The Revolution Will Not Be Televised

Darker Than Wax FM, hosted by Marco Weibel every Saturday afternoon. Ever so present yet deeply rooted, we move through two hours of diverse rhythms and globally free frequencies with regular notable guests. 4AM NYC joins this week on the guest mix in the second hour!

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Darker Than Wax FM with Marco Weibel and 4AM NYC @ The Lot Radio 07-26-2025

Aka. messing around with a tiny $40 synth.

Time Is a Jagged Dodecahedron

** FWD is a brand new series of conversations with artists, authors, and curators who are pushing music forward **

Episode 12 welcomes Laurie Torres is a Canadian musician and composer raised in Montréal, Québec by Haitian parents. Since 2008, she has been a trusted stage and studio performer for Julia Jacklin, Pomme, and Land of Talk, as well as being a founding member of Folly & The Hunter, with whom she recorded four studio albums and toured Canada, Europe and the UK.

FWD.012 → Laurie Torres: "My debut album is a gift to myself"

They lurk amongst us in the shadows
Feeding off our highs and lows 
Huddled in the woollen bussom
All senses dulled and numb
Safety in numbers hidden in code
Confused by light and what they sowed
Embrace the light and take my hand
Away we drift to foreign land
It’s time for us to rise and stand 
Before we’re taken in the sand 
Sit back a while and get in mode 
Please enjoy this download

Eyes closed headphones advised !!
Lower the bass 
Download on
Have a great weekend people

Scilent Warfare

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One of the best-fed errors
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// Artwork by fictionalive 'just a shot' Series 002.003.01

// music by Garben @garben

// fusion of it all -
// fictionalive with the popoems series and the hyper media reports

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One of the best-fed errors

Recording sessions from 18/10/2024 - 15/12/2024.

***  Nothing to do with a very famous brand!
AUDI in Latin means "listening" and the R "recording"

presets, mixing, processing and editing: Pier WILL.
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- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
  Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________

AUDI-R_218

Your girl BobbybPhoolan is back at it, murdering these beats 🎧 like a crime scene 💥 Produced by the one and only BeeKool, ‘ONE TIME’ is all raw energy, REAL bars, and that Rude Gyal confidence. Press play and witness the damage at your own risk ⚠️😂💯

Shoutout to all the real ones supporting my music
🫡✨Mad love always! ..And to the OPPs, keep my name out y’all mouths before you choke on it. Y’all obsessed… might as well send me flowers at this point 💐😂💯

Shoutout to Jay Coke for the Dope Cover Art 🖼️

BobbybPhoolan - One time! - Prod. Beekool

A1 - Frenchcore - 200 BPM

Plongée dans un monde numérique où les pixels deviennent chaînes et où le joueur devient la proie.
GAME OVERLOAD explore la frontière floue entre divertissement et domination, entre liberté virtuelle et emprise réelle.

Une montée violente, des kicks tranchants, et une ambiance glitchée : cette track est une réflexion brutale sur l'impact psychologique des jeux vidéo modernes.
Quand l’écran devient un miroir déformant, quand les mécaniques de gameplay deviennent des outils de manipulation, peut-on encore parler de jeu ?

Bienvenue dans une réalité augmentée où tu ne tiens plus la manette — c’est elle qui te tient.

Game Overload

Pigeon Hole - BACK 2 FUNK

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

One of the best-fed errors

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