This is a life alteringly good piece of music. Fucking Wow.

❤️❤️❤️ θυμηζει ερωτα πανορμου

For today’s program I’ve invited Orla Wren, an artist from North England releasing music on Flau, Facture, Home Normal, and most recently Oak Editions, to share with you his favorite pieces, which happen to be from film. It’s a beautiful chronicle, with its own special plot and emotional journey: 

"For this mix I collected many fragments of music, dialogue and foley sounds which were taken directly from the films themselves and which I then arranged variously and carefully placed to construct some possible narrative. I always feel drawn to the most intimate moments within a film, most often I find it’s where the music and story hold the most emotion and poignancy. This mix is made with love and respect for the film makers, actors and the musicians, thank you for the beautiful moments." - Orla Wren 

Orla Wren - Filmscores Two

Taken from the album 'Vertical Land' out now.

DL : https://itunes.apple.com/gb/album/vertical-land/id989259810

CD/LP :http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=vertical+land&rh=n%3A229816%2Ck%3Avertical+land


Vertical Land

David John Sheppard - Seconds, Minutes, Hours

2. track of my upcoming debut "Window Gazer" to be released 18th of september via Hellbig Music



Afloat

from 'Symmetry'
Denovali Records · den227
available on 3xCD | 4xLP | DIGITAL formats at [http://denovali.com/rd]

Limited collectors edition containing the albums:
Progress Chance
Assimilating The Shadow
As Iron Sharpens Iron, One Verse Sharpens Another

Ricardo Donoso has composed a new paradigm of ambient music, in which concrete textures and digital synthesis expand on an abstract world in constant movement & mutation. Under a chain of progressive rhythm’s, cinematic textures and elegant melodicism, Donoso’s work pushes through with piercing strength, manipulating a sonic wave through space with nothing but pulse and mind blowing intensity.
Although Donoso’s work has coalesced into a much broader and dynamic beast, his early work continues to be a source of inspiration. ‘Symmetry’ now compiles Donoso’s first three albums, lovingly referred to as the “Digitalis Trilogy” which includes Progress Chance, Assimilating the Shadow and As Iron Sharpens Iron, One Verse Sharpens Another in a deluxe 4LP boxset & 3CD edition.
A truly entrancing journey of polyrhythmic counterpoint, the ‘Symmetry’ collection takes in influence from minimalist composers such as Reich & Riley, early techno and trance, and lush and deeply harmonic ambient music. It’s possible to look at the ‘Symmetry’ trilogy as a blueprint to Donoso’s later work in both its musical scope & thematic grandeur. Amidst all of its wide eyed, dreamlike states there is always a rumbling of subtle violence piercing just underneath the surface creating a truly immersive experience.

Progress Chance

Ricardo Donoso - Morning Criminal

Taken from moogmemory (2016)
https://matthewbourne.bandcamp.com/album/moogmemory

Friday 4 March - BRISTOL Colston Hall
Saturday 5 March - LONDON BFI
Sunday 6 March - SALFORD, Islington Mill
Thursday 17 March - BRIGHTON Komedia
Friday 18 March - SOUTHAMPTON Turner Sims 
Saturday 23 April - GLASGOW Outskirts Festival. Platform


Pre-order moogmemory

Somewhere I Have Never Travelled

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
www.federleicht.be

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Olafur Arnal

Ólafur Arnalds - RGB (Late Night Tales: Ólafur Arnalds)

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Berlin based cellist and composer Anne Müller, announces the release of her long awaited debut solo album 'Heliopause'. 

Heliopause follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL: https://idol.lnk.to/Heliopause

Heliopause

Nummer 2

Buy LP/CD/DL

Anne Müller - Nummer 2

02 Hobi

[p*dis] distribution sampler for May 2013

Greg Haines - Where We Were - Something Happened (Denovali)

[2010-2016] Music to continue what is lost. /// &#13; &#13;
Moon was full here every night. Federleicht was the heimat of belgium ambient artist 'Herbstlaub' who also worked  under the monikers 'die Nachtstunde' and 'This is where we Sleep' (collab). Herbstlaub is more instrumentally rooted and sounds more ambient while die Nachtstunde has explicitly more beats, minimal and dub influences. &#13;
FDL.BE was intended as a platform to release this varied work on and as a central reference point to get in touch with these various releases.&#13;
Most releases are limited, but mostly you can download them for free: <a href="http://www.federleicht.be" rel="nofollow" target="_blank">www.federleicht.be</a>&#13;
&#13;&#13;
2016
Herbstlaub - This is soon too late 
Herbstlaub - Seems Like Time To Remember, Seems Like The Moment To Forget

2015&#13;
Herbstlaub - New Insights From Forgotten Clouds, New Hints From Forgotten Memories.

2014&#13;
Herbstlaub - Hauch 12"&#13;
Die Nachtstunde - Flüstern macht gemeinsam&#13;&#13;

2013&#13;
Herbstlaub - Our Love Was Only Half Forgotten&#13;
Die Nachtstunde - Dreifarbenwelt (Entropy Records, EL.018)&#13;
&#13;
2012&#13;
Herbstlaub - Streets Aren't For Dreaming Youth&#13;
Herbstlaub - Remnants [Entropy Records]&#13;
Herbstlaub - This Grace Is Only Reaching Out To Surrender &#13;
&#13;
Other Heights - As We Are [remix]&#13;
Herbstlaub - Oostmalle Airport [ASIP008] &#13;
&#13;
&#13;
2011 &#13;
Herbstlaub - Per Sonare [Other Heights]&#13;
Herbstlaub - Zwischenwelt&#13;
die Nachtstunde - Klangwandler&#13;
Herbstlaub - Dämmerleben&#13;
&#13;
2010&#13;
Herbstlaub - Sonnewende&#13;
&#13;
&#13;
Thank you.

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

federleicht-be

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