Box of instants - 2021 - 
for Bass Flute, Baritone Saxophone, Keyboards, Modular Synth & Sampler and Electronic Drums

Recorded live in Berlin,  by Ensemble Inverspace 
Maruta Staravoitava, Bass Flute 
Patrick Stadler, Baritone Saxophone
Clemens Hund-Göschel, Keyboards
Robert Torche, Sampler & modular synth
João Carlos Pacheco, Drums

Mixed & Mastered by JC Pacheco

Box of Instants - for bass Flute, Baritone Sx, Keys, Sampler & synth, and e-Drums

for Electric guitar, Paetzold flute, recorders, Double bass, Electronics and video.

video in collaboration with Juan Gugger

Ensemble Vortex
Anne Gillot, Paetzold flute and recorders 
Mauricio Carrasco, electric guitar
Tomás Fernández, double bass

Fernando Manassero, sampler and electronics

Fabio Jaramillo, lights
Arturo Corrales, Daniel Zea, sound engineering. 

Recorded live on December 11 2021 at l’Abri, Genève for Composers Next 2021 project

Les Nomades

Les Nomades - E-guitar - Paetzold & recorders - Double bass - electro & video

for Bass trombone solo, violin, viola, cello, accordion and electronics.
by Fernando Manassero - 2021

Commissioned and premiered by Latenz ensemble in 

Bass trombone, Daniil Gorokhov
Violin, María Muñoz López 
Viola, Nora Vetter
Cello, Benjamin Coyte
Accordion, Laura Mehmeti

Trombone recorded by Erwin Fonseca
Ensemble recorded by Jan Gubser

Threshold Sound re-takes the subject of The Unanswered Question, one hundred years after, in the context of the Information Age. Framed by an ambient sound wallpaper created by the strings and the accordion, a semiconscious virtual assistant suspended somewhere in the ether of electricity, fails to give answers to the increasingly desperate question posed by the solo bass trombone. In homage Charles Ives.

Threshold Sound

Threshold Sound (after The Unanswered Question)

Technostalgia series 2: music for ensemble and cassette players.

for amplified bass clarinet, flutes, e-guitar and viola, effects, and cassette players

recorded live at Constellations, Chicago USA
Collective Lovemusic

Adam Starkie: Bass Clarinet - portable cassette players
Emiliano Gavito: Bass/ C Flute - portable cassette players
Christian Lozano: E-Guitar - cassette player
Sophie Wahlmüller: Viola - cassette player

Recorded by Finbar Hosie 
Mixing & Mastering by Fernando Manassero

Electricity + do re mi

TECHNOSTALGIA SERIES 3
for Bass flute, prepared C flute, Double Bass and Rompler sounds

Rebecca Blau, Flutes
Rebecca Laurenz, Double Bass

by Fernando Manassero
Live recording Luzern, July 8th 2024

Gummy Centipedes

for six voices and electronics 
by Fernando Manassero - 2024/25

In the year 2084 the Global Ai has completely replaced human labor, but the machines have also realised they don't have to work for us and everything collapsed leaving behind a race of workers pushed to perpetual holidays. And there they are, wandering through beaches under a scorching sun, getting drunk and fighting for food, until they realise there's no help coming to rescue them. That in reality the heroe is the human collective. 

1. Amniotic
2. The Fool
3. I like this beach
4. Feral 
5. Affirmations

Premiered at ECLAT Festival 2025
Neue Vocal Solisten
Johanna Vargas, high soprano
Susanne  Leitz - Lorey, soprano 
Filippa Möres-Busch, alto
Martin Nagy, Tenor
Guillermo Anzorena, Baritone
Andreas Fischer, Bass

Lyrics by Fernando Manassero, except Feral in collaboration with Bárbara Wapnarsky. 

Recorded live by Timo Kleinemeier
Mix and mastering by Fernando Manassero.

Commissioned by Musik der Jahrhunderte Stuttgart. 
With the support of Pro Helvetia. 

www.fernandomanassero.com
Watch the live performance with subtitles: https://youtu.be/wemPhlnxvhE

The Slow Cancellation of the Future

for amplified Clarinet Bb and accesories, prepared Cello and prepared Piano
Recorded and mixed at Concepto Sonorus studio Buenos Aires, by Jorge Chikiar

performed by trio musica impura
Eduardo Spinelli: Clarinet, contact mic and paper
Martín Devoto: prepared Cello
Andrea García: Prepared Piano

Maclas - amplified Clarinet, Cello and Piano

Pieza escrita para suono mobile argentina: Eduardo Spinelli: clarinete bajo / Gustavo Aiziczon: contrabajo. Estreno: 18 de junio de 2011. auditorio de FCEFyNat. U.N.C.


...un tercer espacio... for Bass Clarinet and Double Bass

Cortex for prepared and amplified piano and electornics. [2017]

Piano: Rei Nakamura.

Cortex

Cortex - prepared piano and electronics

Dwarf Mountain, 2017
for picc/bass flute, clarinet Bb/contrabass clarinet, prepared harp, percussion + sampler/virtual instruments 

by Ensemble Adapter,
Kristjana Helgadóttir: Flutes
Ingólfur Vilhjálmsson: Clarinets
Gunnhildur Einarsdóttir: Harp
Matthias Engler: Percussion & sampler 

@Harvard Group for New Music concert season

Dwarf Mountain - flutes, clarinets, harp, percussion and sampler/vsti

This is the audio version of the site specific piece for two performers, amplified objects, live electronics and live video. 
Premiered at Klang Basel Festival, Switzerland. September 14th and 15 by reConvert project. 
Player 1, Roberto Maqueda - Player 2, Víctor Barceló
visuals by Ramiro Iturrioz

You can watch the video documentation here: https://www.youtube.com/watch?v=-qwj-UWNTeM&feature=youtu.be

Amoeba

AMOEBA - for two performers, objects, live electronics and video

Autor: Fernando Manassero

Tear it down,
Burn it down, 
To start over from the ashes.
Like a tree.
(Anónimo, Inglaterra, S XIV)

[Nota de programa: 29/11/11]
La decimotercera carta del Tarot está ubicada entre el mundo invisible y el visible. El punto intermedio. Representa la muerte de lo viejo, el fin de un ciclo y la transición a lo nuevo. Significa un cambio. Se encuentra a medio camino entre las cartas de la fortuna y la destrucción.

Pieza escrita para conDIT, estrenada por la fila de Contrabajos de la Orquesta Estable del Teatro Colón.
Directora: Annunziata Tomaro
Contrabajos: Elián Ortíz / Carlos Vega / Adrián Valansi / Pastor Mora / Ricardo Cánepa / Marcos Cifuentes / Ariel Obregón / Santiago Bechelli /

ARCANO XIII [2011] - for 8 double basses -

Graffito [2012] escrita para suono mobile argentina | Written for suono mobile argentina

Estrenada el 1.11.12 en Teatro del Libertador, Córdoba, Argentina.
Live premiere at Teatro del Libertador, Córdoba, Argentina on 11.1.12

Versión de estudio editada en GRAFFITO por el ensamble suono mobile 
Studio version published in GRAFFITO by suono mobile ensemble.

Flauta, Lorena Bianucci | Clarinetes, Eduardo Spinelli | Violín, Valeria Martin | Contrabajo, Gustavo Aiziczon | Piano, Gisele Tobares | Percusión Javier Muñóz

Editada y mezclada por | edited and mixed by  Franco Bridarolli

Técnicos de sonido| sound technicians Franco Bridarolli, Matías Ruda, Antonio Fracchia
Arte de Tapa | art cover by Lucas Luján




Graffito [2012] for ensemble - suono mobile

This is a musical gadget.  It's candy for the ear. A product of the accumulation of ephemere sound objects. It is as well a subproduct of mainstream aesthetics.

commissioned by Colon Theater Experimentation Center (CETC) 
premiered on June 8th 2019 

Ensemble Tropi 
Artistic Direction: Haydée Schvartz 

Flute/Picc/Harmonica: Sebastián Tellado 
Clarinet Bb/Bass + accesories: Constancia Moroni 
E-guitar (prep): Manuel Moreno
Piano(prep)/Keyboard: Malena Levin 
Percussion/Sampler: Juan Denari
Violin: Florencia Ciaffone 
Cello: Alejandro Becerra

recorded at cheLA (Bs.As.) by Ariel Passadore 
mixed at concepto sonorus (Bs.As.) by Jorge Chikiar 
master at Ircam - Centre Pompidou - París

The Ultimate Distraction

The Ultimate Distraction - ensemble + sampler

The mesmerizing sound of accumulation (2020) for solo percussion, ensemble and electronics.

Written by Fernando Manassero [AR, 1984] in collaboration with Roberto Maqueda [SP, 1991].

Roberto Maqueda, solo-percussion
Sinforosa Petralia, Keyaboards
Chris Moy, E-guitar
Benjamin Coyte, Cello
Adrian King, Trombone

August 25th, 2020
Festival ATTACCA, Basel (CH)
Hochschule für Musik der Basel

The Mesmerising Sound of Accumulation for solo percussion + ensemble

The Moth for turntable and electronics - 2020 -
by Fernando Manassero in collaboration with Roberto Maqueda
BINAURAL MIX: Please listen with headphones! 

Video: https://www.youtube.com/watch?v=Vkvwyhk6yQE

Composed at Ircam Cursus 2019/20 
Performed by Roberto Maqueda 

Recorded at Centre Pompidou, Grand Salle in June 2020
RIM, Jean Lochard
Sound Engineer, Arnaund Delacelle
Lights, Pauline Falourd 
Sound edition, Fernando Manassero

The Moth - for turntable and electronics (Binaural)

Composer and performer
I'm currrently working on pieces about Technostalgia, the relation with memory and the future. I work with acoustic and electronic instruments, voices, tape machines, vinyls and video

fermanassero@gmail.com

Fernando Manassero

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