amo este video y todos tus track   llenos de esperanza como cuando uno descubre un tesoro y tiene  5 años

Thanks a lot. I missed your music. What a release!

beautiful music, love the repeating vocal.

can you remember your umbilical cord?

We’re happy to announce the welcoming of Heather Woods Broderick to our roster with her new album Domes. The album will be released on May 13th 2022 on vinyl, tape and digital. After having released solo albums on Western Vinyl and Preservation, Domes presents the first entirely instrumental work of the California based multi-instrumentalist.

Domes is a collection of meditative pieces based around the cello. While not being her primary instrument, the cello holds a very special place for the artist. Throughout the past 2 years, Heather often felt the need to find moments of respite in response to the chaotic and turbulent times we all faced in that period. Her days started or ended with the cello. A single melody initiated a process in which new elements were gradually added to the initial loop until the sounds filled her up. This process and the instrumental nature of these pieces opened the path for self-reflection and enabled her to express emotions outside the world of words or lyrics:
 
“The cyclical nature of the loop combined with the sound feeling like it’s surrounding me feels serene and safe. My hope is that listeners experience this as well.” - Heather Woods Broderick
 
Domes is a documentation of that period and offers 7 pieces which to the artist feels like dense masses – strong grounding sounds that can hold weight or be used to disperse weight - in an emotional sense. The album title, Domes, reflects this idea as domes are made out of triangles – the strongest shapes in the physical world. Coincidentally, there are 7 different triangles. As such, the pieces on Domes each reflect a different triangle, a different strongest shape which offers the listener a solid basis to find rest and calmness.

Artwork by Femke Strijbol
Mastered by D. James Goodwin

DAUWLP020

Heather Woods Broderick - Figura

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

SUPPORT THIS ARTIST

Structures Based On The Plasticity Of Sphere Surface Tension

This track has been released on vinyl on the 20th april 2015 by Emotional Response and it is available from:
http://www.juno.co.uk/products/abul-mogard-harmionius-thelonious-schleissen-1/555224-01/

Digital download available from: https://goo.gl/033W7A

Dizziness that shakes rivers and mountains

blip Vol.1

June 2016

~ blip Vol.1 ~

00110010

'Essay' is the long awaited first full ambient album by Warmth. A collection of hazy textures, intricate soundscapes and field recordings, presented in a beautiful 4-panel CDr.

Written and Produced by Agustín Mena.
Mastering by Zzzzra.
Archives23 // ArchivesCD005
Archives / 2016

Buy CD Repress/Digital

Warmth - Essay

A new piece made with Crumar Performer synthersizer + Roland Space Echo RE-201 + Count To Five. Small melodies drifting ~* One take recording ~*

Lluvia de estrellas

ATN037 - Radiante Pourpre - I

One-take synth improvisation, taken from 'All In The Same Room'.
Buy tape + digital at nicemusiclabel.bandcamp.com/album/020-all-in-the-same-room

All In The Same Room

Grapefruit

Hermosa colaboración entre Buenos Aires y São Paulo. "Adormidera" mi nuevo trabajo-souvenir para la Gira Europea con serigrafías originales de Gustavo Gialuca. Una edición de Si No Puedo Bailar No Es Mi Revolución y Pudú, mi pequeño sello de cassettes.

A beautiful collaboration between Buenos Aires and São Paulo. "Adormidera" (Poppy) a cassette-souvenir for the European Tour with original screenprints from Gustavo Gialuca. A release by Si No Puedo Bailar No Es Mi Revolución and  Pudú, my little cassette label.

Adormidera - Preview

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

"Reiterations" by First Tone from "Reactions" 2xLP/Digital due out October 2019.

"Reiterations" by First Tone

from the album 'because of a flower' available 11/13

because of a flower

ana roxanne 'suite pour l'invisible'

happy to announce the start for pre-order GRFTPS002
@gallery-six - The Waves Wiped Memories Away

http://giraffetapes.bandcamp.com/album/the-waves-wiped-memories-away

limited edition cassette / digital now on bandcamp

video for "Sentiment" here - https://youtu.be/6mf4iBzcFIc

--
七月の波はすべてを拭い去った
あの日の喜びも悲しみも
僕はただそれを見ていた
二度と戻らないその思い出を
夜が明けるまで
あの波打ち際で

The waves of July wiped away everything
The joy and sorrow of that day too
I merely watched memories that will never get back
At the edge of water until dawn
~~~~~

-- Hidekazu Imashige

Adormidera - Preview

Federico Durand

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