I like - 3

MIMS is over the moon to premiere the brand new remaster of Lucas Santtana's "Ogodô Ano 2000", featuring the legendary Tropicalista, Tom Zé. A psychedelic dose of dubbed and acid-fried samba.

"Ogodô Ano 2000" was originally recorded by Zé himself and released in 1992. Santtana chose to re-record the song for his 'lost' album '3 Sessions in a Greenhouse' and asked his uncle, Tom Zé, to contribute.  15 years after that album's release, Mais Um is releasing the album on vinyl and digital formats for the first time, remastered by German dub shaman, Stefan Betke/Pole.

Lucas tells us, "Ogodô Ano 2000 was a song that my band and I used to play during the soundcheck of the tour to promote my second album, around 2003/4. During these soundchecks we were just having some fun, experimenting with applying dub techniques to samba - yet these sessions then became the foundation for my album '3 Sessions in a Greenhouse', released originally in 2006. Tom Zé is actually my uncle so it felt right to ask him to perform the vocal".

'3 Sessions In A Greenhouse' is a lost classic from the catalog of one of Brazil's most regarded and influential contemporary songwriters. Apart from Tom, it also features mangue beat pioneer, Gilmar Bola 8.

Lucas Santtana's 3 Sessions In A Greenhouse, produced by Recife's dubsetter himself, Buguinha Dub, fused psyched-out samba and baile funk with original Black Ark-style studio distortion and spiritual dub dread, laying the foundations for his seminal Sem Nostalgia LP five years later, and in the process, establishing Santtana as a pioneer of Brazil's current new wave.

Pre-Order

Exclusive Premiere: Lucas Santtana feat Tom Zé "Ogodô Ano 2000" (Forthcoming on Mais Um)

http://ghostcapital.org/gerardo-sanson-fred-mcdonald-danza-negra/

Gerardo Sansón & Fred McDonald -- Danza Negra (Cumbia) 196x

■Lyrics
森「ラ」万象　旨けりゃいいのよ
天下で一等　ハピハピよ

（レディース＆ジェントル麺！）
（生まれは中国、育ちは日本）
（北の味噌から南のそばまで、いざ…すすれ～！）

朝からお腹がグーチョキパーコー
テンション好調マシマシ気分
1日3食バリカタ上等
千変万化のファンタジア
醤油に豚骨・塩・味噌・麻婆
白湯濃厚鶏出汁気分
一癖あるのもたまには最高
ニンニク入れますか？人間やめますか？

人生なんとか鳴門海峡
替え玉無料は感無量
あっさり？こってり？
欲張り大歓迎！

森「ラ」万象　旨けりゃいいのよ
天下で一等　ハピハピよ
濃いめ硬め多めのロマンス
ギルティなトキメキ

メンマにチャーシュー　ライスもいいけど
お残しなんて　ダメダメよ
至福の一杯　神のみぞ汁完の予感
いただきます！

札幌・旭川
函館・津軽・仙台・酒田
燕三条・十文字・喜多方・白河・気仙沼
勝浦・小田原・八王子
高山・高岡・安養寺
富山ブラック・湖国ブラック
京都・台湾・和歌山・亀山
播州・徳島・広島・尾道
博多・長浜・長崎・久留米
熊本・宮崎・鹿児島・沖縄
（あ～、お腹空いた）

お腹が空いたらチャルメラ満了
味変完了カラフル気分
1日煮込めば骨まで重畳
変幻自在のファンタジア

汁なしムードも知る由なし
担々・まぜそば・油そば
ニンニク　ショウガに
豆板醤でコンバージョン

森「ラ」万象　旨けりゃいいのよ
天下で一等　ハピハピよ
サイドメニューは恋の駆け引き
ミルキーなドキドキ

ジャンクに淡麗　何でもいいけど
食わず嫌いは　ダメダメよ
恐悦至極の　暖簾分けの連食
いただきます！

今日も　明日も
朝も　夜中も
心のままに駆け込め

（ごちそうさまでした～）

らーめんシスターズ - RAMEN SISTERS!! (Prod. By Nizikawa)

Alakorô (domínio público / tradicional)

Tony Allen + Metá Metá

Tony Allen: bateria / drums
Juçara Marçal: voz / voice
Kiko Dinucci: violão, guitarra / acoustic & electric guitar
Thiago França: sax tenor
Marcelo Cabral: baixo / bass
Maurício Bade: percussão / percussion

Daniel Bozzio (DvBz): gravação, mixagem / recording, mixing
Felipe Tichauer: materização / mastering

gravado no estúdio/ recorded at: Finetuning
produzido por / produced by: Thiago França

-------------------------------------------------------

Denso e espiritual, o trio paulista Metá Metá (“três em um” em iorubá), formado pelo guitarrista Kiko Dinucci, a cantora Juçara Marçal e o saxofonista Thiago França apresenta com exclusividade na Goma Gringa o compacto 'Alakorô' que conta com a participação de Maurício Bade na percussão e do lendário Tony Allen, baterista nigeriano idealizador do Afro-Beat ao lado de Fela Kuti.

A música de Meta Meta propõe um som novo e próprio, influenciada pela música afro-brasileira e alimentada pelas referências musicais de seus componentes, do samba ao free jazz, do afro ao punk.

O Akorô, (‘pequena coroa’ em iorubá), é uma pequena corôa de metal, usada ou por Ògún ou por a sua esposa Oyá.

A faixa intitulada ‘Alakorô’, em iorubá “dono da pequena coroa”, é uma saudação para Oyá, onde ritmo e melodia induzem a um transe, guiados ora pelo canto de Juçara Marçal, ora pelo saxofone de França.

O Lado B, ‘Sao Paulo No Shakin’, propõe uma leitura mais urbana do encontro entre o saxofonista Thiago França, o baixista Marcelo Cabral e o produtor Daniel Bozzio com Tony Allen, onde o ritmo repetitivo e fluido é levado pelo saxofone numa produção sinuosa e hipnótica.

“Rootsy and modern at the same time, Metá Metá are inventors for the new music scene in Brazil” Tony Allen

-------------------------------------------------------

A capa, assinada por Kiko Dinucci é impressa em duotone. Baixo relevo no papel de bambu com técnica tipográfica por Carimbo LetterPress. Detalhe na espessura do papel pintado. Peça gráfica.

GG7-003 | Metá Metá c/ Tony Allen  "Alakorô"

A three-movement piano ode in D minor and F minor, exploring desire, seduction, and ecstatic freedom with chromatic harmonies, driving rhythms, and expressive dynamics.

Ode to Desire - DJ Dyablow

The "Pretty Little Lightning Paw"

Microphones In The Trees

More Action! Less Tears!

Re-edit da música "Kiriê" (Catoni/Norival Reis/Joel Menezes) gravada em 1977 por Georgette, no LP A Moça do Mar, pelo selo Tapecar.

Kirie (Mok Edit)

Alice Coltrane & Carlos Santana Illuminations

Brazil 45, number 75 https://www.mrbongo.com/products/carlos-sodre-ciumeira-rasga-teu-verso-vinyl-7

Double sider of uptempo vintage MPB samba jazz from Carlos Sodré, originally released as a 33rpm ‘compacto’ 7” single on Copacabana in 1965.

Carlos Sodré – Ciumeira

LIL BIG MAN

Headphones

Faixa de 2010 lançada no álbum "Geração SP" e produzida por Gustavo Ruiz.

Luísa Maita - Neblina

The Cranes were one of Uganda’s most popular teenage bands in the 1970’s. Founded in 1965, they metamorphosed at the end of the 1970’s into the Afrigo Band which is still, up to today, the number one band in the country. What’s love and Joy, both written by singer and guitarist Tony Senkebejje, appeared in 1974 on the only Cranes’ LP ‘Top Ten Hits’.
When the album hit the record stores in Kampala, bad luck had befallen The Cranes. A month before the recording of the album their bass player Jessy Kasirivu was killed because of President Idi Amin’s amorous association with his girlfriend. Senkebejje, scared for his life, fled to Kenya, only returning to Uganda 15 years later. The song What’s love describes how confusing love can be to a young soul and is partly inspired by Kasirivu’s death. Joy is a love song for Senkebejje’s wife Rachel who followed him to Kenya and who has been singing lead and playing guitar with him in their Simba Sounds Band ever since. Both songs feature prominently in the documentary Bwana Jogoo: the ballad of Jessy Gitta (2019 – 70 min – UG/NL/FR) which investigates the death of Jessy Kasisirvu at the hands of Idi Amin‘s State Research agents. Bwana Jogoo, directed by Dutch filmmaker Michiel van Oosterhout, showcases many great 1970’s songs from Uganda while letting Uganda’s musicians of yesteryears recount fond memories of one of their own, Jessy Kasirivu. These are the folks that worked and socialized with Jessy and knew him better than most. Their accounts of the events that led to Jessy’s disappearance are riveting and haunting. It lays bare a hitherto unexplored subject and one deserving of serious interrogation and scholarship – the naked power of authoritarianism and sexual predation.

The Cranes

The Cranes What's Love/Joy New Afro7 single - snippets

Criolo e Mulatu Astatke

If you collect vintage 70's soul-jazz vinyl, there is a good chance that you already own a record that features the amazing vocal talents of Dee Dee Bridgewater. Whether it be Roy Ayers, Norman Connors, Billy Parker or Carlos Garnett - Dee Dee is the glue that fuses these artists together.

Although best known for her jazz work, Dee Dee has had a wonderfully rich and varied career encompassing soul, musicals, gospel, and underground disco from the 70’s to the present day. She is still active as a vocalist, composer, and producer and remains one of our favourite vocalists at Mr Bongo HQ.

We take things back to the early years of Dee Dee's career with her debut album 'Afro Blue'. Recorded in Tokyo in 1974, the album was released exclusively in Japan via two different Japanese labels (Trio Records in 1974 and All Art in 1985 respectively). Each release had unique cover art and we have opted to present the album in its original 1974 form.

'Afro Blue' features an exquisite collaboration of American and Japanese musicians, such as Cecil & Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka.

The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue’. It is arguably one of the finest albums in its genre.

This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.

Tracklist:
A1.Afro Blue
A2. Love Vibrations
A3. Blues Medley (Everyday I Have The Blues / Stormy Monday
Blues)
B1. Little B’s Poem
B2: Raindrops Keep Fallin’ On My Head
B3: Love From The Sun
B4: People Make The World Go Round

Alice Coltrane & Carlos Santana Illuminations

FEEBLEDISCOLICKER

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Kala Btz

raaiss blaan

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