Stage

Previewtrack from the new 'die Nachtstunde' album: "Flüstern macht gemeinsam." (2014), follower of 'Klangwandler' (2011). 
 
Die Nachtstunde is the more electronic moniker of Herbstlaub. 
www.federleicht.be

die Nachtstunde - 05 Flüstern macht gemeinsam. (FDL#03, summer 2014)

Opening track from the album "Flüstern macht gemeinsam" (FDL#03).

die Nachtstunde - 01 Gemeinsam (FDL#03)

GAME TYPE BEAT - MORE UP

💵 Purchase | Instant Delivery:
https://www.beatstars.com/beat/18173239

💠 Sample/Loop: No!
💠BPM: 140
💠Key: A Major

🌐 Socials Skyscraper Seven:

🥀  Beat Store:       https://sk7md.beatstars.com/
🌹  Spotify:           https://open.spotify.com/artist/2lGPvWxiBFWT5sTWMipD9T?si=qXEIkWh7Sk2AV52bEMeuog
🌻 Instagram:       https://www.instagram.com/skyscraper_seven/
🤞  Sound​Cloud:   https://soundcloud.com/skyscraperseven
💚 YouTube:          https://www.youtube.com/channel/UC3ZMMyfnmpVjbs0C1z9D0qw
☘️ Deezer:            https://deezer.page.link/qZ79v48vUa7U...
🍀 Shazam:          https://www.shazam.com/gb/artist/2095...
🍏 Apple:              https://music.apple.com/us/artist/sky...

MORE UP

GAME TYPE BEAT - MORE UP

Artists: Mikaël Delta & Hior Chronik
Album: The First Ray
Catalog Number: SSS064
Release Date: Fall 2015

2015 is proving to be a busy year for George Papadopoulos (aka Hior Chronik), whose third full-length album ‘Taking The Vail’ (Kitchen. Label) and collaborative double-vinyl project with Arovane ‘In-between’ (A Strangely Isolated Place) are due to be released within the year. ‘The First Ray’ (Sun Sea Sky Productions) sees Hior Chronik collaborating with prolific Grecian electronica artist Mikaël Delta, and kicks off a semi-regular series of collaborations from the artist on the imprint.

Drones and ambient fields drench this release with an emotional frequency full of strength, inner treasures and awakening - creating an exquisite recording that attempts to transcend the temporal or physical, replacing these instead with the light of consciousness.

© 2015 SUN SEA SKY PRODUCTIONS

Mikaël Delta & Hior Chronik - The First Ray (Sampler)

Max Cooper & Tom Hodge live at Radialsystem on 6 March, 2015.

Space for experiments and special encounters: We are happy and excited about a night to remember at the sold-out hall of Radialsystem with two amazing musicians from two different spheres meeting on stage for the first time ever. 

Many thanks to Max Cooper and Tom Hodge, to a fantastic audience and our great staff for beautiful lighting and amazing sound.

Special thanks to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.
Photo: Markus Werner.

If you like what you hear, support the artists!
www.maxcooper.net
www.tomhodge.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Max Cooper & Tom Hodge @ UM:LAUT - Fragments of Self (Live)

Christmas gift for my family. Never published. 
Music made in the Old Etonian Hotel, London. December 2015.

Tobe

This is the audio from our live improvisation filmed 17th March 2016: http://www.youtube.com/watch?v=EXXAz_6pxfQ&feature=youtu.be . The audio has been taken from the video and improved for listening. Faith Brackenbury plays Violin and Joel Pike plays Guitar and Piano. It is completely improvised and live in one take with no rehearsal beforehand. It's also called "If We Play -variation" as it shares the same key and a small theme from that track appears somewhere in the improv. If We Play is a track from the forth coming 3rd album from Tiny Leaves. Thank you for listening!

If We Play - variation  [live improv]

We are very happy to present you the first new release on Back Home after a long pause. Check out YGLO´s refreshing & stunning Weekender EP!
"The daily warmth slowly fades, the sun moves in lower paths, indicating that the indian summer has arrived. When you're burning up the coals of the campfire with another twig, hoping this time will never end. Fridays sun starts to set while the sparkling fire is still up,tangling with the night sky and you're dancing with your friends into saturday - until you fall asleep. Waking up at dawn. You stoke the last coals to keep you warm on this sunday morning."

Yglo - Sundays

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Hédi

Listen / Purchase: https://lnk.to/mscars

Meander scars are geological features formed by the remnants of winding or meandering water channels. They are caused by the varying velocities of current within the river channel.

Lost Tribe Sound's second installment in its 8 album subscription series, 'We Stayed The Path That Fell To Shadow' comes courtesy of friend, musician and talented music writer, Gavin Miller. While his name may not be instantly recognizable to some, Gavin has been creating music for nearly a decade as one half of the sublime electronic ambient duo, Worriedaboutsatan, and has quite a few solo releases under his belt. In addition, Gavin has been a invaluable force in bringing many overlooked musical acts to the forefront through his brilliant writings for the UK publication, Drowned in Sound. 

'Meander Scars', Gavin's new double album is very much a departure from his previous output. While the use of acoustics has always resided in the backdrop on many of his solo and group efforts, it's plain to hear that with 'Meander Scars' these natural elements have risen to the top. Lost Tribe Sound is the ideal home for a Gavin Miller this delicate and organic. 

The aerial visuals formed by meander scarring and the origins of their creation, fit both the artwork and the vibe of music incredibly well. The long-form compositions were constructed from a series of slow churning rhythmic guitar loops, warm noise, soft synths and distant choirs which build over time into colliding patterns of pastoral bliss. Patient and mindful listening is key for these innocuous sounds to begin to carve their saturated pathways through the mind. Much like a river meandering over thousands of years, slowly dragging away the sediment and scaring the surrounding land, these pieces begin to take form, eroding away the malleable earth, letting gravity take hold to travel the course of least resistance.  

Being the ever curious and meddling types here at LTS, we engaged multi-instrumentalist and label mate Aaron Martin (From the Mouth of the Sun) to utilize his gorgeous cello sounds and other odd bits in his musical arsenal to fill out moments in the songs. Graciously, Aaron joined in, adding trembling washes of strings, chimes and other indiscernible noise to Gavin's compositions. Gavin than revisited his original material, carefully layering and balancing in the new instrumentation from Aaron. 

Excited by the results, Gavin shared them with us, and it was undeniable that Aaron's arrangements had created deep new conduits for the ears to follow. Yet, it wasn't until this moment that we fully appreciated the beauty of the original works. Torn by which versions to present as the final album, we realized why not present them both.  

Each version had a seemingly different affect on our conscious. The 'Upper Course' with Aaron Martin's additions, flows very much like a young river, faster, more active and commands the listener to be more attentive. Whereas, the original source material of 'Lower Course' mimics the behavior of an older river, slow flowing, in moments coming to a crawl. It's no longer the force able to move large boulders from its path. Yet in its stripped down form, it allows the listener to more easily traverse its tame currents, becoming the perfect cyclical backdrop needed for writing, drawing, and a multitude of other tasks requiring increased mental faculties.

Meander Scars

Upper Course I

Buy Album

Gavin Miller - Upper Course I (feat. Aaron Martin)(from Meander Scars)

[2010-2016] Music to continue what is lost. /// &#13; &#13;
Moon was full here every night. Federleicht was the heimat of belgium ambient artist 'Herbstlaub' who also worked  under the monikers 'die Nachtstunde' and 'This is where we Sleep' (collab). Herbstlaub is more instrumentally rooted and sounds more ambient while die Nachtstunde has explicitly more beats, minimal and dub influences. &#13;
FDL.BE was intended as a platform to release this varied work on and as a central reference point to get in touch with these various releases.&#13;
Most releases are limited, but mostly you can download them for free: <a href="http://www.federleicht.be" rel="nofollow" target="_blank">www.federleicht.be</a>&#13;
&#13;&#13;
2016
Herbstlaub - This is soon too late 
Herbstlaub - Seems Like Time To Remember, Seems Like The Moment To Forget

2015&#13;
Herbstlaub - New Insights From Forgotten Clouds, New Hints From Forgotten Memories.

2014&#13;
Herbstlaub - Hauch 12"&#13;
Die Nachtstunde - Flüstern macht gemeinsam&#13;&#13;

2013&#13;
Herbstlaub - Our Love Was Only Half Forgotten&#13;
Die Nachtstunde - Dreifarbenwelt (Entropy Records, EL.018)&#13;
&#13;
2012&#13;
Herbstlaub - Streets Aren't For Dreaming Youth&#13;
Herbstlaub - Remnants [Entropy Records]&#13;
Herbstlaub - This Grace Is Only Reaching Out To Surrender &#13;
&#13;
Other Heights - As We Are [remix]&#13;
Herbstlaub - Oostmalle Airport [ASIP008] &#13;
&#13;
&#13;
2011 &#13;
Herbstlaub - Per Sonare [Other Heights]&#13;
Herbstlaub - Zwischenwelt&#13;
die Nachtstunde - Klangwandler&#13;
Herbstlaub - Dämmerleben&#13;
&#13;
2010&#13;
Herbstlaub - Sonnewende&#13;
&#13;
&#13;
Thank you.

die Nachtstunde - 05 Flüstern macht gemeinsam. (FDL#03, summer 2014)

federleicht-be

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