Marbré repart en cuisine cet été, et on voulait frapper un grand coup pour se relancer. Aux fourneaux pour cette 12ème édition des Batches, n'est autre que l'inégalable https://soundcloud.com/pasteurcharles.

Il a concocté, spécialement pour vous, une heure de pépites disco et soulful house. Chef d'orchestre du label Community Center, deuxième moitié du https://soundcloud.com/le-turc-mecanique, Pasteur Charles arpente la scène électronique française depuis des années, laissant les foules en transe dans son sillage. Merci à toi, Petit Père du Punk <3


PS: On a de ces dingueries à vous annoncer... en France comme à Montréal! 

Love and pastries 🍰


Son dernier EP, Maximal Dance: https://communitycenterparis.bandcamp.com/album/maximal-dance

|| Ask for track ID's in the comments! ||

Batch No.12 — Pasteur Charles

Subscribe to the Turned On Podcast by following us here on SoundCloud or via your favourite podcast provider (links at bengomori.com/podcasts). 1 hour of house, disco, afro, techno, garage, electro and more more every Monday.

Buy https://bit.ly/3Dvyd2x

Afro acid, anyone? Frappé co-founder Basile De Surenses goes hard on this jacking cut which blends distorted 303 squiggles with a driving tribal rhythm and hypnotic synth delays, taking from their African-influenced 'Afrodisiaque' various artists EP.

PREMIERE: Basile De Suresnes - Bastoss AfroK47 [Frappé]

Part Of: Live With You LP
Catalog: INEX012
Release Date: 14.01.22
Buy Link: https://inhaleexhalerecords.bandcamp.com/album/inex012-buzz-compass-live-with-you-lp

Buzz Compass
SoundCloud | https://soundcloud.com/buzzcompass

Inhale Exhale
SoundCloud | https://soundcloud.com/inhaleexhalerec
Bandcamp| https://inhaleexhalerecords.bandcamp.com

-------------------------------------------------------------------------------------------------------------------------------------

Berlin House Music
Submit Your Music | https://berlinhousemusic.com/submission
Store | https://berlinhousemusic.com/shop
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
SoundCloud | https://soundcloud.com/berlinhousemusic

PREMIERE: Buzz Compass - After Brunch [Inhale Exhale]

@retrogroove_ontape est un collectif d'organisateurs de soirées aux sonorités Disco, House et Deep House né au Liban il y a maintenant presque 5 ans. 

On reçoit aujourd'hui @ej-saroufim qui vient représenter le collectif avec un set de 1h précédé d'un interview où il nous parle de l'évolution et du futur de Retro Groove.

Retrouvez l'interview ici :
https://soundcloud.com/sacreradio/interview-ej-retro-groove

Et en replay sur Youtube :
https://youtu.be/8CJyltD2Hss

Sacré Radio en direct :
www.sacre.paris/sacreradio

Téléchargez l'App :
IOS : https://apple.co/3dRcXXk
Android : https://bit.ly/3fZadsV

Sacré Radio

1h avec EJ (Retro Groove)

Melodies

~ Marc Brauner [Germany] ~

The Berliner Marc Brauner has been positively shaking the house music scene over the past years with releases on excellent labels such as Shall Not Fade or Houseum Records. Kicking off his stuttering musical career playing drums at the age of 5 and practicing in a percussion band for 8 years, he discovered the house music territory back in 2009. As a producer, Marc finds his anchor point into classic, melodic and captivating deep house with a tad of fulminating breakbeat notes. He is always going off the beaten tracks: from producing jams for luxury brands like Jil Sander or L’Oreal to co-founding the live acid and tech house project Traffic Report, by way of co-creating the collective “We Change The Weather“ that organized gigs in Bremen. In 2019, the release of his well-known “Sad But Amibitious” EP on the Houseum channel has fast-tracked his career and, the year after, he was lauching his own deep house label Nostalgics together with the man Tender Games. All those projects proved his musical variety and beautifully cross-fertilized, resulting in Marc being heavily featured lately in Berlin as well as across other European cities in renowned clubs like Rex, Wilde Renate or Sisyphos.

As expected from him, he has concocted for us a pumping hour of house, deep house and acid grooves from Cinthie, no_4mat or Chriss Stussy. This is the perfect treat to get in the mood before the reopening of clubs in lots of countries next week. 

Marc Brauner’s latest crush: PinkPantheress

Our team’s recommendations: Sad But Ambitious [Houseum Records], Mon Numero (feat Maeva) [Satta Records], Un Deux Trois [Mindgap Recordings]

s. // @marcbrauner
i. // www.instagram.com/marc_brauner/
f. // www.facebook.com/marcbraunerofficial

045 ~ plastic/vibes x Marc Brauner 🇩🇪

'Hexagonal Club Vol. 3' LP Out July 1st !
Preorder Vinyl & Digi ➫ lnk.to/HexagonalClub3

Artwork by Liorzh
Mastering by Perception Mastering

Special thanks to @laurent-garnier for the voice over ❤️

𝗦𝗵𝗼𝗿𝘁𝗲𝗻 𝘁𝗿𝗮𝗻𝘀𝗰𝗿𝗶𝗽𝘁𝗶𝗼𝗻: “First, we can't say that there was any recognition of electronic music in France from the start. The first people who imported it were a couple of English promoters who organized a party at the Rex Club. It was the very first house and techno night with gay people that fell in love with this music, and helped to develop it in France, in clubs and then in raves.
This is a bit strange to say that, but I think that France is not a country that likes to dance. There was an explosion of disco in France, but it was still very much confined to the gay scene. At the time, even if we had a very large panel of jazz music, France is not a country of black music, we were more into rock'n'roll. And it's the same for techno music when it arrived in France. There was something very hostile from the tabloids and the right-thinking people in music who saw it as something subversive, something for fags, blacks, or drug addicts. Even before that, there was already a sort of hostility towards musicians in France. Because we were in a period where instrumental music was not yet accepted. The only ones who had done it were Jean-Michel Jarre or Cerrone, but they were seen as people who did strange things. 
Here is another example from my experience: when we released “Acid Eiffel” with Shazz on Fnac Music, we quickly realized that the record didn't sell well. A few months later, Derrick May came to the Rex Club, we played “Acid Eiffel”, he fell in love with the track and released it on Transmat. And since then, it's been a hit just because it was legitimized on a foreign label.
The first people who really started to make people talk about the French scene, were Daft Punk, Motorbass, all these people who were labelled as “French Touch” artists. Until then, there had never been any in-depth articles on French music. But there was a moment when journalists in England found themselves with a pile of "French Touch" records and they decided to talk about it. It’s only after this, that it exploded in France, whereas it was seen very strangely before.
So yes, we don't really pay attention to our own scene. The Belgians pay a lot of attention to their own scene, and they're proud of it because they were there from the beginning. The English, the Germans pay a lot of attention to their own scene. But not the French. An artist who hasn't exploded abroad, necessarily, in France, he won’t be seen as a successful artist, whereas we should listen to him and be proud of it.
On the other hand, there is something about the music we defend that is fundamentally international. And I think that we have nothing to envy from the others for a long time. There is a kind of renaissance of this music that is made in Paris and everywhere in France. There is a new scene that could be qualified as “French Touch”, but which is not musically - it would be too reductive - because they have completely digested and assimilated the roots of house music and made it their own.
In the end, if this music was fundamentally shitty as the press and the right-thinking people said 30 years ago, then why do we still see 18-year-olds kids listening and dancing to it today? It still resonates with people, and it proves that it wasn't just another new movement that arrived from England and that it would fade away after six months. Today we shouldn't be ashamed of what we produce and listen in terms of house and techno music in France.”

Hexagonal Club Vol. 3

Preorder Vinyl & Digi

Various - Hexagonal Club Vol. 3 LP (Previews with Laurent Garnier voice over)

Made a track using an indian, sitar sample into danceable vibe. The original sample has 11/4 feel, which I tried to blend with 4/4 to make a twist. 

Enjoy!

Matcha Boy - The Sitar Dance | Deep House 126bpm

Kirill Levski - Nevergone

Can't Sleep Tonight (Edit)

Notre résidente https://soundcloud.com/clemence-mathiau nous a concocté une première fournée cuite à point pour le régal de vos papilles

La recette : des tracks à base de soleil, de groove et de gros kick pour un nuancier de deep, tech et oldschool House. Un mix qui espère séduire autant les oreilles averties qu'amatrices et qui transformera votre cuisine en dancefloor en ces temps incertains.

S'apprécie encore plus si vous avez des bonnes basses sur votre soundsystem ou votre jbl go

La Fournée de Minence

Musical Label - Record Label . Booking . Events . 

Booking : figurativerecords@gmail.com
Instagram : https://www.instagram.com/figurativerecords/

Melodies

Figurative Records

Related tracks