The Rough Guide To Drone Ambient

closing track from “natural serenity” by @taennya

name your price:
https://taennya.bandcamp.com/album/natural-serenity

natural serenity

taennya - natural serenity

. . . on reflection (three)

Musica Nuvolosa

Horse Sings from Cloud

stream / download: 
https://lyrambient.fanlink.tv/please-just-be-real

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please, just be real

A question floating in the air.  instagram.com/vultumusic blends ethereal vocals with ambient textures, like a dream you’re not ready to wake from.

vultu - what i am now

Circle

Venice

City of Light

Substrata 2

The Silent Orchestra

Void Vision | From the new Ep "VOID VISION": https://htdc.bandcamp.com/album/void-vision

Recorded in December 2016 and the final days of January 2017, in a variety of locations.

Nightscapes Sessions - For the sleepless and the loners. 

All perceived silence and audio deformations were intended.

Thank you in advance for your support.

Void Vision

Aphex Twin - 21 Forgotten T

"Rionnach Maoim" - shadows cast on the moorland by clouds moving across the sky on a bright and windy day (Gaelic)

Music by Benoit Pioulard
Artwork by Gregory Euclide 

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of  new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: https://stationarytravels.wordpress.com/place-language/

City of Light

fennesz

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