The horor of slavery too much to bear, it is discomforting and those who did owe their victims forever apology 😭

/ fictionalive x Garben /+/ ¼ century of Sound and Design handshakes

/ meet and explore Garben here @garben 

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fictionalive x Garben /+/ ¼ century of Sound and Design handshakes

Peter Uertz aka Garben’s phenomenal tune Get Naked To echoes I AM LIVING PROOF — remixed just for you. Crank it up and enjoy the journey!
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-- -- -- --     I AM LIVING PROOF - Personal Edit Flow 
//  GARBEN's Get Naked To MIX  //
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story created, lyrics written and narrated by fictionalive /
the song 'Get Naket To' is written, produced, and provided courtesy of Garben (link below) / arranged, mixed by Garben and fictionalive / fusion of it all – fictionalive with the popoems series and the hyper media reports / 
fair use only / dropped July 4st, 2025
00:39 am central european hot summer time //
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/ Get Naked To by Garben
https://soundcloud.com/garben/get-naked-to?si=ab9b09ae65594db5a6e45b4d80bb729b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
/ Garben's profile on SoundCloud with more of his beautiful works
https://soundcloud.com/garben?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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I AM LIVING PROOF - Personal Edit Flow // GARBEN's Get Naked To MIX

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Zirkus der Effizienz - Ana, du redest wirr / Human Resources
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modern, zeitgemäß, knackig, sphärisch, aufmüpfig, pointiert, mit einer Prise Sarkasmus – unglaublich, ziemlich deutsch geworden, und das ist gut so
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// Zirkus der Effizienz - Ana, du redest wirr 
by fictionalive: homage and narration /
// Humman Resources
by Garben: music written, produced and provided by /
courtesy of Garben / visit / @garben
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Garben / + / fictionalive:
arrangement and mix
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fusion of it all –
fictionalive with the popoems series and the hyper media reports
cover art: fictionalive DIY, that’s it / fair use only
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dropped July 14th, 2025
01:59 pm, Central European hot summer time
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keep shining
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Zirkus der Effizienz - Ana, du redest wirr / Human Resources

Original music by neno J.
This composition was created 25 years ago and now I have finally decided to rearrange and record it. Classical guitars (Hohner guitar) and piano played by me, July 2025.

Vortex

SHIO – Peace Is Not Freedom

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Extinction and Slavery: Not a Footnote – The Living Legacy // 'Nur Du' alternate take
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// music by Garben @Garben with his unreleased track called 'Nur Du'
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// story written and narration provided by fictionalive
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// Illustration by Peter Uertz / Düsseldorf, Germany
/ thank you, Peter!

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Extinction and Slavery: Not a Footnote – The Living Legacy // 'Nur Du' alternate take

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One of the best-fed errors
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// Artwork by fictionalive 'just a shot' Series 002.003.01

// music by Garben @garben

// fusion of it all -
// fictionalive with the popoems series and the hyper media reports

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One of the best-fed errors

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Nowhere

Download

Transatlantic Flight - Υπερατλαντική Πτήση

Genesis

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Mama Too: It's A F** G-Thang

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“Mama Too: It's A F** G-Thang” is a powerful chronicle of resistance and truth, stitched from authentic, brave voices broadcast on our mighty Instagram story feed. These voices illuminate the spiraling madness and horror we witness daily: the confirmed genocide in Gaza, enabled by western nations that declare themselves democracies but suppress peace, arresting those who protest the massacre of children under new 'anti-terror' laws—most harshly in the UK.

This song stands in solidarity with those fearless enough to speak, to shine a light, to withstand pressure and misunderstanding. Like Mama, we all know—forced to watch, forced to obey, forced into silence—but the truth demands to be heard. “Mama Too: It's A F** G-Thang” is not just a song; it's a tribute to every witness, every protester, every heartbeat refusing to surrender.

Mama Too: It's A F** G-Thang
is an alternate Garben take on the original drop:
Silencing Voices - Complicit (What Happens In 2025) // Allegro Con Acido
https://soundcloud.com/fictionalive/silencing-voices-complicit-allegro-con-acido

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music is the song 'Mama Too' written, arranged, played, mixed, produced by Garben @garben

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new vocal arrangement, new music arrangement and final mix by Garben

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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dropped
friday, september 12th, 2025
time - 4 pm central  european
time zone, tea time, right?
9/11 was yesterday

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Mama Too: It's A F** G-Thang

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Roland Synthesizer Bass. Kwai Synthesizer Bass. Yamaha Synthesizer Bass. Korg Electric Bass Synthesizer. Electronic Drums. Acoustic Drum kit Full set. Percussion Tambourine, Zildjian 22" ride & Crash Cymbal.

Rockin' Out

Tuliping

Thank you for listening.
music composition / sdmk
arrangement / m-tek
Sample Sound / shiradow
Mastering / sdmk

Captivating Brilliance

Another Banger with you Guys
That whas big Fun,
A big thanks to Torben & Jörg
https://soundcloud.com/joerxworx
This is Track is nothig For Jutta from the Supermarket( Vegetable Department ) , you Know my Bass

Lunatics 241 / Ma Bass is better than her Face /  Schmitt - Joerxworks & Ratzzz

Kokon-painkiller

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.
uice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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//
For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Extinction and Slavery: Not a Footnote – The Living Legacy // 'Nur Du' alternate take

fictionalive ⭕️ UNITY

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