Lessons of a Winding Road (instrumental outro) (prod. Twisted Dev/CoolSplash)

Take Off

Enemy

Two opposing pianos and strings. Fear disorientation second solution.

Seq56 Ee  Hide And Reveal   From  "Ars Amandi"

Yellow Brick Road - The Subsequel Mix

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FCO - Falling 4 U

Falling 4 U

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Obsolete Overdrive

Live mix whit Serato scratch live
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Track List:

1. Wax Tailor - Que serà
2. Chinese Man - Eight y Cinco
3. Chinese man - Elysean Fields
4. Ancient Astronauts - Impossible
5. Mellow Mood - Dem can't give us dub
6. Rico Rodriguez - Wareika vibes
7. Deela - El Mechanico
8. The Architect - Looking for mongo
9. Flamingosis - Brunch at the bodega
10. Blundetto - Mustang (Blanka version)
11. L'Entourloop feat. The Architect feat. Skarra Mucci - Dreader than dread
12. L'Entourloop feat Capleton - Burn deem down
13. Michael Lener - Boombox 
14. Degiheugi - Work it
15. Chinese man - More
16. The Architect - Le Pensees
17. Marvin Gaye - Inner city blues (Make me wanna Holler)

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Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - IV. Balinese scherzo

Raffles Before Waterplace

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Orchard (Z Bong)

Wake Me Up

Dj & musician, here you find:
rude groovy black music, chill beats music for tripping.

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