merci Ffys, je me l'écoute en boucle! !D

An tan ke kretyen gen kote pou nou pa ale. Nan podcast sa a nou prezante w "Lieux a éviter # 4 bonne écoute !
Si w ta renmen gade vidéo a klike la 👉

VideoToMp3

LIEUX À ÉVITER Épisode # 4 Pasteur Marcello Tunasi

FEELIN MUSIC & FFYS Present

*LA JAMAIQUE*

48mn of Sweet Jamaican Soul !

-----------------------------------------

FEELIN MUSIC is proud to bring you "LA JAMAIQUE", a 48Mn mix of Sweet Soul/Reggae crossover with legendary artists from Jamaica that have shined during the 70's .. 

Selecta BOO from the FOOD FOR YA SOUL collective put together 15 forgotten tracks and PHIL'EAS from BLACK DIAMOND SOUND is on the mic for a smokey journey into the roots of the Jamaican Soul movement.

We are pretty sure that it will bring sun in your speakers in these cold days … So enjoy this mix !

-----------------------------------------

-Mix by BOO (Food For Ya Soul)
-Host by PHIL'EAS (Black Diamond Sound)
-Labwork by CHIEF
-Artwork by MEYK

www.feelinmusic.ch
www.ffys.mx
www.meyk.ch

la_jamaique

Order <i>Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978</i>, out now on Strut:
<a href="http://georiot.co/5oB">iTunes</i> • <a href="http://georiot.co/3ZL">Amazon</a> • <a href="http://bit.ly/HaitiDirect_StrutStore">Strut Store</a>

From the liner notes:
Super Jazz des Jeunes are an institution of Haitian music. Headed by saxophonist and arranger Réné St. Aude, they developed what they termed  ‘Voudou Jazz’, blending traditional folk songs and rhythms with big band arrangements – something also promoted by the more uptown orchestra of Issa el Saieh. First coming together in the early 1940s, the Jazz des Jeunes were 20-year veterans when “Coté Moune Yo” was recorded and represent a side of Haitian music that pre-dates – and at the time opposed - the compas explosion.

Sung by Gerard Dupervil, “Coté Moune Yo” is a big band setting of a traditional Haitian folk song, adding the traditional vaksin to the line-up.

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Super Jazz Des Jeunes - "Cote Moune Yo" [from Haiti Direct]

Lionel Benjamin 'Montreal'

Eclats 4

Descends sur nous (Live)

OSTINATO RECORDS PROUDLY PRESENTS

OSTLP/CD001

TANBOU TOUJOU LOU: MERINGUE, KOMPA KREYOL, VODOU JAZZ, & ELECTRIC FOLKLORE FROM HAITI 1960 - 1981

COMPILED & CURATED by VIK SOHONIE

"What a superb compilation this is. This might be the most surprising compilation of 2016 yet." - Songlines Magazine

ORDER NOW: 

Bandcamp: http://bit.ly/1Oh3k6s

Amazon: http://amzn.to/2aEWE49

iTunes: http://apple.co/2apEMFT

Available on 2xLP Gatefold, CD, and Digital.

Selected from an array of private collections and radio archives in Brooklyn, New York, and multiple digging trips in Port-au-Prince, Jacmel, Gonaives, and St. Marc, Haiti, are twenty tracks that encompass the vast diversity of styles during the seminal years of musical innovation and percussive potency in Haiti. From the legendary, elegant big band dance parties in iconic nightclubs of Port-au-Prince to the rhythms of the countryside; from accordion-driven meringue and Vodou-derived drum patterns, to hypnotic tenor sax arrangements and psychedelic interpretations of folklore, the music of 1960's, '70's, & '80's Haiti enjoys a royal repute across the Caribbean, West Africa, and the Colombian coast. 

In the golden era of Haitian music, between the 1960s and 1980s, experimentation and electric reinterpretation of traditional rhythms was rife, along with the sophisticated balancing of a host of influences. There’s the jazz-era instrumentation, brought during the early 20th century American occupation, which introduced horn sections to Haitian ensembles. Cuba, cultural imperator of the Afro-Atlantic and perennial ally of Haiti, imbued Meringue, Mambo, Son, Guajira, Charanga, and a slew of Afro-Cuban styles into the Haitian repertoire. Accordion-driven Colombian Cumbia and Dominican Merengue left their mark. A melting pot of sound was all held together by the countless rhythms, drum patterns, and percussion brought across the Atlantic from Africa, surviving slavery’s violent cultural repression. 

Nago rhythms from what is today Nigeria and Benin, Kongo rhythms from Central Africa, and Petwo rhythms from the Vodou traditions of Guinea, among many others, were revived and given special importance in an age of black consciousness, driven by the Negritude and Noiriste philosophies of Afro-Caribbean intellectuals like Jamaica’s Marcus Garvey and Martinique’s Frantz Fanon and Aimé Césaire. 

The lasting result is a rich, layered terrine that spawned Haiti’s Cuban-inspired Meringue, the dominant Kompa Direct of Nemours Jean Baptiste, the silky tenor sax-led Cadence Rampa pioneered by Webert Sicot, psychedelic Mini Jazz, and the dancefloor-filling Vodou Jazz compositions of de-facto national orchestra, Super Jazz de Jeunes. At its peak, Haitian music was widely distributed, proliferating its unique blend of sound across the Francophone Caribbean and West Africa. 

Recordings capturing this vibrant laboratory of colliding influences were produced and pressed in Haiti, the United States, France, and elsewhere in the Caribbean. Huge catalogs from the heavyweight record labels of the time—IBO Records, Marc Records, and Mini Records—and the smaller, private presses have largely been gathering dust and bugs, left to warp in the damp humidity... until now.

"Aprè dans, tanbou toujou lou (After the dance, the drum is always heavy.)"

CREDITS: 
PRODUCTION, CURATION, RESEARCH, & LINER NOTES: Vik Sohonie / New York, NY
MASTERING ENGINEER: Michael Graves / Atlanta, GA 
GRAPHIC DESIGN: Pete White / London, EN
PHOTO RESTORATION: Artisan Photo Restoration/ New York, NY
CD COVER DESIGN: Kathi Remest / Berlin, GE
MANUFACTURING: AtoZ Media / New York, NY 
LEGAL: Savur Threadgold LLP Law / New York, NY 

SPECIAL THANKS to Samuel Merizema, my friend and guide in Haiti, whose resourcefulness and hard work made this compilation possible. 

 © & ℗ Ostinato Records 2016. All Rights Reserved. Unauthorized duplication or distribution of this sampler is prohibited.

Buy Now

TANBOU TOUJOU LOU: MERINGUE, KOMPA KREYOL, VODOU JAZZ, & ELECTRIC FOLKLORE FROM HAITI 1960 - 1981

Sink your teeth into this fruity 1970's Haiti summer soiree, from the radio archives, private collections and multiple digging trips to Haiti, courtesy of repress imprint @ostinatorecords.

Read more & buy: http://www.stampthewax.com/2016/06/23/premiere-rodrigue-milien-et-son-groupe-combite-creole-rapadou
Listen on Youtube: bit.ly/RodrugeMilien

Strut: Haiti Direct

Listen on Youtube

Rodrigue Milien et son Groupe Combite Creole - Rapadou (STW Premiere)

Edit of a killer French Caribbean tune, made for Racubah!

D.P. Express - E E E E (Hadj Edit)

J'rap encore

Jouez pas les gangsta (feat. Sofiane)

Gang (feat. Oumar & SAM)

Legba

QUALITY BEFORE QUANTITY

Feelin' Music members:
Moka Only
John Robinson
Chief
Deheb
Melodiesinfonie
Swarvy
S.Fidelity
Flexfab
Ruff Draft
Sev Seveer
Willy Sunshine
Boombaptist
Jon Rogers
Jazzo

Affiliate & Friends
---------------
Jet Silver
Food For Ya Soul
Elaquent
Mitsu the beats
Ta-ku
Mr.Dibiase
MNDSGN
Ras G
Devon Who
Suff Daddy
Lefto
Tall Black Guy
Noza
Monk
Bugseed
Sijinski

For more info:
info@feelinmusic.ch
www.feelinmusic.ch

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