Name: Ultimate Wife by bridget ferrill
Duration: 2 min 48 s
Description: from Untergang Institut's Secret Map ! ---> https://untergang-institut.bandcamp.com/

Entangled Routes

Earthwork

The second EP from Jack Dice sees a huge leap in ambition for the project, a 5 track session that’s more addictive, direct and heady than its predecessor.
‘Sip Paint’ centres around ‘Stash’s Theme’ featuring rapper and producer Stash Marina, a track that deploys crisp triplets and saturated production straddling mainstream signatures on the one hand and a world of analogue/deviant recording techniques on the other. It’s an odd, hyper-addictive track - available here in both vocal and instrumental versions.
‘Low Glo’, ‘Kerosene’ and ‘Radium Dial’ are more subdued and immersive; you could draw lines straight through the material here to a number of different projects Twells has been involved with through the last decade, though he seems to benefit immeasurably from Chambliss’ presence. The pair find a perfect balance between their respective disciplines, resulting in an EP that at different points throws stylistic references to everything from Prince’s Black Album to The Art of Noise, Drake, Philip Jeck and Evian Christ’s DUGA 3 sessions - without ever sounding overworked or too knowing, a feat in itself.

Radium Dial

~from EDM A::  https://edmsoundwave.bandcamp.com

Co Mendez - I'm Unemployed

from Untergang Institut's Secret Map ! ---> https://untergang-institut.bandcamp.com/

Ultimate Wife

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Limited GREY vinyl:
rx-101.bandcamp.com/album/ep-4-limi…y-vinyl-edition
Standard BLACK vinyl:
rx-101.bandcamp.com/album/ep-4-stan…k-vinyl-edition

Artist: RX-101
Title: EP 4
Label / CAT#: Suction Records / suction041
Format: 12” vinyl / digital EP
Release Date: Dec.8/2017

Suction Records is proud to present the 4th and final volume of RX-101’s “EP” series of vinyl releases, showcasing a selection of standout cuts from Dutch producer Erik Jong’s vast archive of previously-unreleased techno, IDM, acid, and electro, recorded to cassette from 1997-1999. Roland’s cover-star instruments, the SH-101 and Juno-106, play a prominent role in EP 4’s sound - a playful mix of joyous, sometimes haunting synthesizer melodies, and raw, crunchy percussion. From the early-Squarepusher melodies of opener Themis, to the eerie Boards of Canada-like nostalgia of Transmission, EP 4 delivers 6 tracks of classic late-90s electronix, with RX-101 affirming himself as an unheralded master in the Rephlex/Warp/Skam domain.

Limited to 500 copies, with 200 copies on GREY VINYL.

A1. Themis
A2. M.A.S.S.
A3. Saiph
B1. Transmission
B2. Reflected Ray
B3. The Quest for Ganymedes

RX-101 "Transmission" (suction041)

Forthcoming Music From Memory © 2018

Vinyl: www.musicfrommemory.com
Digital: www.music-from-memory.bandcamp.com/

B2 - Kuniyuki Takahashi -  Sakura No Mizu (10:12)

Antipodean Anomalies

Rainbow Generator - City Of The Sun

MANUEL TROLLER - VANISHING POINTS
TFR052

Avalaible on LP and CD on three:four records: https://wearethreefour.bandcamp.com/album/vanishing-points

Vanishing Points

Manuel Troller - Hologram

A reconstruction of one of my favorite Ae track.

Autechre - Pro Radii (Reconstructed by Wirewound)

Available July 3rd
Digital pre-order available via 
Physical pre-order available via imprec.com 

David First likes to use the phrase “the virtuosity of slowness” to describe his musical philosophy. In The Consummation of Right and Wrong, he and his 8-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while giving us music that is simply ravishing to listen to.

 This is "drone music” as dynamic organism, moving from compact and ruminative to spacious and serene and back.

In this 3-CD, 2.5 hours of sonic tessellation, First has alchemized his own personal opposites like never before, combining and transmuting his free-jazz experience with avant-legend Cecil Taylor, his influential noise-rock & roll band Notekillers, his long-abiding love for minimalist, mathematical excavation on dozens of instruments, and a highly refined ear for pop-melodic architectures into a singular, epic set of vibrational possibilities that leaves very few stones unturned in his ongoing quest for the resolution of all extremes.
------------------------------------
On previous releases by First:
“Music that’s as spooky as it is scientific”—Jon Pareles/New York Times

“If I were a young composer today this would be my Stockhausen”—Kyle Gann/Post Classic

“Since the passing of Derek Bailey, no guitarist has subverted the purpose of the instrument as on this confounding and fascinating album”—Lars Gotrich/NPRMusic

“Punk as fuck, abrasive and visceral...gonzo analogue workouts”—Joseph Stannard/The Wire

“That record (Notekillers’The Zipper) was so heavy for me and Kim and Lee...They had a big influence on me...The music is way ahead of its time." —Thurston Moore /Phila. Inquirer

Ultimate Wife

bridget ferrill

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