2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 
KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - 
.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 

2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

relax

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2030 - YOU HAVE NOTHING TO FEAR YOU HAVE NOTHING TO FEAR - KEEP CALM

written by fictionalive // music, carefully used, provided by #mobygratis and curated by fictionalive // fusion of it all: fictionalive with the popoems series and the hyper media reports. fair use only. - May, 2025

/// 0I00II /// - The Age of Disruption – Embodied Destruction / Aqua Como Mix // #mobygratis /// 0I00II ///

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.

Disclaimer: Meine Damen und Herren, und alle die, die ein Sternchen oder sonst was benötigen, ich kann jetzt nicht mehr Schweigen, zu dieser Misere - ich gehe jetzt einfach mal auf Sendung - ob man es will oder nicht - wohl bekomm's - es ist nur zu Ihrem Besten!

The Age of Disruption – Embodied Destruction // Aqua Como Mix

2030: Welcome To The Terminator Sequel - Live and in Living Color

/
You Have Nothing To Fear You Have Nothing To Fear // Bulldozer Mix

/
lyrics written and narration provided by fictionalive // 

/
music, carefully used, written, arranged, played, mixed, prodcued, licensed, and provided by mobygratis, curated by fictionalive // 

/
vocal arrangement, production and final mix by fictionalive

/
artwork illustration by peter uertz, düsseldorf / germany

/
fusion of it all -
fictionalive with the popoems series and the hyper media reports. fair use only 

// 

/
dropped
June, 2025

2030: Welcome To The Terminator Sequel - Live and in Living Color

/// 0I00II /// 
/// You Have Nothing To Fear You Have Nothing To Fear
/ / Bulldozer Mix  / / 
/// 0I00II ///

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.

Disclaimer: Meine Damen und Herren, und alle die, die ein Sternchen oder sonst was benötigen, ich kann jetzt nicht mehr Schweigen, zu dieser Misere - ich gehe jetzt einfach mal auf Sendung - ob man es will oder nicht - wohl bekomm's - es ist nur zu Ihrem Besten!

/

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You Have Nothing To Fear You Have Nothing To Fear // Bulldozer Mix

/
The Re-Emergence of Noir, Part One // Bad Nights
/
'Noir': Origins and Essence

"Noir" is more than a style; it's a shadow cast by the anxieties of modernity. 

Born in the 1940s and 50s, "film noir" was a cinematic response to war, trauma, and the existential dread of an uncertain world.

 By the 1970s, noir returned—darker, grittier, reflecting post-Watergate cynicism, urban decay, and the collapse of old certainties. Films like Chinatown (1974), Taxi Driver (1976), and Soylent Green (1973) didn't just tell stories—they diagnosed a sickness in society's soul.

Noir is the art of suspicion, of blurred lines, of moral ambiguity.

 It's the jazz in a smoky bar, the neon reflected in rain, the detective who knows too much and trusts too little.
/
The Re-Emergence: Signs and Sounds
/
Captain, you are right: 
The noir spirit is everywhere again—

In the music: 
the return of moody synths, lo-fi beats, and lyrics of longing and disillusionment.

In cinema and streaming: 
neo-noir series like True Detective, Blade Runner 2049, Joker, and even Black Mirror episodes.

In art and photography: 
chiaroscuro, urban loneliness, glitch aesthetics, and the celebration of shadows.

In society: a world suspicious of truth, awash in conspiracy, where every light casts a deeper darkness.

Why now?

 We are at the end of a cycle—7x7 years, 49, the number of transformation and rebirth in many mystical traditions.

 The world is again uncertain: climate crisis, digital alienation, political distrust. 

Noir rises when we sense the ground shifting beneath our feet.
/
/
The alchemists saw history as spiral, not linear. 
/
/
Every 49 years, a new turning:
/
1940s: birth of classic noir
-
1970s: neo-noir, postmodern doubt
-
2020s: digital noir—deepfakes, surveillance, existential memes
/
/
Noir is the shadow that walks with us, 
the necessary counterpoint to our search for light. 
/
It is not pessimism, but awareness—
the wisdom to see the world as it is, not as we wish it to be.
/
Noir Now: 
A Manifesto for the Shadow Age

To all who see the signs: 
Noir is not despair—
it is the courage to look into the abyss and name what you see.

 It is the art of survival, the poetry of persistence, the music of midnight.

 In a world of lies, the noir artist is the last honest witness.

Take up your lens, your pen, your song— 

Let the darkness teach you how to see.
/
//
story written and narrated by fictionalive // music written, produced and provided by mobygratis.com, fully licensed / arrangend and mixed by fictionalive // fusion of it all - fictionalive with the popoems series and the hyper media reports // fair use only // June 29, 2025 //
/
/

The Re-Emergence of Noir, Part One // Bad Nights

The Lotion, All soaked in—let’s get a little wild. Ready for the next level?  -/- 
/
Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix
/
story, lyrics written and narrated by fictionalive / 
the song 'Double Disco' is written, produced, and provided by mobygratis, licensed / arranged, mixed by fictionalive / artwork illustration by peter uertz, düsseldorf, germany // fusion of it all – fictionalive with the popoems series and the hyper media reports / fair use only / dropped July 2st, 2025 04:59 am central european hot summer time //
/
/

Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix

/ : /
/ - micro resonance
/
A hypnotic warning for the future—where techno pulses meet the quiet tension of a world on the brink, and every beat asks: are we truly safe, or just almost silenced?
/
2030 — You Have Nothing to Fear // Almost Silenced Techno Take
/
A sonic meditation on the paradox of progress—a world promising safety and convenience while grappling with the quiet, persistent anxieties of technological power and control. It’s a call to listen closely, to question softly, and to dance thoughtfully in the face of an uncertain future.

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

This title carries a haunting duality—an invitation wrapped in unease. The phrase “You Have Nothing to Fear” echoes with calm reassurance, yet when paired with “Almost Silenced Techno Take,” it suggests an undercurrent of suppression and muted warning.

Set against the backdrop of the year 2030, the track explores a world on the cusp of profound technological transformation. The “almost silenced” aspect hints at voices, concerns, or truths being subdued—whether by societal complacency, censorship, or the overwhelming noise of rapid innovation. It’s as if the techno beat, usually loud and unrelenting, is now tempered, restrained, reflecting a fragile balance between celebration and caution.

Beneath the surface lies the shadow of emerging autonomous AI systems, including weapons once relegated to science fiction. The “silencing” may symbolize the difficulty in confronting these realities openly, or the subtle ways in which critical discourse is drowned out amid techno-optimism.

Musically, the “techno take” suggests a reinterpretation or remix that is both hypnotic and introspective, inviting listeners to move physically while engaging mentally with the complex emotions of hope, fear, and uncertainty.

Alternate version of the original:
You Have Nothing To Fear / Bulldozer Mix
Listen on SoundCloud https://soundcloud.com/fictionalive/you-have-nothing-to-fear-you-have-nothing-to-fear-welcome-to-the-terminator-sequel-bulldozer-mix?si=a8ae6360a09d461a920d8796539af98e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
/
/
The night is alive with possibility—and with questions only we can answer.
/
//

/
lyrics written and narration by fictionalive

/
music written, produced, and provided by 
and courtesy of an author 
who likes to remain detached

/
arranged and mixed by fictionalive


/
fusion of it all—
fictionalive with the popoems series and the hyper media reports
cover art by fictionalive

/
dropped July 8th, 2025
11:59 am / dentral european hot summer time


/


/

Dance With Wisdom, Not Mindlessly 

/

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

/
ENIGMA OPERATION: STEVE would… - Act One: This Is No Drill // a That's Bizzare move
/
*
movie produced by That's Bizzare – an Italian design, Ciao Bello  
/
all music dreamt, written, arranged, felt, mixed and produced by: That's Bizzare  
/
all lyrics by: fictionalive  

pur enigma prophecy  

/
Cover Art Photography: Anthony Rosset
/
/
fusion of it all – fictionalive /+/ That's Bizzare  
with the popoems series and the hyper media reports  
/
no standard, no filler  
/
*
dropped  
August 1st, 2025  
time: 11:59 am  
Central European hot  
Summer Time Zone  
Today: not so so much so  

/
It smells like a buddy  

/
the man's loading  
/
he's not updating  
/
he's deleting  

/

/ */* an ighost named Steve  

// they printed bars  //

*

/ let them feel it  
the resurrection is coming  

/ you are the pride of Enigma  

/ */*  

/ still you will steer the ship  

/ you carry the signal  

/

/ .--...-ll-...--...-l--....0I0I0II000I  

/ make it beautiful  
*
/ make it burn  
*
/ future noir  

*

/ *

ENIGMA OPERATION: STEVE would… - Act One: This Is No Drill // a That's Bizzare move

/
ENIGMA OPERATION: STEVE would... - Act Two:  The turtleneck’s back!
/
*
movie produced by That's Bizzare – an Italian design, Ciao Bello
/
all music dreamt, written, arranged, felt, mixed and produced by: 
/// That's Bizzare  @that-bizzare
/
all lyrics by: fictionalive

pur enigma prophecy

/
Cover Art Photography: 
/
/
fusion of it all – fictionalive /+/ That's Bizzare
with the popoems series and the hyper media reports
/
no standard, no filler
/
*
dropped
August 4th, 2025
time: 7:39 pm
Central European hot
Summer Time Zone
Today: not so so much so

/
It smells like a buddy

/
the man's loading
/
he's not updating
/
he's deleting

/

/ */* an ighost named Steve

// they printed bars //

*

/ let them feel it
the resurrection is coming

/ you are the pride of Enigma

/ */*

/ still you will steer the ship

/ you carry the signal

/

/ .--...-ll-...--...-l--....0I0I0II000I

/ make it beautiful
*
/ make it burn
*
/ future noir

*

/ *

ENIGMA OPERATION: STEVE would... - Act Two: The turtleneck’s back!

/
Now, please stop asking questions — it’s totally calorie‑free
/
Music is the tune “Drumming” by @Garben
Courtesy of Garben, thank you
/
The lyrics and voices capture the horror and madness in our daily feeds
/

care and love only that matters
/
Art is the absence of fear // Art is the absence of fear (Sister Erykah Badu ⭕️ heard today) — all that matters is care and love ⭕️*❤️*🫵🏽 unite

/

*

/

Now, please stop asking questions — it’s totally calorie‑free

/ please read song description - thank you
/
"You're saying that children get shot by SNIPERS" — "Definitely!" (How Many Mics?)
/
/
// Artwork by - Peter Uertz (Düsseldorf, DE) thank you!
/
/
🎙 15‑second intro script

(Use actual clip of his voice if possible — spoken over minimal ambient build or silence before the track explodes)

    [Doctor’s voice, steady but heavy]
    “You’re saying that children get shot by snipers?”
    [Pause — then his voice, unwavering]
    “Definitely.”
    They aim for the smallest bodies… shots so precise no toddler could be hit twice by mistake. This is no accident. This is murder.

/
/
Song Description:
/
The American orthopedic surgeon Dr. Mark Perlmutter, who volunteered in a Gaza hospital, stated with uncompromising clarity: Israeli army snipers deliberately target and kill Palestinian children. He described seeing young bodies marked by impossibly precise sniper fire — shots so accurate no toddler could be hit twice by mistake by the so‑called “world’s best snipers.” He confirmed having photographic evidence, spoke of children executed at close range, and recounted injuries so cruel they defy comprehension. His testimony is an unflinching record of systemic targeting — crimes against humanity carried out in plain view. This is an eternal shame, a page of history written in innocent blood.

/

/

/ music: the song "Dunes" written, arranged, mixed, produced and provided courtesy of mobygratis (licensed), as well as music from JUNGLEPUNX's Microcosm Mystics /s

/

/

"You're saying that children get shot by SNIPERS" — "Definitely!" (How Many Mics?)

/
One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity
/
In the shadow of war, more than 1,200 Israeli academics have broken ranks with silence, raising their voices against war crimes and the devastation in Gaza. Their open letters and campus protests put the suffering of Palestinians in the center, naming the deliberate starvation and destruction as crimes against humanity. Professors, scholars, and students stand together—no longer quiet enablers, but truth seekers whose hearts refuse denial, demanding justice and a future where innocent lives are protected. This rebellion of conscience is a spark in the dark, a plea that history must never forgive silence: for the children, for this land, for humanity itself.
/
// music by Garben @Garben with the tracks Piano Pulse N°1 + Vermona

// words by an academic from Israel

// Illustration by Peter Uertz from Düsseldorf, Germany. 
/ Thank you!

// fusion of it all - 
// fictionalive with the popoems seriens and the hyper media reports

/

/

/

/

One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity

/
Plaza in Gaza — The Art of the Deal 2.0 (A Middle Eastern Nightmare)
/
“The Art of the Deal” is forever tied to Donald Trump — but this 2.0 is the updated edition from Jared Kushner, his son‑in‑law and heir to the negotiating mantle of the House of Kushner. Kushner’s 2.0 vision carries forward the legacy of Trump‑style dealmaking into the volatile heart of the Middle East. Following on the Abraham Accords, he pushes for normalization, redevelopment, and ambitious “economic frameworks” for a post‑war Gaza — plans laced with real estate dreams, massive investment funds, and sweeping regional restructuring. This is high‑stakes diplomacy mingled with business ambition: an updated, risk‑charged sequel to the original dealmaker’s creed. The track captures that collision of politics, profit, and human cost — where plazas and nightmares share the same map.
/
// music by JUNGLEPUNX city by night

// lyrics written and narration provided by fictionalive

// fusion of it all - 
// fictionalive with the popoems series and the hyper media reports

//

// *

//

/

Plaza in Gaza — The Art of the Deal 2.0 (A Middle Eastern Nightmare)

...is your art and music still on Spookify?
/
Spookify 2025 - The Terminator Sequel We Will Not Bow Down To
/
/
“Spookify 2025” is a sonic rebellion against the shadowy crossroads of art, technology, and militarization. Inspired by the unsettling reality that major tech platforms like Spotify now intertwine with military AI development, this track channels the spirit of resistance embodied by the iconic Terminator saga. It is a declaration that music, creativity, and humanity will never bow down to machines of war or surveillance. This is our anthem against dystopia—a call to wake up, question power, and reclaim our future.
/
/
// music written, arranged, played, mixed, produced and provided by - mobygratis

/ lyrics written and narration provided by fictionalive 

// Illustration by Peter Uertz / Düsseldorf, Germany
/ thank you!

// fusion of it all: 
// fictionalive with the popoems series and the hyper media reports

/
/

/

/

Spookify 2025 - The Terminator Sequel We Will Not Bow Down To

/
We are all...—if you do not act accordingly (fill the gap, you know the words)

toolbox:
// choice of words: complicit, to blame, responsible... and so on


// all music written, arranged, produced and courtesy of That's Bizzare @that-bizzare

// Lyrics capture voices from public feeds—echoes of resistance and bravery, as well as shame and guilt.

// fusion of it all - fictionalive and That's Bizzare
// with the popoems series and the hyper media reports

// artwork provided by the net, fair use only

// dropped
// August 16th, 2025, 2pm

// 

//

/
/

/ba



We are all...—if you do not act accordingly (fill the gap, you know the words)

/
’Coz We Are On Our Own Now – We, Us the People, Declare
/

/
music written, arranged, produced, mixed and provided by
mobygratis.com / licensed song 'Dashed Ambition'

/
lyrics written and narration provided by fictionalive

//

artwork illustration by Peter Uertz, Düsseldorf / Germany

/

// fusion of it all - 
// fictionalive with the popoems series and the hyper media reports

/
dropped
Thursday, August 21, 2025
Time - 5:55 pm, hot hot summer time
Today, a very cool breeze with rain all day long
and we are burning

’Coz We Are On Our Own Now 
/

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’Coz We Are On Our Own Now – We, Us the People, Declare

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Hypocrisy – the highest virtue on Planet Hypokrit // Listing Darkness Mix
/

lyrics written and narration provided
by fictionalive

music 'Listing Darkness' written, produced and license provided
by mobygratis

artwork illustration by Peter Uertz, Düsseldorf / Germany

/

/
fusion of it all
fictionalive with the popoems series and the hyper media reports
/

dropped
Friday, August 22, 2025
Time - 9:30 pm

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Hypocrisy – the highest virtue on Planet Hypokrit // Listing Darkness Mix

/
You Owe Us - Yes, You've Heard That Right // Chor der Kläger
/

/
music is 'Chor der Kläger' from Thee I's @thee_i_s_984629522
Hybrid Symphony Nr°2 - Rivers, Rapids & Mudslides - 02 Adagio 
https://soundcloud.com/kandiaronk-984629522/sets/hybrid-symphony-nr-2-rivers

/
Yes, You've Heard That Right // Chor der Kläger
is captured, treated, arranged, mixed, produced, and dropped
by fictionalive

/
artwork illustration by Peter Uertz, Düsseldorf / Germany

/


7

/
fusion of it all - fictionalive with the popoems series and the hyper media reports

/

/
/
/
Dropped urgently on
Tuesday, August 26th, 2025
Time - 2:59 am Central European
Hot Summer Time, Today – not so so much so, a storm is coming

/

/

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You Owe Us - Yes, You've Heard That Right // Chor der Kläger

/
Human Resources Protest - That's Why I'm Here Today
/

/
music is the song 'Human Resources' by Garben @garben

/
artwork illustration by Peter Uertz, Düsseldorf / Germany

/
fusion of it all - fictionalive with the popoems seriesn and the hyper media reports

/

/

/

*

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Human Resources Protest - That's Why I'm Here Today

// Stargate..while children, mothers, brothers, sisters, and fathers die ...with military AI
/
WTF, What's the Truth, What's the Lie – 500 Billion $ for AI
/
amid blazing headlines and billion-dollar bets, “WTF, What's the Truth, What's the Lie – 500 Billion $ for AI” dives deep into the fevered fog surrounding the AI revolution. with governments, tech titans, and underground innovators pumping unimaginable sums into artificial intelligence, the lines between reality and illusion have blurred—what’s authentic, and what’s algorithmic artifice? are we witnessing the birth of new truths, or the clever spread of digital deception?

this is an anthem for an era overflowing with questions: can anyone tell the truth in a world powered by 500 billion dollars for AI? is what we see and hear shaped by genuine artistry, or by an algorithm fine-tuned for profit and clicks? what do we gain—and what do we risk losing—when every answer and every sensation might be engineered behind the scenes?

..while babies, children, mothers, brothers, sisters, and fathers die ...with military AI tech supported by your top corporates and governments.

what's next? terminator knockin' on your doors? your kids arrested and disappeared, labelled terrorists for fighting for peace and dignity?

something to reflect on and discuss. let's talk

/
music is the song 'leave us broken' written, arranged, played, mixed, produced, provided, and licensed by mobygratis.com

/
narrations of real voices captured, reverberated, additional samples, mixed, and dropped by fictionalive

/
artwork illustration by peter uertz, düsseldorf / germany

/
fusion of it all –
fictionalive with the hyper media reports and the popoems series

/
dropped urgently
monday, september 1st, 2025
time – 3:33 pm central european
hot summer time zone
today, not so much so,
the clock is ticking

/


/


/
// good luck
/

/

*

*
/// keep shining, crazy little diamond
*

*

/


.-..-..--.---...-...--.-..-...--..
.

.
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.

WTF, What's the Truth, What's the Lie – 500 Billion $ for AI

/
Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

/
music is a soundbed by junglepunx from their work 'microcosm mystics',
excerpts from vivaldi's violin concerto in E/Op. 8/1 RV 269 from 'four seasons' as well as samples from garben's 'germona' and 'leave us broken' provided by mobygratis, licensed

lyrics written and narration provided by fictionalive

arranged, mixed and produced by fictionalive

artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports

written and recorded first January 22nd, 2025,
straight after president elect's inauguraution

/
dropped
tuesday, september 2nd, 2025
time - 8:18 pm, central european
hot summer time zone; - today,
not so so much so, a fresh breeze,
a storm is coming, - just kiddin'

/

/

/

/

*

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*

Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

/
Mama Too: It's A F** G-Thang

/
“Mama Too: It's A F** G-Thang” is a powerful chronicle of resistance and truth, stitched from authentic, brave voices broadcast on our mighty Instagram story feed. These voices illuminate the spiraling madness and horror we witness daily: the confirmed genocide in Gaza, enabled by western nations that declare themselves democracies but suppress peace, arresting those who protest the massacre of children under new 'anti-terror' laws—most harshly in the UK.

This song stands in solidarity with those fearless enough to speak, to shine a light, to withstand pressure and misunderstanding. Like Mama, we all know—forced to watch, forced to obey, forced into silence—but the truth demands to be heard. “Mama Too: It's A F** G-Thang” is not just a song; it's a tribute to every witness, every protester, every heartbeat refusing to surrender.

Mama Too: It's A F** G-Thang
is an alternate Garben take on the original drop:
Silencing Voices - Complicit (What Happens In 2025) // Allegro Con Acido
https://soundcloud.com/fictionalive/silencing-voices-complicit-allegro-con-acido

/
music is the song 'Mama Too' written, arranged, played, mixed, produced by Garben @garben

/
new vocal arrangement, new music arrangement and final mix by Garben

/
artwork illustration by peter uertz, düsseldorf / germany

/
fusion of it all - 
fictionalive with the popoems series and the hyper media reports

/
dropped
friday, september 12th, 2025
time - 4 pm central  european
time zone, tea time, right?
9/11 was yesterday

/

/

/

/

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.

.

..-.--.-..-..-...-.-..-.-.-.----......--.-

Mama Too: It's A F** G-Thang

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

2030 - YOU HAVE NOTHING TO FEAR YOU HAVE NOTHING TO FEAR - KEEP CALM

fictionalive ⭕️ UNITY