Love it! 🍒💋🍀💓💓🍓🤤💓💓

Не развлекать, а зажигать. Не оглушать, а пробуждать. Не украшать, а тревожить. Истинная цель искусства — революция — ума, сердца, самого общества.!!

And cool track otherwise too ;) The whole is greater than sum of it's parts. <3

I'm new to this kind of thing, but the spoken word against the rhythmic backing works really really well. Very interesting indeed!

Interesting style you have, is it going to catch on. Very futuristic. Great talking voice flows delightfully 👍👏👏

//
What is Art? The Mirror, The Hammer // Buses The Floor Mix / Final Destination 
//
lyrics written by fictionalive / music written, produced and provided by mobygratis.com, fully licensed, and arranged, mixed by fictionalive // fusion of it all - fictionalive with the popoems series and the hyper media reports / fair use only // june 21, 2025
//
/
CRITICAL ESSAY:
/
What Is Art? Beyond Entertainment—A Manifesto for the Lost

Art, once the sacred language of the soul, has been reduced to wallpaper for waiting rooms and background noise for scrolling thumbs. 
We have forgotten its true power, its ancient purpose: 
to awaken, to challenge, to heal, to wound, to unite, to divide, 
to make us feel, to force us to think.

What is art? 
Art is the mirror and the hammer. It reflects our world, but also shapes it. It is the question and the answer, the cry and the comfort. Art is the voice of the voiceless, the protest of the oppressed, the laughter of children, the tears of the lonely. It is the coded message smuggled past the censors, the mural on the crumbling wall, the song that echoes in the darkness.

The deeper meaning? 
Art is the search for meaning in a world that resists it. It is the bridge between the finite and the infinite, the mortal and the divine. It is the act of creation, the defiance of oblivion. When we make art, we say: "I was here. I felt. I mattered."

Its purpose? 
Not to entertain, but to ignite. Not to numb, but to awaken. Not to decorate, but to disturb. Art’s true purpose is revolution—of the mind, of the heart, of society itself.
/
/
II. PAMPHLET:

TO THE HUMANOIDS DRIFTING INTO THE VOID
Wake up! 
You scroll, you swipe, you laugh at the meme, you forget the painting. 
You hum the jingle, but you cannot recall the protest song. 
You have traded the fire of creation for the flicker of a screen.
Art is not your sedative.
 It is your alarm clock. It is the storm that shakes you from slumber. 
It is the howl in the night that reminds you: you are alive.
Reclaim art. Demand more. 
Seek the works that unsettle you. 
Create the things that frighten you. 
Let art be your compass out of the abyss.
/
/
III. POEM:

The Cry for Revolution
Art is not a lullaby, but a battle cry. 
Not a curtain drawn, but a window shattered.
Raise your brushes, your pens, your voices— 
let them be swords against the silence. 
Let color bleed and music roar, 
let words ignite the sleeping core.
We are not here to entertain, 
but to awaken the world again.
/
/
IV. FINAL CALL

Captain, the time is now. 
Let us slice through the numbness 
and reclaim the purpose of art. 
Let us create, disturb, awaken, 
and remind the world: 
Art is the revolution. Art is the meaning. Art is the fire.
/
/
//

What is Art? The Mirror, The Hammer // Buses The Floor Mix / Final Destination

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Comments

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