From the upcoming EP 'Hakken Dub / Throat Dub', by Aisha Devi
out July 21, 2014 / 12" (limited to 300) & digital on Danse Noire
Including Hieroglyphic Being & IVVVO Remixes


www.dansenoire.com
https://soundcloud.com/aisha-devi

Aisha Devi - Throat Dub (The Hieroglyphic Being Experience 9)

Claudio Parodi   Prima del terzo   Unfathomless U26

listen to fourth track at https://soundcloud.com/sound-is-my-shelter/al-pene  

buy CD: 15 euro via PayPal to soundismyshelter@libero.it 
bulk purchase: 8 euro per copy via PayPal to soundismyshelter@libero.it 

review at http://www.cookylamoo.com/boringlikeadrill/

review at http://www.kathodik.it/modules.php?name=Reviews&rop=showcontent&id=6188 

review at http://grisli.canalblog.com/archives/2015/12/03/33015036.html

review at http://dustedmagazine.tumblr.com/post/132670296485/dust-vol-1-no-5-1162015

review at http://www.progress-report.co.uk/Reviews/P/Parodi.htm

review at http://www.chaindlk.com/reviews/?id=8784 

review at http://ettoregarzia.blogspot.it/2015/06/il-campo-di-registrazione-e-la-sua.html

Claudio Parodi
Prima del terzo

1 - vrúah             4'04"
2 - Elohím         14'04"
3 - merahèfet   17'04"
4 - al penè          7'31"
5 - hammàim    14'04"

total running time 57'27"

all music by Claudio Parodi (SACEM)

One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull'Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for "before the third"): "vrúah Elohím merahèfet al penè hammàim", that means, translating from the Italian translation by De Luca, "and the wind of God breaths on the faces of the waters". The music was already there, it was just a matter of recording it.
Nothing against pure field recording. But, as the inspiration came from the very root of Hebrew culture, I felt to go deeper. My dear friend Prof. Maria Rosa Montiani taught me everything of the very little I know about Hebrew culture.
I planned five field recordings, one for each Hebrew word (in Hebrew, "al penè" is written as a single word). Referring to the map of the harbor, the recorder was placed five times from top right to bottom left, imitating the direction of Hebraic writing. The date and the length of the field recordings were chosen following the value given by qabbaláh to each word. As an example, vrúah is 4, so the first field recording (four minutes plus two seconds fade in and two seconds fade out) happened on the fourth hour of the fourth day of Cheshvàn, the second month of Hebrew calendar, that is, on October the 20th, 2012, 23.16, and so on for five months.
The field recordings were later re-shaped in studio imitating the Ashkenaze ductus of the letters of the words: panning for left to right and reverb to no reverb for top to bottom. 

Claudio Parodi, March the 15th, 2013

Composed from Novenber the 19th to December the 19th, 2012.

Field recording by Claudio Parodi from October the 20th, 2012 to February the 25th, 2013. Zoom H2 Handy Recorder. Field recording executive producer: Margaret Dumont.

Studio recording by Claudio Parodi and Paolo Valenti at Riserva Sonora www.riservasonora.com on March the 6th and the 12th, 2013. Lexicon Concert Hall reverb.

al penè was broadcasted in the frame of the 24 hour radio performance of works inspired by the Universe at CoseCosmiche in Milan, took part to ICMC | SMC 2014 http://www.icmc14-smc14.net/  and to Sguardi Sonori 2015 www.faticart.org 
Prima del terzo was broadcasted on Radio Cona www.radiocona.si and on WGXC https://wavefarm.org/wgxc 

contacts:
cla.parodi@libero.it 
https://myspace.com/claudioparodi 
www.facebook.com/claudio.parodi.313

also available:
Thomas Buckner & Claudio Parodi   Taken From A True Story   Extreme XCD 071
listen to tenth track at https://soundcloud.com/sound-is-my-shelter/not-for-beginners 

Claudio Parodi   Heavy Nichel   Creative Sources Cs251
listen to first track at https://soundcloud.com/sound-is-my-shelter/heavy-nichel-1

al penè

777 presents a glimpse into the world of Seixlack! Available for EU bookings as from mid March!
Contact: booking [at]777recs[dot]com
https://soundcloud.com/seixlack

Seixlack - Live for 777

Growl Attitude

A recent graduate of the Red Bull Music Academy 2016 in Montréal, French producer Malibu has carved out her very own lane in the field of ambient experimentalism. Her emotive, vocal-led soundscapes evoke the aura of ephemera, eroding forms into fluid shapes. On “Being There” Malibu’s processed voice runs like water over subtle, sustained drones and minimalist melodies, blurring the very contours of time itself.

Malibu also passed on this epigraph to go along with the track:

"you will begin to touch heaven (...)
in the moment you touch perfect speed
and that isn’t flying a thousand miles an hour
or a million
or flying at the speed of light.
because any number is a limit
and perfection doesn’t have limits.
perfect speed, (...) 
is being there" - r. bach

@blu174
http://redbullmusicacademy.com

Malibu - Being There

from DOMESTICATED WIND CD (TA152), forthcoming June 2017
Idea, realisation, and photography: KASPAR KÖNIG
Produced & recorded 2015-16 at the Windtunnel Facility
of the Research Focus in Transdisciplinarities with
Prof. FLORIAN DOMBOIS, Zürich University of the Arts.
Windtunnel operator: SOURGIADAKI EIRINI
Recording & realisation: ANDREW PHILLIPS
Video & photography: YAN JUNJIE

.

Domesticated Wind (TA151)

Domesticated Wind (Ode to small delays)

by Yannis Kyriakides
for sampled piano and electronics

True Histories [part1]

Recorded Live by Radio 4 in The Hague, 23.3.2019

Marvin Touch it (with Residentie Orkest)

written in 2006
performed by Steamboat Switzerland
Dominik Bulm, hammond, Marino Pliakas, bass, Lucas Niggli, drums

Get Out Of My Room 1

felix profos archive

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