http://www.delsinrecords.com/release/4341/stephen-lopkin/the-haggis-trap

Release date: 25 August 2014

Stephen Lopkin - The Haggis Trap (MOS Deep 020)
a1. The Haggis Trap
a2. Catherine's Track
b1. Let's All Talk About Me
b2. Mugs Alley (Extended)

Next up to join the MOS Deep cannon is Stephen Lopkin, who serves up four new cuts on his The Haggis Trap EP. Lopkin is still something of an emerging talent having only started releasing in the last couple of years. The Glasgow based producer operates in the worlds of house and techno with a unique futuristic perspective.

The title track is a surging, musically rich techno track that is supple, shiny and spine tingling. Raw percussion and pixelated melodies warp around each other as widescreen synths smear in all directions in the distance. 'Catherine's Track' is a bristling brew of sheet metal hi hats, gurgling basslines and emotive chords that adds a modern perspective to an old school Detroit techno sound. 

First up on the flip side is 'Let's All Talk About Me', a more jacking, prickly affair with pinging analogue drums, incessant hi hat lines and spangled melodies that quickly ride up and down the scale, taking you with them at every step. It's a track that really fires your every synapse before closer 'Mugs Alley' again marries a keen sense of techno melody with crisp, propulsive percussion and firmly rooted drums. 

Combining elements of all the techno greats from Juan Atkins to Derrick May, this is an EP that surely announces the arrival proper of a very real new talent.

The Haggis Trap

Buy Here

Having already released on the M>O>S sub label before now, Stephen Lopkin is now back with a second four track effort on MOS Deep. The Scottish artist has been making prickly house and techno for almost a decade now, and on the four cuts here he once again showcases a serene and slick style.


Meall a' Bhùiridh

Och Aye the Noo

Buy @ Delsin Shop

Following two radical reinterpretations earlier this summer from Truncate and Yaleesa Hall, which earned plays from Roman Flügel, Laurent Garnier and Ben Sims to Dusky and Huxley; Kamera’s ‘Ventoux’ EP is further expanded with two remixes that tastefully expand the producer’s original vision of uncompromising body music.

Throwing Snow’s remix of title track ‘Ventoux’ deconstructs the bright, IDM inspired anthem into something equally frenetic yet utterly different. Punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling Throwing Snow’s noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and EBM.

Meanwhile, festival and club favourite George FitzGerald, delivers a blistering remix of Consignia, one of his personal favourite club records in recent times. Here, FitzGerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one that’s certain to leave bigger rooms in throes.

Listen here: https://soundcloud.com/kameramusic/consignia-george-fitzgerald-remix-edit

This is PH49RMX2

Buy the heavyweight vinyl (with free download): go.phantasysound.co.uk/PH49RMX2
Buy from Juno Download: http://po.st/PH49RMX2JunoD

Check out PH49RMX1 - Truncate and Yaleesa Halls version of 'Consignia' here: soundcloud.com/kameramusic/sets/consignia-truncate-yaleesa-hall-remixes

Follow Kamera:
www.facebook.com/kameramusic
twitter.com/kameramusic
www.residentadvisor.net/dj/kamera

Buy Now

Ventoux (Throwing Snow Remix) EDIT

Taken from the 'Persona' EP, out now on Warp Records.

Bleep - http://smarturl.it/persona-bleep
Stream - http://smarturl.it/persona-stream

Win In The Flat World

Interview + Download:  http://truantsblog.com/2017/truancy-volume-192-linkwood/

Soundcloud: @linkwood

Two years ago Edinburgh-based producer Nick Moore, aka Linkwood, released the follow-up to his debut LP System. Titled Expressions, and taking five years to finish, the album went on to receive rave reviews, with many publications tipping its greatness in their end-of-year lists for 2015. Synonymous with the label Firecracker, having been good friends with its founder Lindsay Todd since its inception, the pair kicked off the imprint with a bang, releasing the still much sought after "Miles Away" as their label's debut. A low-slung house anthem, with outstanding vocals by Joseph Malik and trumpet by Colin Steele, the track paved the way for Firecracker, ensuring Nick's irregular but breathtaking productions had a home, and an audience pawing after their beautifully designed records. We caught up with Nick to discuss his thoughts on past albums, his time spent in Bristol, collaborations with his brother Tim and the news of a forthcoming label called AD. His Truancy Volume, weaving in sounds in touch with classic electro alongside some more ethereal-sounding selections, is a blissful display showcasing his often overshadowed DJ skills. With music from ERP, Rhythim Is Rhythim, SUED 013 and more, you're in safe hands for the next hour.

http://truantsblog.com

Truancy Volume 192: Linkwood

Puritan

1 minute excerpts from the 6 track mini album out now on tape on Czaszka.
___

Purchase from:
https://czaszka.bandcamp.com/album/concrete

___

Palace Lido - Concrete

A
1	Advance 04:18
2	Maayl 03:41
3	Dance Hall 05:37

(Total 13:36)

B
1	Genesis '88 02:35
2	Brissac- Quincé 04:24
3	Candy 05:44

(Total 12:43)

Concrete - Excerpts / czaszka (rec.)

My contribution to the Nucleic Acid Analysis series, available at https://nucleicacidanalysis.bandcamp.com

Flourescence - Based

Absorbs At 260 Nm

'Broken Wings' Mr Mister

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Cuando una obra creativa de otro ser tuyo? ¿Cuánto tiene que cambiar para que ya no es la versión original, pero algo nuevo en su lugar? “AOR” juega en el límite de aceptabilidad, una serie de bucles y celestes … prácticamente los deja.

—–

Pan fydd gwaith creadigol i un arall yn eich un chi? Faint mae i newid fel nad yw bellach yn y fersiwn wreiddiol, ond mae rhywbeth newydd yn ei le? “AOR” chwarae o fewn y terfyn o derbynioldeb, cyfres o ddolenni a nefol … yn ymarferol yn eu gadael.

—–

When a creative work to another be yours? How much has to change so that it is no longer the original version, but something new in its place? “A.O.R.” plays within the limit of acceptability, a series of loops and celestial … practically leaves them.

Wings

Geraint Ffrancon - gwaith sain ers 2002 / sound work since 2002

Wings

Ffrancon

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