A Great neoclassical moment and an ice cream for ears !

It looks like music for open world games, I like it

Beautifully floating Classical textures... :)

Beautiful heavenly atmosphere .. A composition full of passion...🔝🎶❤️💯👌

L'artiste américain propose une oeuvre instrumentale dotée d'arrangements orchestraux qui gravitent autour du violon. Ce morceau à grand déploiement est débordant de sensibilités musicales tout en étant habité par une rare charge émotionnelle. 〰 The American artist offers instrumental work with orchestral arrangements revolving around the violin. This wide-ranging piece is brimming with musical sensibilities, yet is inhabited by a rare emotional charge.

Great work!  … 🌍☮︎👍🐞🍀2024

Stream 911 on all platforms: https://www.anatemusic.com/911

Watch the video

Sounds:
MicroFreak
MicroZwerg
VolcaSample
MoogWerkstatt
StreichFett

EarthBound

Le nombre d'or déjà

A few artist in a energetic moooood Stockholm Sweden

Stocks

Out of Round

This song was written as part of a Mapco song contest, but I really liked the song and decided to go ahead and make it a release. This is not quite a finished version. I plan to get my wife, Ashley, to sing the final chorus and I will add her in there.

You can check out the release version at Hamilton County Line's SoundCloud page:
https://soundcloud.com/dageck0-country/fillin-up-on-love

[Hamilton County Line] Fillin' Up On Love (Early Cut)

Shemesh" is a 30-piece orchestra symphony that serves as a tribute to the great Hanan Ben Ari, incorporating a diverse range of instruments beyond the strings. Alongside Asher Laub's captivating violin performance and the full string section, the arrangement also features the expressive power of brass, winds, and percussion. These additional instrumental elements enrich the composition, adding depth, color, and dynamic contrast to the overall sound.

The symphony beautifully intertwines the memorable melody of Hanan Ben Ari's song "Shemesh" with the orchestral arrangement. The lyrics of the original song convey a profound message of hope, resilience, and the power of the sun as a symbol of renewal and transformation. The arrangement seeks to capture the essence of these lyrics through its cinematic and romantic core, allowing the listener to experience a profound emotional journey.

Throughout the piece, the orchestration skillfully blends the delicate and soaring tones of the strings with the bold and triumphant sounds of the brass section. The winds add a touch of whimsy and lightness, while the percussion provides a rhythmic foundation and adds dynamic energy to the arrangement. Together, these instruments create a rich tapestry of sound, enhancing the emotional impact of the composition and lending it a grandeur befitting a tribute to a revered artist.

In conclusion, "Shemesh" is a breathtaking orchestral production that pays homage to Hanan Ben Ari, skillfully incorporating a variety of instruments to complement the solo violinist and the full string section. The arrangement beautifully captures the essence of Ben Ari's lyrics, delivering a profound and emotional musical experience. From the evocative melodies to the diverse orchestral textures, this symphony stands as a testament to the power of music to honor and celebrate the legacy of an influential artist while invoking a sense of hope, resilience, and transformation in the hearts of its listeners.

Shemesh

instrumental guitars & keys; beat & melody

rockon2020

a leap of faith

Entanglement

Empathy

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

Shemesh

Fiddlers Dream Music

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