sampled: the awakening - when will it ever end

Loutseau - White Bear

Staring At The Wall w/ Jurango Noods Show: SIU MATA

FM. Taken from HAAi's debut album ‘Baby, We’re Ascending’, out now! Listen/Buy Here: mute.ffm.to/haai

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

Mix - Marta Salogni
Additional Production - Francine Perry
Mastering - Matt Colton

Creative Direction + Photography - Imogene barron
Graphic Design - Raissa Pardini

HAAi DJ Dates: ra.co/dj/haai

Connect:
Instagram: www.instagram.com/haaihaaihaai/
Twitter: twitter.com/haaidj
TikTok: www.tiktok.com/@haaidj
Facebook: www.facebook.com/HAAiDJ

#HAAi

Baby, We’re Ascending

Verity - 10.04.2022 [Itmotr Radio]

Richie Culver - Nervous Energy
Sendai - Archiefkwestie
Second Woman - --
yab; yvanko - Hydré
Ura - Halogen
Mistareez - Gel (Smothered) 
Broshuda - Clen
TRYCE - Levitate
XENIA REAPER - STEREO DIPOLE
hironori nagatsuma - Ingen,ingenting
Echium - Juum
Rezo Glonti - Many Days
Nueen - V444V
How Du - 293
Jan Jelinek - Moire (Strings)
Jan Jelinek - ICE 594
Andrew Pekler - Description of Rain (Over Frisland)
Vladislav Delay - I Saw A Polysexual
Roméo Poirier - Porte contre
Monolake - Indigo
Space Afrika - bly
pole - modul
The Black Dog - Sleep Deprivation 1
Ben Bondy - Butterfly Chair
Brian Eno - Under Stars
Burial - Streetlands
more eaze - a romance
ABADIR - 9.9.8
èvia - slumber
Chantal Michelle - Pure
ulla - creepy girl
HOLODEC - The Wild
GES - TheButcherBoyOldLadyAndTheDevil
W.O.R.M - Gin’s Loop
Dylan Henner - A New Living Being Opens Its Eyes For the First Time
Arovane - Eben
Arovane & Taylor Deupree - Still_Lili
Julian Zyklus - Waterpiano n.2
Ryuichi Sakamoto - 20211130
desert sand feels warm at night - 雲への子守唄（私はかつて存在していた）[Bonus]

Performed and recorded sorrowclubberlin

ABADIR 'Numb' ⓜⓘⓧ ⓪④④

Erwan Sene  - JUnQ
Label: PAN
Cat.No.: PAN 131
Release Date: 14 April 2023
Purchase: PAN.lnk.to/JUnQ

JUnQ, or the Journal of Unsolved Questions, is modeled on a parallel exercise: to sketch music and to score sculptures. Part exhibition, part book and part album release, JUnQ seeks to propose a collaborative language that binds the algorithmic needs of an artificial pop star to the performance of the artist himself. Boundaries between reality and artifice are blurred in a continuous chain of confrontation and sublimation, wherein a romance between analog evolution and digital experimentation is born.

The immersive project released by PAN represents Erwan Sene’s debut album and the multifaceted nature of his approach. Composed like a chorus of fantastical beasts, the album wanders atmospherically through a fogged wood. Sounds are never used for their default function–– they are sculpted, distorted and amplified, becoming hybrids of themselves. A haunting banshee, the monstrous growl of an Orc, Siren songs wafting through the trees–– these and more are recreated with sinuous violins, muffled harpsichord and digital instruments, culminating in a a vibrant “jungle” of sound.

Mixed by James Ginzburg
Mastered by Rashad Becker

Erwan Sene - Strangefruit (PAN 131)

Inn Kick #BLUNT III. S.S.S

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

BANDCAMP

Cybotron - Earth

Liminal Drift was written and produced by Robin Arthur Lohrey during a time he spent in his childhood home in the San Juan Islands in the summer of 2019. He was working as a Kayak Guide at the time and reconnecting with the liminal spaces around the coastlines of the Salish Sea. Originally performed live at a community center for a concert he organized with a few friends, he decided to release it on his label Eternal Ocean, over four years later under a new alias, Lychen, which will be a future home for some his ambient, downtempo and experimental music.

Lychen - Liminal Drift (Full)

I constantly experiment with special sounds, as well as changes and layouts of energy. Every piece I record is the appearance of multiple colors at the moment. I hope that when people listen to it, they can be inspired or healed, so that enough

In life, music inspires and inherits people's history and records infinite emotions. It allows our silent inner being to be revealed, communicated and shared. She wants to share music as a DJ so that listeners can have a place to belong at every moment. Whether it is the collective joy at a party or the inner universe when alone, she is always with her.

https://www.instagram.com/bo_yin/

Guest Mix : silent time w/ Bo Yin (19.10.24)

DAY ZERO 29.10.24

READ > inverted-audio.com/premiere-zuke-time

New Zealand based label Loop Recordings Aot(ear)oa issue the debut album from Wellington-based producer Zuke...Our pick from the album is 'Time' - an undeniable centrepiece for synth heads. Here, Zuke delves into the disorienting terrain of the Minimoog, conjuring up an ambient waltz pulling listeners into an atmospheric vortex with layers of haunting synth oscillations and introspective effects.

@zukebeats

Come Closer

Time

Zuke - Time [Loop Recordings Aot(ear)oa]

Frozen, From 'The Something Rain', out now on City Slang

Order your copy here: http://glnk.it/zy

Tindersticks - Frozen

MIR - Morje

FEJZO DJ / Softskinson - is a deejay & producer from Ljubljana. He used to make flyers for half of the raves in Ljubljana, and then in the nightime, he played on the other half. His record collection is very colourful: he would play smooth italian dream house jams on a chill sunset party, or he would open for @SHXCXCHCXSH with some dark banging techno stompers under his S.S.S. alias. And he would play everything in between: his eclectic but focused sets are usually full of blissful house jewles, occasional flirting with mean techno, funky disco shit, groovy electro jams, old school rave slappers, acid house rarities… and all kinds of house actually: house is his favourite. He shared the stage with artists like Leon @vynehall, @glenn-astro, @fritswentink and many, many others. When he is not digging, designing, illustrating, deejaying and doing all sorts of peculiar shenanigans, he’s also producing beats and drumming for the band @ygthoughts, who released music for labels like @king_deluxe, @jazzzcabbage, @youngbloods and more.

Inn Kick #BLUNT III. S.S.S

FEJZO DJ

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