Name: Clavel by Federico Durand in Thinking and Thinking AND WRITING
Duration: 5 min 23 s
Description: A new piece from my unreleased album "El solitario viento de Dios"

Featured on 'mixtape for dawn', february, 2014 : yourmind-bookshop.com/archives/4587

muy muy muy bueno!!!! el sigur ros de la america latina!! Que malo que no assistimos a sú show! Un gran Abrazo!

You're creating wonderful warm sounding and calming ambient pieces! :-)

Thinking and Thinking AND WRITING

Languid Gongue

Only Casino for Miles

@0 EP3

Aqua (from Playing Piano for the Isolated)

A new piece from my unreleased album "El solitario viento de Dios"

Clavel

Jasmine Guffond - Useful Knowledge

a winged victory for the sullen 'steep hills of vicodin tears'

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075
or via iTunes here: http://snip.ftpromo.net/apologues

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Moonlight

Masayoshi Fujita – Moonlight

a very rough edit of a much longer improvised ambient piece

for the moment

Through signs that never arrive and streetlights that refuse to shine, light makes its way through broken streets and fading echoes. Veins of neon pulse in the shadows, fragile but enduring, while the mechanisms of silence turn ceaselessly. In this fragile geometry, illumination emerges not as brilliance, but as presence, gently carried, born of a silent persistence.

Lanterns That Never Glow

Dirt

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Pre-order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://Ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - Jimmy V

A new track, "Within" which will be featured on the upcoming benefit compilation "Disquiet" featuring Eluvium, Ryuichi Sakamoto, Olafur Arnalds & Nils Frahm, The Album Leaf, Loscil and more...learn about the compilation here: https://www.facebook.com/heliosmusic/photos/a.128839957182974.24793.122941591106144/1246216768778615/?type=3

www.unseen-music.com
©2017 All rights reserved

Helios - Within

03 183 Times

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura's music remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura's debut Music for Nine Postcards for the first time outside Japan in collaboration with Hiroshi's widow Yoko Yoshimura, with more fully licensed reissues of Hiroshi's work to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura's artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Postcards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Postcards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building's architecture. This was not mere background music in the prior Japanese “BGM” sense of the word, but “environmental” music, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70's Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space, a new way of listening: sound not as an absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie's furniture music, R. Murray Schafer's concept of the soundscape and Eno’s ambience all greatly informed their work,  but the specific form of tranquil stasis presented on releases like Nine Postcards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of it's construction. This record offers the perfect introduction to Hiroshi's unique and beautiful worldview: it's one that can be listened to - and lived in - endlessly.

Music for Nine Post Cards

Hiroshi Yoshimura (吉村弘) - "Dance PM" from Music for Nine Post Cards (EOS01) OUT 11/17/2017

Lakefront

In November, Berlin-based cellist and composer Anne Müller released her long awaited astral debut solo album 'Heliopause'. Named after the border of our solar system, the record crosses physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory. ⠀

'Heliopause' followed several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled '7fingers', appearances on Ólafur Arnalds & Nils Frahm’s 'Collaborative Works', Nils Frahm’s 'All Melody' and his acclaimed soundtrack for the film 'Victoria', Lubomyr Melnyk’s 'Fallen Trees', as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007. 

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after. Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics Deluxe Edition and Aventine)and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

“Müller is superb” — The Guardian⠀
“Once you’ve reached the edge of the solar system, why rush back to Earth?” — Pitchfork⠀
“A meditative collection of gorgeous cello pieces” — NPR⠀
“Plaintive, lyrical and sporadically sublime” — UncutMagazine ⠀
“A confidently bold and richly detailed effort” (8/10) — Exclaim!
“Heliopause is a work of some sophistication” — Electronic Sound Magazine

Clavel

Federico Durand

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