Is this an Autechre track? Or if not who is it?

For Amsterdam-based @dj_leoni, rhythm is key. Through residencies at OOST (@komoost) and RRFM (@radioradiofm), and performances at key events across Europe (including past appearances at Dekmantel Selectors, Zeezout, Wildeburg and Paradigm, with slots at Dekmantel and Zeezout pencilled in for this year), she’s quickly developed her own distinctive understanding of rhythm and texture, from the deep and psychedelic, to the bright and energetic.

Patterns of Perception 98 is a perfect summation of DJ Leoni’s fascination and natural aptitude for rhythm. Exploring and interpreting a blend of both faster and half-speed selections, this set glides weightlessly between tempos and grooves; a radiant experience with both power and introspection. And as this mix patiently unfurls, we see the kaleidoscopic become physical, as rhythms and emotions melt.

Links:
@dj_leoni
https://www.instagram.com/dj_leoni/
https://www.facebook.com/DJ-Leoni-460744617796692/

Patterns of Perception 98 - DJ Leoni

Mix by @corellmusic

Broadcast - Elegant Elephant
Doltz - Mimei
Pontiac Streator - Surge XL
Wordcolour - (loom)
yab; yvanko - Biome21
TIBSLC - Hypertranslucent 05
Loscil - Nautilus
Atte Elias Kantonen - You’re a Fairy
Igor Dyachenko - p-morph
Ben Bondy - Kanga
Doltz - Hitotoki
Topdown Dialectic - Vol.3 A4
Romeo Poirier - Apella
Resel - Glaze
Pontiac Streator - sequin
Aleph-1 - 1 C A e 02
Corell - Under The Surface

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26/07/2022

tsap.tsap011 — Corell

For this third episode of Chimaera for Lyl Radio, we invited a dear French  Artist and friend, Stellah Maris. With methodical contrasts, Stellah Maris animates magnetic tales. He plays rooted music through a surreal prism, evoking sound rituals and lucid dreams.

Lyl Radio - 09/02/2023 - 6pm
lyl.live/show/chimaera 
(find the track list there)

 "Initially, I was expected to work on a dubstep mix for a friend’s radio show, but as I was preparing this set I found myself falling in a darker twisted dronish warped bassy vortex of digging and this mix began to draw itself. I was very satisfied with the energy I gave in this recording as well as the storytelling I managed to spin, but it was totally off-topic for the initial dubstep project, so I reached my dear and wise EWO friends to get some advice from them on what to do with this. They immediately offered to publish it through their LYL broadcast, which ultimately made a lot of sense to me, knowing our shared taste for muddy and greasy bass trenches in lush and teeming soundscapes."

Meet him here :
Soundcloud: @stellahmaris
Instagram: https://www.instagram.com/stella_hmaris/

Chimaera 03 ⊙ with Stellah Maris

Lilly of the Valley [Rochel's Birthday Bash] [22.03.2023]

♡

recording from murmur, 03 march 2023

artwork by juna horstmans

TASCAM DR-40X

elina tapio & lou

Patricia Wolf is a musician, sound designer and DJ, residing in Portland, Oregon. Wolf uses electronics, voice and field recordings to produce non-linear compositions that draw listeners to a hypnotic inner world. Her use of melody and repetition manipulate the listeners' perception of time, conjuring vivid textures and atmospheres. In 2022 she released her first two solo albums, “I’ll Look For You In Others” and “See-Through”.

“For this mix, I set out to create a flowing stream of music that one could put on at bedtime. My hope is that this music can help others drift into a vivid dreamland.”

Tracklist:

ABADIR - Reminiscence [Injazero Records / Phantom Limb, 2023]
Zane Trow - Phase Shift [Room40, 2021]
Startrails - Light [self released, 2023]
Miguel Isaza - Continuidad [Dragon's Eye Recordings, 2015]
Tujiko Noriko - A Meeting At The Space Station [Editions Mego, 2023]
Perila - Amorphous Absorption [VAAGNER, 2021]
Hatis Noit - Inori (William Basinski Rework) [Erased Tapes, 2023]
Nyokabi Kariuki - Subira [cmntx records, 2023]
Saloli - Sarabande Dream [self released, 2022]
James Heather - Immortal Beloved [Ahead Of Our Time, 2022]
Megan Alice Clune - Puffy [Room40, 2023]
Shō - Gummy [Never Anything Records, 2023]
Meg Mulhearn & Belly Full Of Stars - Orbital Resonance [Fallen Moon Recordings, 2023]
Eric Olsen - Calmoso [Bruma Del Sur, 2022]

Design by Clayton Ciolac

The Observatory - Patricia Wolf

D'SASTER MOMENTS_invites :: DJ Marcelle

For this episode, Alexa D!saster @alexadsaster cleaned her house like crazy because she was expecting Another Nice Mess! 

DJ Marcelle, known as a DJ extraordinaire, record collector and radio host, gives a deeper insight into her vibrant life and answers all the questions you never dared to ask her.

D'SASTER MOMENTS_invites :: DJ Marcelle [03.06.2023]

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body.
It is a 47 min composition made using my voice elaborated through spectral processing and granular synthesis techniques – originally composed fo PARA, Parasitic radio takeover and digital sound exhibition on Radio 80000.

Pre-Listening via Radio 80000: March 1 - 25, 2021
Radio takeover & opening weekend: March 26 - 28, 2021
Digital sound exhibition: March 29 - April 30, 2021
The project is funded by the City of Munich Department of Art and Culture & the Goethe-Institut.
Further information: https://paraparapara.org/

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body. In all ancient cultures and traditions, voice and orality have always played a fundamental role in the transmission of culture, and of course in the act of communication among living species.
With the advent of the Gutenberg era, with the introduction of printing, sight took over from hearing: there was a shift from an oral culture to a visual, ocular-centric culture, in which the sense of seeing acquired greater weight and importance than the sense of hearing.
Although this, the hearing has always occupied an important place in modern society through the reinvigoration of media such as radio. In recent years, especially if we see at the past year, when it was physically impossible to move,
see and meet with each other, the voice through radio, podcasts, web platforms of various kinds, vocal messages etcetera has managed to overcome the barriers of the real world to connect people with each other. It has achieved a level of awareness that was previously missing or taken for granted.
If we jump back in history, before the invention of electronic and electroacoustic devices for recording and transmitting sounds, every sound was original and inextricably linked to the source that produced it. This separation of the original
sound from its source and its recording was first discussed by R. Murray Schaefer who conceived this condition of separation as a phenomenon called “Schizophonia”.
Following the operating mechanism of Schizophonia, a similar separation also occurs between the voice and the body: there is a partition of one from the other through the fragmentation and omnipresence of new media and technologies. The voice thus becomes an unknown, mysterious territory, a fluctuating and ethereal phenomenon.
There is a liberation of the voice from the signifying words, from metrical and grammatical structures of discourse through the destruction and fragmentation of the discourse itself, of the words themselves, preferring to the semantic aspect the sound aspect, which is full of expressive and communicative power. Indeed, properties such as voice modulation, tonality, expressiveness, quality, vocabulary, cadence, rhythm, accente, volume etcetera carry a subtext of cultural meanings that are lost with the written text, which is marginalised, as opposed to the evanescence of the voice.
All this provokes an emotional response different from the meaning of the words themselves. Hence, the audio is the text, a sound text in which words act together with sounds and silences creating a dramaturgy of voices without a body.
On the basis of this, I like to think this work can increase and extend the awareness of having a voice, physically and metaphorically speaking, and using it in the most diverse and unconventional ways to explore hidden or seemingly meaningless cultural levels.

A Po(i)etics Of The Disembodied Voice (2021)

The latest chapter of our Podcast Series is a masterfully crafted haze, bass & glitch-heavy sonic adventure from the capable hands of one of our very dear friends ~ a devoted music journalist and DJ ~ Freddie Hudson aka FFFHHH ✨

Freddie is, without doubt, one of the most serious heads we know. Always on a hunt for fresh underground labels and artists, hungry for oddball sounds hiding in the more obscure corners of Bandcamp and beyond. An affiliate of Prague’s famous Noise Kitchen and former contributor at Inverted Audio, Freddie has recently taken off on a solo adventure with their regular music newsletter Reach. If you are not subscribed already, we highly recommend diving in. Link: https://reachsound.substack.com/

In this chapter, Freddie leads us from the realm of buoyant underground streams and insect-talk towards patient, softly glistening dub-wise grooves growing into electro-acoustic experiments. From here, the mix oozes into the zone of floaty bass music and ultimately winds back down to dreamy, tingly ambient 💆🏼‍♀️

Sounds by @fh_1138 📿
Visions by @marcomaldarella 🔮

Podcast Series 35 | Freddie Hudson / FFFHHH

Dense forests and moody beaches are the ever-changing and mysterious environments that Thessa Torsing explores to find inspiration. The 37th FIBER podcast is as diverse as these landscapes and Thessa, aka upsammy, is our fearless field guide that help us to traverse a variety of sonic impressions. Through her organic and yet uncompromising style, upsammy presents us an hour long journey composed of impressions and emotions evoked by these natural spaces.

For more information visit: https://fiberweekends.nl/news/fiber-podcast-37-upsammy/

FIBER Podcast

FIBER Podcast 37 - upsammy

It is undeniable that we are living in uncertain times. For those of us failing - or refusing - to fit the patriarchal, neoliberalist mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal. Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month we invite an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero- patriarchal systems of oppression.

This month we have invited @syberkid to respond to this concept.

Photography courtesy of Sybil 

For the tracklist and original radio show (with commentary) - visit: https://cashmereradio.com/episode/transience-25-with-lou-drago-and-sybil/

transience #25 with Sybil

FIBER is an Amsterdam based organisation, that presents new developments in audiovisual art, digital culture and the deeper corners of electronic music. 


The team works year round with a vibrant network of artists, designers and researchers to create artistic events and a festival. Special attention goes out to the support of up and coming artists across numerous creative disciplines. FIBER explores hybrid forms of art and encourages the exchange of views and ideas between the makers and their audience. 

FIBER Podcast 37 - upsammy

FIBER

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