Vril  [ Giegling ] Germany

giegling.net

Smoke Machine Podcast 089 Vril

Here is my Berghain 01 mix that I release back in 2005. Enjoy!

André Galluzzi - Berghain 01 - (Ostgut Ton) 2005

LIVE @ TTT | TRESOR 20 JAN 2023 | 1ST HALF

A live recording from 2st day of rural2023 at midnight by Vladimir Ivkovic.
His set was  epic and beautiful psychedelic journey, from hypnotic,dark world to sentimental and moving moments.

Vladimir Ivkovic at rural2023

"Woven with a characteristic sentimental string, you'll find yourself among the depths of 2000s drum and bass, the dreamy respite of downtempo and the intricate beauty of modern-day IDM.

This mix is dedicated to my longstanding love for ASC's 'Deep Space' mix series, a love that  now projects toward contemporary platforms like INVEINS ~ I'm so grateful to be here."

@pjenne

INVEINS \ Podcast \ 103 \ Pjenné

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

@napmusick

Photo by D. Tiffany (@d-tiffany)

pi/live: NAP @ Nowadays Nonstop 12-07-2024

INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/earthen-sea

For the 390th edition of the IA MIX Series we are thrilled to share a deep dive into jazzy neo-noir ambience from American producer Jacob Long, aka Earthen Sea.

Currently based in New York City, Long is a DIY lifer, with over twenty years dedicated to Earthen Sea's wide range of sounds from long-form noise and drone recordings, minimal dub techno, and ethereal ambient experimentation. Long spent his early musical years in the Washington, D.C. hardcore group Black Eyes, before heading to San Francisco with bandmate Daniel Martin-McCormick to work with Damon Palermo on Mi Ami.

While all three members branched off into their own solo electronic projects (Ital/Relaxer for Martin-McCormick and Magic Touch for Palermo), Long's work as Earthen Sea originated in the early 2000s. It began with longer experiments in drone and ambient before morphing into the icy dub techno many came to know from releases on Kranky and Lover's Rock.

Recent LPs, such as 2024's Recollection, have veered to ambient, dub, and jazz-influenced tracks that consistently deliver the goods. For his mix, Earthen Sea offers an exhilarating combination of gamelan recordings, jazz, and dub techno. You will find it an ideal companion for your morning coffee or a night drive through empty, foggy cities. We also got to catch up with Jacob and learn about reuniting with Black Eyes, how recent live sets have incorporated saxophone driven drones, and his life-long love of skateboarding.

Read

IA MIX 390 Earthen Sea

Our old bro and longtime friend @Apua delivers this sexxxyyyy mix. Get down with your lovers and have a goood time. enjoyyyy ;)

https://www.instagram.com/apua_kbf/
https://soundcloud.com/apua

Radio Pager Episode 62 - Apua

A bit dubby on the sides, yet warm and smooth deep into the core. AGP's warmed up the Tresor Berlin dancefloor right before Ion Ludwig in August 2025, morphing the soundwaves into various shades of house music. Give it a listen for that special "I was I was there" feeling!

Follow https://soundcloud.com/anthonygeorgespatrice

Once Upon A Time: AGP - Deep In The Box at Tresor Berlin [August 2025]

The Accident

Born in Cordoba, Argentina, now based in Los Angeles, CA
Federico has been studying and experimenting with different kinds of sounds and instruments starting at a young age. His interest in the evolution of electronic music and their components has allowed him to create a unique harmonic blend between different styles while mastering a smooth mixing technique, bringing you on a journey of creative energy and possibility.

While his passion for music and art keep him very busy, he made the time to get his degree in Architecture from the Nacional University of Córdoba, his hometown. His eye for design and structure and taste for music makes him appreciate the relationship, rhythm and beauty of both.

In recent years, Federico has been releasing music on various record labels, further expanding his artistic reach and solidifying his place in the electronic music scene.

The Accident

Federico Daiup

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