This is bloody fantastic!!  Am loving this expressive, inspiring and fun free-form jam with a rich variety of sounds -- many thanks!!!!

the elevators aren't running

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Gravity (feat. Jana Hunter of Lower Dens) [Clip]

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

‘Gravity’ is the third single taken from the new third studio album ‘Lost’ by Trentemøller. With the drum setting inspired by early Krautrock this wonderful and mulitlayered song still breathes the Trentemøller signature. The vocals have been contributed by Jana Hunter, singer of Baltimore based band ‘Lower Dens’ and melt perfectly with ‘Gravity’.

On the B-side we’ll find a remix by Copenhagen & Berlin based band Pinkunoizu who are currently stirring a buzz with their new album ‘The Drop’. Their version puts the song in a new light with re-arranged drums and a hypnotic build.

Gravity (feat. Jana Hunter)

Trentemøller - Gravity (Pinkunoizu Rемiх) (feat. Jana Hunter of Lower Dens)

From the album Some Shards For The Void
Release Date: 3rd July 2014
www.duskdarter.com.au

Tony Irving & Adam Cadell - An Invasion of Glass Locusts

The title track from the upcoming debut album by Daughter's Fever, out June 1st on hellosQuare and launched at Capital Jazz Project @ The Street Theatre on June 7th, 7:30pm

BOOK FOR LAUNCH: http://www.thestreet.org.au/?page=cjpdaughtersfever

Daughter's Fever - Daughter's Fever

off the Mouse Sluts EP by Dan Melchior, Graham Lambkin, Letha Rodman-Melchior and Glen
on sale here:
http://bruit-direct.org/prod/mouse-sluts/

Mouse Sluts - Vaccanti

single from FEET TEETH's album GOUT - to be released JULY 2016 alongside BRUXUS [on hellosQuare recordings].  Features collaborations with Erik Griswold [Clocked Out - Piano], Andrew Tuttle [MiniBrute Synthesizer], Luke McCallum [Ghost Notes - Trumpet], Kahl Monticone [Guitar] and Timothy Tate[Analogue Electronics]

Six Minutes And Three Seconds

FEETTEETH

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