Hi Guillaume, I'm a big fan of your music. Do you mind to share the piano sheet of Piano 108 to me if possible? Piano 108 is really impressive and I wish I could learn how to play it. My email is yulikuisle@gmail.com

Classical

THE FREEMARTIN CALF (an original soundtrack) 
original music by Frédéric D. Oberland with Gaspar Claus
poetry & film by Jayne Amara Ross 

Out on Deluxe LP+DVD & Digital - September 23th 2013 via Gizeh Records
ORDER: https://fredericdoberland.bandcamp.com/album/the-freemartin-calf-ost

FILM TRAILER: https://vimeo.com/14898901

///

“An arresting film narrative and  a provocative stand-alone soundtrack. Moments of beauty are many." Textura

“Delicate and very effecting. A comparison would be the spoken elements of Swans and lyrically it shares much with the film noir cool of Enablers." Nine Hertz

“Shot in stark black and white and imbued with a mesmerising dreamlike fragility, the film’s look brings to mind some of the great Expressionist movies of 1930s Germany as well as Tarkovsky’s Stalker and the work of modern masters such as Béla Tarr”. Decoder Magazine

“Elegant, harrowing, and consistently captivating." A Closer Listen

“Deeply evocative and dangerously sensual.” Fluid Radio

///

The film The Freemartin Calf was shot on super 8, hand-processed and edited at home by Jayne Amara Ross between 2009 and 2010.

The music was composed and recorded at Magnum Diva Studio by Frédéric D. Oberland with Gaspar Claus /// Mixed on an analog console at Le Fresnoy by Maxime Champesme /// Mastered to tape at Durton Studio by Nils Frahm /// Jayne Amara Ross: narration /// Frédéric D. Oberland : electric bowed guitar, fender rhodes, piano, kalimba, harmonium, theremin, bowed glockenspiel, bells, electronics /// Gaspar Claus: cello /// Maxime Champesme: sound design, field recordings

///
www.fredericdoberland.com
www.jayneamaraross.com
www.myspace.com/gasparclaus

ORDER LP+DVD

On The Edge Of The Great Precipice (feat. Gaspar Claus)

A collection of music from some recent scoring projects

What Had They Done

Back To Earth

facebook.com/tragicsasha
twitter.com/tragicsasha
instagram.com/tragicsasha

https://spoti.fi/2I6ZNbL

Gracious

Swing on the moods 
Watch the thread, it’s quivering
Alter you
 Dance in the gloom
Hold the hand, I’m lingering
Rally you

I want to be with you
but dear,
you veer, you veer

I want to be with you
but dear,
you veer, you veer
you veer

Sway on the lake
Grey, the swan you’re living in
Master you

Leap off the break
Void, the gap you’re conquering
Love you

I want to be with you
but dear,
you veer, you veer

I want to be with you
but dear,
you veer, you veer
you veer

I’m forever at the moorings of your heart

Veer

Over several years, Guenter Schlienz has graced labels such as Constellation Tatsu, Sacred Phrases, S.I.N.K. CDs, SicSic, Preservation so we are very excited here at Rural Colours to be added to that list with his latest work Peace.

After noticing that several friends had begun to end emails marked 'Peace', Guenter Schlienz, ever full of questions, started to ponder on the meaning of the word in this context.  Around the same time he started to read Henry Miller's book 'The Collossus of Maroussi' and was intrigued by a couple of paragraphs devoted to exactly this question: what is "the meaning of peace". He came to the conclusion that there is much more to "peace" than just the absence of war.  The albums track titles are words by Henry Miller, and the work is Guenter's humble attempt to gather sounds and atmospheres around those lines.

Using modular synths combined with tape loops, analog and digital delays, vintage electronic organ and guitar, Schlienz works within a romantically inward looking framework, creating music that comes from deep within.  His compositions reflect themes of tenderness, alienation and homecoming and feature a range of guest musicians including Masako Kamikawa (piano on  'Reverberation of the Pandemonium') and Niko Lazarakopoulos (guitar on 'Faint Whispers') and even an anonymous busker from the streets of Stuttgart on 'Who Put the Demons There?'

inspired by henry miller's book "the collossus of maroussi". / "i never knew the meaning of peace until i arrived at epidaurus ".

Artwork by Katie English / This is rural colours 82
https://ruralcolours.bandcamp.com / vote for us

Guenter Schlienz / Peace (Snippets)

My first solo piano EP that i wrote and recorded over the past few weeks. I used the Una Corda VST by Native Instruments. 
The original piano called "Una Corda" was built by David Klavins.

Artwork by Leandra Domscheck

Una Corda

Max Richter - On the Nature of Daylight

Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Ashot Danielyan in the social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Tears

Spotify

Ashot Danielyan - Tears

A Shaming (Original Film Soundtrack)

Piano 108

What are we ?
Who are we ?
In this falling world
All this because of us

Locked in our heads
Locked in our rooms
Will we survive ?
Is it too late ?
Will we accept
To lose our power ?
To stop our want ?
And bend our knees to her

What is wealth ?
What is fame ?
In this world losing its life
All this because of us.

Locked in our heads
Locked in our rooms
Will we survive ?
Is it too late ?
Will we accept
To lose our power ?
To stop our want ?
And bend our knees to her...

For Her

All pieces are absolute improvisations and always first take. I travel through Europe as a freelance piano technician to assist workshops. And when comes the night, I record in the dark my fears and my gratitude to this life. Mistakes and noises are part of the music since I refuse to hide the imperfection of my skills. My goal is to throw as raw as possible extremes emotions until I run out of breath. Thank you to make my music exists.

ayo, sometimes I make beats 

 (ﾉ*ﾟｰﾟ)ﾉ ♡ヽ(*ﾟｰﾟ*)ﾉ

Piano 108

Feather Drug

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