Name: Barcarolle, J. Offenbach - Filarmonica della Scala, Georges Prêtre cond. by Filarmonica della Scala
Duration: 5 min 49 s
Description: Un estratto della registrazione della Barcarolle di Offenbach eseguito dal vivo al Teatro alla Scala

George Frideric Handel's - Water Music

Ha elmúlt a zord hosszú gyászos nagy tél,
S a nyárral véget ért majd egy újabb év,
Te eljössz hozzám érzem, ki távol jársz,
Mert hű voltam Hozzád, mert a szívem úgy várt.

Edvard Grieg - Solveig's Song

Edvard Grieg - Peer Gynt - Suite No. 1, Op. 46 - II. Aase's Death

Please visit us at http://www.reverbnation.com/thesydneyconsort for concert info, tickets, music and more. 
All comments appreciated :)

ARTIST BIO

The Sydney Consort is one of Australia’s most energetic music ensembles devoted to early music of the 17th and 18th Century. 
Originally consisting of three members the group brings together Australia’s finest musicians and singers to a small chamber orchestra of up to fifteen performers. Formed in 1997 and led by artistic directors Monika and Stan Kornel, the Sydney Consort is an ensemble dedicated to bringing beauty and wisdom of Baroque music to a rapidly growing audience. The ensemble has performed music ranging from the 16th to 18th Century, as well as contemporary Australian music, and with concert themes such as English, French, German and Italian Baroque, Music and Poetry, and the Johann Sebastian Bach concertos. 

In the year 2000, the Sydney Consort celebrated the vocal and instrumental music of Bach, commemorating the 250th anniversary of the composer’s death with spectacular concerts at the St James’ Church. Frequently, the ensemble invites other well known and talented Australian artists, instrumentalists, and vocalists to further enrich performances and broaden the repertoire. The Sydney Consort performs regularly with Sydney actors and poets as a consequence of an ongoing relationship with the Poets and Writers Society. A concert of 17th Century English music and Shakespearian sonnets was a particularly successful product of this union of arts. 

The ensemble appears regularly on classical radio programs and on Sunday Live ABC Classic FM. From 2004 the group appeared for Musica Viva Australia with concerts in Sydney and NSW (countrywide program), and in June/July 2005 and 2007, the Sydney Consort performed on their European concert tour in Italy, Germany, Luxembourg, Denmark and Poland. The ensemble has been invited to return to Europe in 2009 and will perform in Luxembourg, Germany, Denmark, Prague and Poland

JOHANN SEBASTIAN BACH - Sonata for harpsichord & violin in C minor (Siciliano)

http://en.wikipedia.org/wiki/Introduzioni_(Vivaldi)

Filiae Maestae Jerusalem RV 638  II. Sileant Zephyri (Antonio Lucio Vivaldi)

Un estratto della registrazione della Barcarolle di Offenbach eseguito dal vivo al Teatro alla Scala

Barcarolle, J. Offenbach - Filarmonica della Scala, Georges Prêtre cond.

Cantus II (Falling Sun)

Piano Concerto No.2 in C minor, Op.18- 2. Adagio sostenuto

Rachmaninov - piano concerto No.2 (Adagio sostenuto)

Brahms - Symphony No. 3 In F Major, Op. 90 - III. Poco Allegretto

L'Arpeggiata, Christina Pluhar, Die Glocke, Bremen 2017
Broadcast by Bremen 2

*Lascia ch’io pianga* - (Let me weep my cruel fate)
Georg Friedrich Händel, Rinaldo
Almirena’s aria

Lascia ch’io pianga mia cruda sorte
E che sospiri la libertà!
Il duol infranga queste ritorte
de’ miei martiri sol’ per pietà.

Let me weep
my cruel fate,
and sigh for liberty.
May sorrow break these chains
Of my sufferings, for pity’s sake.

Laß mich mit Tränen mein Los beklagen,
Ketten zu tragen, welch hartes Geschick!
Ach, nur im Tode find’ ich Erbarmen,
er gibt mir Armen die Ruh’ zurück.

**We believe the publication of this sound to fulfil the criteria of 'fair use,' discussion and study. If you have any concerns about this excerpt being public here, please get in contact, and we will remove the track immediately. **

Philippe Jaroussky and Céline Scheen sing "Lascia ch'io pianga" from Händel's "Rinaldo"

The touching Stabat Mater by Giovanni Battista Pergolesi is perhaps the most famous version of the Stabat Mater, a cycle of songs about Virgin Mary. The final number he wrote when he was on his deathbed (1736). Pergolesi had in fact very dangerous TBC which was caused that he died at the age of 26. The master of the Italian Baroque chose an intimate composition: soprano, alto, two violins, viola and continuo. The moving Stabat Mater by Pergolesi with Olga Zinovieva and Sytse Buwalda. The Bach Orchestra of the Netherlands, Pieter Jan Leusink – conductor

Barcarolle, J. Offenbach - Filarmonica della Scala, Georges Prêtre cond.

Filarmonica della Scala

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