking "Catch Monkey"

Cosmo Baker: Such a DOPE release... Man I am gonna be banging these shits out for real!

BUY the release

Sol Power All-Stars EP sampler GAMM083

Mixed and produced by Adam Scrimshire
Mastered by Walter Coelho
Artwork from a painting by Jonny Drop
All kit drums played and recorded by Chris Boot.
All other instruments including Fender Rhodes, piano, Juno-6, percussion, drum programming, guitars and bass by Adam Scrimshire. 

His fourth album, musically, 'Listeners' draws from Scrimshire's passion for jazz, soul and electronic music of all styles; from an energetic combination of Afrobeat and garage on 'Won't Get Better', to the lushly orchestrated neo-soul of 'Thru You', and the harmonious jazz experimentations of 'I Never'. The album features a host of esteemed guest vocalists and musicians telling their own personal stories, including Georgia Anne Muldrow, Emma-Jean Thackray, Joshua Idehen, Madison McFerrin, Chip Wickham, and James Alexander Bright.

"With this album I wanted to get a more focused sound after six years of relearning and development in the studio. But I also struggled to find my own words, to speak about where I/we are now. So I allowed my collaborators total freedom to tell their own story and as they came back to me, they were telling the same stories I wanted to. It's resulted in some deeply personal confessional pieces: mourning family, collapsing relationships, extremes of self doubt and analysis, trying to balance public and inner persona, and a reminder that life in all forms is important.

It’s called 'Listeners' as I am a listener here, I feel like I've been given these very personal experiences to care for. Listeners because, the travesty of the last few years is that we stopped listening to each other, everyone is shouting at each other and no one is learning. And Listeners because I hope I've made something that is for other people more than I have before. I've tried to craft something warmer and more enjoyable, made for those who give me their time in listening to my music."
- Adam Scrimshire

Since joining the Wah Wah 45s label in 2007, Scrimshire has released three albums of experimental cinematic jazz, and electronic sounds. Following his 2009 debut ‘Along Came The Devil One Night​’, his second album ‘The Hollow’ (2011) was a BBC 6 Music Album of the Week, with Gilles Peterson calling it “A late contender for album of the year”.

In the time since the release of his last album ‘Bight’ (“An eclectic range of influences ranging from disco to fusion to more contemporary electronic styles” XLR8R) in 2013, Adam has worked with long-time musical accomplice Dave Koor on new project Modified Man, and launched Albert’s Favourites releasing projects by The Expansions, Hector Plimmer and Jonny Drop. He has continued to gain radio and DJ support for his successful “Scrimshire Edits” series and has produced and mixed records for artist including Stac, Daudi Matsiko, Bastien Keb, Rōnin Arkestra, Jonny Drop. He has also continued to develop the Wah Wah 45s label, where he is now a co-owner and director.

Listeners

Theme For Us feat. Joshua Idehen & Chip Wickham

Songs by Di Monaco, Barbera. 2008, Favorite Records.
More info: www.myspace.com/modosolar

Natural (Ultrafunk Patchworks Remix) (Modo Solar)

fdimonaco

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