Birds - It's A Long Way To Go (To Escape The Human Race)

Warzou - Do A Barrel Roll

Bandcamp : 

https://delajelespere.bandcamp.com/album/decoys

No Sir : 

https://linktr.ee/anniemurnighan

De la... je l'espère :

https://linktr.ee/delajelespere

Decoys explore the ways that internal perception distorts and develops as it navigates the fluid boundaries of the self. The EP’s title invokes the distracting and alluring elements of an incomplete double—an illusion that, upon closer inspection, uncovers something perhaps even deeper than its originating source. The title track pairs driving rhythms with dark, rustling atmospheres and layers of competing bass punctured by the screech of unidentifiable machines to create a relentless forward momentum with no clear destination. “Imitation Body” layers found sound to assemble a beat that pushes and pulls with a distinct swing, anchored by ghost-like ambiance and an insistent low end. On “Fear Of Others,” paranoia and uncertainty channel into a chest-rattling dubstep excursion. As the track shifts between two distinct moods, the elements anchoring it mutate and shift. The EP closes with “Respite,” a breathy half-time closer accented by bursts of frenetic sound and warbling bass, as though the music itself is resisting disintegration.

All original tracks written by No Sir
Remixes by Chewlie and GillieLove
Mastering by Damna
Artwork by Camille Giunti (clubkidzstudio)
Text by No Sir & Charlotte Strange
Distribution by Underscope

No Sir - Decoys

Mathis Ruffing - Y3000

READ > inverted-audio.com/premiere-rodman-the-flock

Cluster Traxx continue to push boundaries with the arrival of 'Birds of Paradise', the latest offering from Mexican producer Rodrigo Gutiérrez aka RodMan...For our premiere, we’ve picked 'The Flock', a track that unfurls like a sentient, cosmic gathering sent to twist your mind. It’s a stratospheric flight through warped, bird-like echoes from creatures dwelling on distant planets. The beat’s breakneck pace slices through the atmosphere, like a laser-guided sequence of spacey vocals and trance-kissed arpeggios. From the first kick, you’re thrown into a hypnotic vortex - percussive tension builds like a slow, deliberate drag through quicksand, each rhythm pulling you deeper into the void. The second minute brings a sudden shift - distorted lasers collide in a brutal solo, before the track erupts in a chaotic maelstrom of slithering synths and infectious polyrhythms, ensuring that 'The Flock' is a ritual for the senses, not just the body.

@rodmanmx
@clustertraxx

RodMan - The Flock [Cluster Traxx]

DANSE AVEC Pack # 2 drags you through the shadowy depths of bass-centric realms, where experimental textures and electronic, murky soundscapes reign supreme. 

www.dalfrecords.bandcamp.com

@kletis
@danseaveclesfousrecords

PREMIERE : Kletis - Tomorrow Thinking

The newest undertaking emerging from Ghosttowns’ sphere, introduces the VA-format to the label for the first time. Born out of the synergy of gathering some ever-inspiring artists through a united drive, this project sheds light on the rather uncompromising aspects of its identity. Over the course of ten tracks, some of the most capable producers display a phenomenally transgressive hybridity in sound, while granting a multitude of highly effective appliances. Between raw power, absorbing complexity and polyrhythmic thunderstorms every contribu - tor expressed a personal take on the high-energy demanding moments.

Noria Lilt
@norialilt
www.instagram.com/norialilt_/

Ghosttown
@ghsttwn
www.instagram.com/ghosttownsound/

GTVA01

Your Lies Is Not The Point

Premiere: Noria Lilt - Your Lies Is Not The Point | Ghosttown

New track 🗣️ 'Voices' for Intifada Records ✨ Thank you to Petra from IR for the invite. It's a privilege to be on a compilation with so many legends and cuties. 100% of the proceeds from this release will be given to local critical relief efforts through the @beirutsynthcenter to help with the ongoing war and injustice in Lebanon ⋆˙⟡ 🇱🇧 ᯓᡣ𐭩

Mastering 🎛️ @analogcutmastering

Voices

Brussels-based imprint Maloca is proud to present percussive connoisseur Coen’s sophomore mini-album, Moshpit: an 8-track exploration where focus and intensity rules all. As the title suggests, the release marks a more abrasive turn after 2023’s Slop Drop & Roll.
 
Feeling like a new direction was needed for his second mini-album, Coen went back to his roots. There, the artist re-discovered a love for Slayer and the brutal, near out-of-control power found in thrash metal. Through this recapturing of his teenage years, he found his approach, developing methods for transposing the genre’s raw aesthetics into his stripped back, drum-forward sound.
 
The result is a listening experience dominated by double-time kicks, corroded walls of texture and a level of intensity not heard before in the London artist's work. Moshpit acts as an ode to Slayer and the brutal, relentless energy of thrash metal, taking the genre on a conceptual level and translating it into Coen’s universe. 

Despite this aesthetic turn, the album also stands as an evolution, rather than a revolution, from Coen. The orotund percussive tones and lethal high energy grooves of Headbanger and Roll Play are nods to 2023 standout Pressure Roll - weapon of choice for DJs across the spectrum including Bonobo, Bambounou, Ahadadream, Toumba & Lu Su.
 
Moshpit also sees Coen at his most concentrated, distilling what he does best down to its most vital and essential form. Each track bristles with a cinematic, metallic sheen and never feels too busy, with the artist getting the most from recordings of his studio’s collection of percussion instruments – with many of the textures on the album becoming distorted abstractions of drums found in it. 
 
The artwork, made by Coen himself, bristles with coarse texture, without becoming drowned in noise - an appropriate visual guide to the sonic landscape to be found in Moshpit. 

Coen - Headbanger

Rotterdam via London based producer and Feed The Void label head Birds returns to her own label with a brand new EP ‘Space Transmissions From A Cruel World’, a bass heavy ode to the sad state of Planet Earth.

Opener ‘Wicked Games’ is as sub filled builder; the distorted acid line contrasting to the lower frequencies and cutting through strong on a layer of vocal samples and Birds’ own vocal.

‘Save Humanity. Forget Authority’ is a breakbeat number with a kick that packs a punch. The track’s message is clear: the world is in crisis and humanitarianism is coming second to authoritarianism and greed.

‘Brug Open, Motor Af’ is an homage to The Netherlands and the Zuid-Holland West Coast sound that brought her here. One of the samples you hear is the monotonous drone of the Rotterdam’s Mathenessebrug opening whilst the vocal is suitably vocoder heavy. This contrasts to the chopped up Drill vocal sample that works as base for the track and adds a melancholic and serious feel to it. Beat wise, it’s as Electro as it gets with her signature 303 making an appearance mid way through the track.

‘It’s A Long Way To Go (To Escape The Human Race)’ is an Amen Breaks track whilst the simple 3 note lead line gives it a mild 80s pop-esque feel, contrasting greatly to to the sub-y Drum n Bass style bass line. This track is an immediate snap shot into the multiple genres that inspire the artist.

‘Shake Things Up’ builds and drops through sonic layering, the way a shoe-gaze track might but is still essentially a Bass music track that lyrically questions life’s unspoken rules and expectations.

‘Space Transmissions From A Cruel World’ is probably Birds’ most musically ambitious record yet and one that fully incorporates her sonic pallet and the wild journey you might find yourself on during one of her DJ sets, whilst also acting as a social commentary. It has a unique-ness that’s often missing within the dance music industry.

Artwork by Johana Pejic. Mastering by Ben Pest. 

Buy it here: https://birdsmusicnl.bandcamp.com/album/space-transmissions-from-a-cruel-world

Buy it here. 

Snippets - Birds - Space Transmissions From A Cruel World

SF’s Pteron returns to Ommaya Records following last year’s split EP Egosphere with kk.Shucko, offering an immense excavation of tension and rhythmic mystery on Alpheratz. The opening’s quiet pull intensifies until it parts like a veil, revealing a meticulously sculpted deep-space landscape. “Che” and “Outer Orbit” push deeper into fog-laden percussive interplay, perfectly suited to a Bay Area warehouse. "Face Off" delivers sharp-edged, gritty bass manipulations and rhythmic shards that feel crafted for techno wayfarers in pursuit of the ever-elusive drop.

Remixes arrive from Brooklyn’s Sobolik, key member of Kindergarten Records and All Centre, and SF scene staple Oso Feo of Sutro FM, each reframing the EP for distinct underground territories. Sobolik’s take on “Alpheratz” channels the original’s tension into shimmering polyrhythms and expansive synthwork, opening the track into a luminous, trance-adjacent space, while Oso Feo’s remix of “Face Off” strips it into a low-slung, slow-burning roller that hums with restrained intensity, tailor-made for dawn-lit dance floors.

Pteron
@pterontracks
www.instagram.com/_pteron_/

Oso Feo
@osofeo
www.instagram.com/kuma.feo/

Ommaya Records
@ommayarecords
www.instagram.com/ommayarecords

Alpheratz

Face Off (Oso Feo Remix)

Premiere: Pteron - Face Off (Oso Feo Remix) | Ommaya Records

Listen to "A Decade Of Cuts" by Delta Division taken from VA "10 Years Of Shaw Cuts" out now via Shaw Cuts

Bandcamp: https://shawcuts.bandcamp.com/album/10-years-of-shaw-cuts

"It all began with “Have Sword, Will Travel“, an EP that started the „armed“ journey with its many different ups and downs. But the label is still here and celebrates its 10th anniversary today. Besides being pretty emotional about the fact that this journey is still continuing after so many years, I’m also looking back at an intense period of time full of doubts, disappointments and mistakes. Especially social media leads us to believe that every life is so exciting, spectacular and unique and that you are doing something wrong compared to all of this glamorous self-promotion. If you really start comparing to these blissful images, things feel miserable very fast. But instead, the healthiest things are to just be yourself, to follow your vision no matter how slow and complicated things evolve and to avoid doing things that feel wrong and factitious. And because of that, everything is right where it should be for Shaw Cuts and it’s still so much fun and exciting to run this project. I’m trying my best to keep things going and to keep things fresh & exciting - hopefully for another decade.

Thank you all for the genuine appreciation and support of all the music that got released over the past 10 years, for having an open mind for all the different projects and for helping the label to grow and develop a certain brand recognition and identity. Without you none of that would have been possible. Have Sword, Will Travel."

Links:
Delta Division 
https://soundcloud.com/deltadivisionmusic
https://www.instagram.com/delta__division
Shaw Cuts
https://soundcloud.com/shaw-cuts
https://shawcuts.bandcamp.com
https://www.instagram.com/shaw_cuts


bandcamp

Delta Division - A Decade Of Cuts (Shaw Cuts)

A record label by Birds.

www.feed-the-void.com
https://feedthevoid.bandcamp.com/

Snippets - Birds - Space Transmissions From A Cruel World

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