Freestyled, written, performed, mixed and mastered by Nasty Tha Mc https://soundcloud.com/nasty_tha_mc and Cozmo Jethro.
Scratching by Cozmo Jethro.
Beat by DJ Ibewitwisdom. 

(Nasty Tha Mc and Cozmo Jethro)
Yo, yo Cozmo, this, this movie crazy.
Yo, what the fuck is this?
Turn this shit off!

Hey huh, let them know now.
Yo Cozmo, let let them know now.
I will.

(Nasty Tha Mc)
If you don’t know, now you know.
If you don’t know, now you know.
Shut up and listen, shut up and listen. Shut up and listen.
If you don’t know, now you know.
If you don’t know, now you know.
Shut up and listen, shut up and listen. Shut up and listen.

(Cozmo Jethro)
Listen up yall.
Might ruffle some feathers with this one here.
Might loose some followers but I don’t care.
That Ai music shit is everywhere.
If you use it please notate it when you share.

My introduction to it was a rude awakening.
Don’t get me wrong, yo, I’m not hatin.
I wish no ill will on anyone here. 
Ai artist tricked me to recording with her.

Naïve to AI music proliferation.
Found a female emcee who was fascinating.
Thought she could rap and sing and create the beat.
She was passin Ai music off as her own shiiittt.

So I collabed with her, thought we created something dope.
I loved the track, was like damn, that’s phat.
My friend heard it and showed me the ways.
He was like, yo, that girl’s usin Ai all day.

He took our lyrics and the ones that I wrote,
Plugged em into Suno, what came out? You know.
A different track with her voice to a Tee.
Realized I’d been scammed by Ai artistry.
I’ve used a little myself to create celebrity voices.
Snoop, Eminem, Bart, and Homer.

I notated that in the liner notes.
I keep it completely honest, yo.
So if you’re using Ai lyrics, please notate.
You’re not foolin anyone anymore, don’t be fake.

Me and Nasty go hard, always keepin it real.
Always, yea, the real deal.

(Nasty Tha Mc and Cozmo Jethro)
If you don’t know, now you know.
If you don’t know, now you know.
Shut up and listen, shut up and listen. Shut up and listen.
(Fuck that Ai.)
If you don’t know, now you know. (yup yup)
If you don’t know, now you know.
Shut up and listen, shut up and listen. Shut up and listen.
(Take it Nasty)

(Nasty Tha Mc)
I’m just that brother with that kung fu grip.
Hold the mic, no doubt and never let it slip.
Wi what, wack emcees, o my to shreds, 
oh yea while I emcee.

Proper, to the beat oh yea.
Like nobody in business oh yea.
I’m just that man like macho, oh yea.
I’m doin my thing, I’m a savage oh yea.

Don’t hate on a bro
Yea, cause I’m doin what it do ayo (ayo)
Magnificent what I is.
And if you don’t know now you know you stupid bitch (oh shit).

(Nasty Tha Mc)
If you don’t know, now you know.
If you don’t know, now you know.
Shut up and listen, shut up and listen. Shut up and listen.

(Cozmo Jethro)
Nasty, like no one in the biz.
And me, huh huh, just doin what it is.
Keep it real yall, lay off the Ai.
If ya gotta use it, notate it ayyyy.

Keep It Real (feat. Nasty Tha Mc)

living the night

Autumn

Shamanic Tachypnea

Stephen TexMex Shaman–@texmex-shaman did a really nice remix on this song so I thought I'd share this version.
****
Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

Hope That You’re Happy Remix (Eclectic Collective with Joe Stroffolino)

Lyrics, Harmonica & vocal : Snow Man Dave

Our Son A Rocker

My mum always played the piano in her slippers, her mother did not want her to damaged the instrument.  She even took her slippers to the Guildhall School of Music and Drama exam, she thought everyone played the piano in slippers. So I recorded a favourite track of hers, in one take, which I was very happy with, though I did shed a tear as I put my slippers on.

The music for "Blueberry Hill" was composed by Vincent Rose with lyrics written by Larry Stock and Al Lewis. The song was turned down by another publisher until being bought and published in 1940 by Chappell & Company. The song was recorded over ten times that year.

Blueberry Hill (Vincent Rose, Larry Stock & Al Lewis)

Collaboration :
dammer : Percussions
Bradford : Keyboard and Mix
me : Shakuhachi flute.

Interwoven.

My earliest musical memories are of a small home on Williams Street, where my family moved when I was three. After dinner, my father would play hymns on his Conn organ, and I would sing along. That simple, shared ritual was my first introduction to music.

Our time at the organ came to an end a couple of years later when we moved, and my father's schedule became busier with teaching, pastoring, and graduate studies. I soon moved on to singing along to albums of musicals, and eventually, my mother became my first piano teacher. But I'll always remember that it was my father who first gave me a love for music. This piece is in his memory of him.

On Williams Street

U.Poet - Bonnie & Cyde {Prod By Kinelle Man}

/
march on – it’s a lie / we’ve earned this rage (brexit blues rocks hard) //
long version

years of empty promises, then reality hit: jobs lost, bills up, dreams shrinking—while the suits keep talking. this is the soundtrack for every working-class soul who feels burned, hustled, lied to. we march, we shout, we rage, and yeah—brexit blues rocks hard.

/
lyrics written and narration provided by fictionalive //

music, carefully used, is the song 'April 10' written, arranged, played, mixed, produced, licensed, and provided by mobygratis.com

lyrics arrangement, additional mix, and production by fictionalive //

/ artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports.

written May, 2025

dropped
saturday, september 8th, 2025
time - 11:33 pm shall be

/

/

/

*

*

*

March On - It's A Lie / We've Earned This Rage (Brexit Blues Rocks Hard) // long version

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

March On - It's A Lie / We've Earned This Rage (Brexit Blues Rocks Hard) // long version

fictionalive ⭕️ UNITY

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Entheogenic Psychonaught (Josh Clary)

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