i'd say split this beat up 4-5 ways to put b/w heavy bangers on a mixtape to include some old recording pertinent to a motif of that mixtape... also this beat helps the drums to relax between some serious bass songs

DUNE 2K41

[Donell Jones downstairs RMX] 
Free load here http://maguett.bandcamp.com/album/wup

w'up

"Spanning just over eight minutes, the production is essentially broken up in two separate parts—the first focusing on a deep percussion pattern and sequences of light melodies, while the tune's latter half expands into more heavenly territory, where glistening pads and high-pitched vocals are anchored by massive bass and a heavy-handed four-on-the-floor. An ambitious composition, "You" is an impressively enticing first taste of what Gidge may be capable of on the debut LP the pair is expected to drop later this year."  - Glenn Jackson, XLR8R

Order our debut album 'Autumn Bells' here:
https://atomnation.bandcamp.com/album/autumn-bells

Download 'You' for free over at XLR8R:
http://www.xlr8r.com/mp3/2014/03/you

Autumn Bells

Gidge - You

Download: http://www.xlr8r.com/mp3/2014/03/viewpoint

Download

Chevel - Viewpoint

Download: http://www.xlr8r.com/mp3/2014/03/yaguaret-ab

Barrio Lindo - Yaguareté Abá

Download: http://www.xlr8r.com/mp3/2014/03/milk-shake

Maguett - Milk Shake

Rabit & Feloneezy - The Nine

The second single from 'Silent Dispatch', out February 14th on OST.

Written and produced by bambinodj @henryaleksis
Mastered by CZ Wang @czwang
Artwork by Amal Guichard @amalcrossing

Silent Dispatch

Carrier

DJ DIE SOON ANNOUNCES NEW ALBUM AND SHARES ‘UNFINISHED’ FT. KIKI HITOMI & FRANCO FRANCO
‘MY BROTHEL THE WIND’ IS SET FOR RELEASE ON 25TH JULY

DJ DIE SOON is the apocalyptic alter-ego Daisuke Imamura, whose performances of masked malice have been a fixture in the Berlin underground for the past decade. Announced today alongside its first single, upcoming record 'My Brothel The Wind' takes inspiration from Sun Ra at his most grotesque, conjuring a distorted phantasmagoria with an eclectic crew of compatriots like Rully Shabara, Sara Persico, and longtime collaborator Kiki Hitomi.

Out today, first single ‘Unfinished' is a pulsating chimera featuring animalistic vocals from Kiki Hitomi of Ninja Tune bass explorers King Midas Sound, with Italian MC Franco Franco’s verses snaking underneath the noisy onslaught:

"I instantly knew that the song would be the first on the album. Raw, heavy and noisy - these elements are crucial for my art and Kiki and Franco boosted them even more with their voices.” DJ DIE SOON

'My Brothel The Wind' shows DJ DIE SOON as an alchemist of distortion, transmuting the club-forward beats of his 2020 debut Kappa Slap and the seething horrorscapes of DIEMAJIN, his 2022 collaboration with Tokyo vocalist MA. Imamura’s obsession with noise stems from his upbringing in Tokyo, where he grew up hearing the deafening roar of trains every day. “The buildings were really tall, so the sounds reflected so much and it was so loud that you couldn’t even have a conversation on the phone. Hearing this noise every minute when living in this flat, it became a normal thing,” he says. While most would content themselves with avoiding loudness, DJ DIE SOON seeks to unpack its visceral potential.

While Sun Ra’s intergalactic Moog reached for the stars, DJ DIE SOON plunges into the depths of hell. Rather than a vision of the future, 'My Brothel The Wind' is a laugh-cry of despair in the face of a Hadean present. DJ DIE SOON confronts the world with a new hand-made mask, reborn in the ashes. Film director Hiroo Tanaka’s visual contributions in the album art, poster, and music video complete the album’s narrative, telling a story not of villainy but of phantom caprice in a dying world.  

Mixed by Rabih Beaini at Morphine Raum Studio, Berlin (except B2, B3)
Mastered by Rashad Becker at Clunk Studio, Berlin

Cover photography by Hiroo Tanaka/DOGGYTASTES
Photography assistant Joana Schurr
Font by Daisuke Imamura

For Tina,Miyu,Kaito

© + ℗ Drowned By Locals 2025 
DBL36LP

DJ DIE SOON - Unfinished ft. Kiki Hitomi, Franco Franco

@un_earth
After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

Safe Tread

'If You Know You Know'

A phone call with a past mentor who at age 95 is still teaching piano, a memory of giggling at her transfixed mother photographing swans, a feeling of being floored whilst unearthing letters from her parents’ relationship. Exploring her most personal narratives to date, Laenz’s album ‘88 keys’ is suffused by the power of unwavering devotion - both towards others and towards lifelong study of music. Leaving behind the guilt of adolescent indignation and deviation from classical music towards fascination with leftfield dance music, the release circles back: a reverence to former piano teachers and the nurture they instilled in her.

Across ’88 keys’, loosely tethered memories and the intricate yet unpredictable sonic turns Laenz is known for are grounded through bass frequencies. On ’’11’ which samples recordings of Laenz’s last public performance of Bach’s ‘Chaconne in D minor’ arranged by Busoni, sustained solemnity is beset against misty, dubbed-out percussive explorations of piano acoustics. ’’24’ reminisces on lazy walks by Berlin canals, basslines ebbing hazily below spiralling hi-hats and caliginous melodies. ’9-30-91’ delicately re-casts one of the many love letters written by her father to her mother when they began dating, into a sonically distinct, tenderly stripped back vocal track. The lyrics read: ‘My dear, I miss you so much, I miss you deeply, from the bottom of my heart. Thoughts of you, occupy my whole heart, and every corner of my mind’.

Conversations, past performances, and archival recordings are run through iterations of radio transmission-reception, audio becoming irreversibly lost or altered into ambiguity. Each titled after a year, though not emotionally bound to it, the tracks are an aggregate of Laenz’s desire to calibrate them actively in her current memory—resisting any inevitable, obsolescent effects of time’s passing. In Laenz’s words ’88 keys’ ‘though a fraction of the appreciation I have for my parents, Carolyn Shaak, and Larry Graham, this project was from start to finish an ode to their impact. 

The singles ‘’11’ and ‘‘24’ are out on the 2nd and 9th May, ahead of the full album release on 16th May 2025.

Artist Bio:
Laenz is a producer based in Brooklyn, NY, working within radiophonic textures and caliginous dance music. Her work explores the sonification of indeterminate spaces, saturating abstract musical forms with intensely tender and personal observations. She uses vocals, radio equipment, and live processing in her performances, sonifying unknowable sounds into unsuspecting ears. She holds a Lot residency, and has released projects under Woozy, Early Reflex, Dance Data, and more.


sleep with a dog and rise full of fleas

Ronce - Əverything(?) Not Yet (Mai 2025)

@karisa-correa - 'cold metal, heavy mind' is part of Gravity Pleasure's inaugural release, Water Bodies: a rippling compilation of FLINTA* artists and collaborators that invites listeners into an aqueous paraworld.

Across 21 tracks, Water Bodies spans a post-genre miasma of ethereal mermaid music, cathartic flows, and glistening sibilants ~ each one an exquisite message-in-a-bottle of deep diving emotionality. Pulling from a wide-range of musical perspectives ~ field recording, lovesick ballads, shimmering downtempo, post-party comedown, and percolating ambient ~ the compilation contains multitudes yet maintains deep sentimental coherence. Like a wave crashing in slow motion, it sonifies possible ways of being, insisting on the porous, the interdependent, and the deep and unruly. Water Bodies reminds us that home is a body made of water, to which we all belong.

~~*~~

Home is a body made of water.
Remember.

Close eyes.
Listen to drips; hear voices.
What do they tell you?
Make your body a grotto.
What does it hold?

Spider’s tapestry: flycatcher.
Roadmap: net of sinews.
Lost in night forest: seek breadcrumbs.
Remember?
Body is lighthouse: shine through cloud canopy.
Body is fish: wet is all you know.

Sink deep, fly high,
stretch your arpeggio from young to old.
Remember.

-Lou Croff Blake

kc - cold metal, heavy mind [GP01 - Water Bodies VA]

https://archive.org/details/trigger-bang-bang-bankruptcy-dub

LILY ALLEN FLIP

TRIGGER BANG BANG (bankruptcy~dub)

Turbo Miffy presents Tunnel Fusion - 01/08/2025

SEE soundcloud.com/bonaventure_mbote
for my music project. this is mostly repost.

Axis To Axis out via Baroque Sunburst:
https://baroquesunburst.bandcamp.com/album/axis-to-axis-ep-bsun004

Feloneezy occupies a unique space within the scene, drawing influences from all corners of the shop. He is building mixes from tracks intended for big systems – glacial ambiance and muscular percussion are at play with spaciousness and low-end weight inherited from dub, jungle, and grime. His affinity for the unfamiliar, lost pop gems can’t stay restrained for long either. Zarko toured all over the world and played more all-nighters than most. 

New monthly radio show at Movement Radio.
Mystic Stylez clubnight at Drugstore, Belgrade.
Resident Dj at club 20/44.
Teklife.

Please send promos here:
zarko.evild@gmail.com

Rabit & Feloneezy - The Nine

Feloneezy

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