Gypsea

Umoja, the quintessential sunshine duo from wet fields of the Netherlands, returns with a deep, dark and dubby rendition. As a follow up to the 70’s west African Funk and Afrobeat influenced Je-Ka-Lo!, Vuelo Nocturno sets out to be a reassuring statement of the duo’s production wizardry. With this record, the duo have managed to synthesis Cumbia and Afrocentric music traditions into a cohesive body of work.
credits

all tracks produced & mixed by Umoja
Mastering: B.Eyele at the Pigeon Hole 
Artwork: Umoja
Label: INI Movement
Catalog: INI011

JUNO: http://www.junodownload.com/products/umoja-vuelo-nocturno/2270827-02/
BANDCAMP: http://inirecordings.bandcamp.com/album/vuelo-nocturno

Flujo Suave

Released July 9, 2021
Arranged & Produced by Hugo Kant
Artwork by CéMar - www.instagram.com/cemar_art/
Copyright © Bellring

Bandcamp

Now That's All Changed

Chapaleufú

Chapaleufú

Soundtrack from the short movie "La Machine" directed by Loïc Phil
Mix by Hugo Lancel
Mastering by Florent Bonnet des Tuves

L'Onironaute - Les Chimères Exquises

. first release of Nyami Nyami records in tribute to the late  Chiwoniso, a genius Zimbabwean singer and mbira player. 
. 350 copies limited edition 12'' / screen printed covers signed and numbered by artist Misheck Masamvu, each unique in color. Distribution by www.sofarecords.fr
. B side is a remix by Tendai 'Chimurenga Renaissance' Maraire, brother of Chiwoniso and one half of hip-hop duo Shabazz Palaces
. release planned  on wednesday april the 15th

Chiwoniso - Zvichapera

FREE DOWNLOAD & PRE-ORDERS --> https://wonderwheelrecordings.bandcamp.com/album/amansara-remixed

After the release of Amansara, the third LP from Argentinian neo-folklore producer and one of the leaders of the new Latin electronic sound, Chancha Via Circuito returns with Amansara Remixed, featuring brand new and inventive re-imaginings of the tracks from the albums artists hand selected by Chancha from Latin America and beyond. Artists include Frikstailers, Thornato, Tremor, Maga Bo, King Coya, Psilosamples, El Búho, El Remolón Nicola Cruz, Rafael Aragon, Blocktreat, Prisma, Reptilian Commander, Barrio Lindo, Sidirum and Chancha himself, under his previous alias "Universildo".  The result of this selection is a powerful and experimental album where the unique sounds of Chancha dare to travel to new latitudes, catalyzed by the wide ranging vision of the remixers.

The album also features the special participation of Acampante, an Argentiniam multifaceted artist, who was encouraged to remix the original artwork ( Paula Duró's "Madadayo" ) in a fresh and fun way.

Turntables on the Hudson Vol. 10 Uptown Downtown

Sueno en Paraguay (El Buho Remix)

FREE DOWNLOAD

Chancha Via Circuito -  Sueño En Paraguay (El Búho Remix)

*hit "♥" and ↻ repost if you like it*

"The Closest EP" | JFX LAB 006 (@jarring-effects 's net label)
itunes.apple.com/fr/album/the-clo…p-ep/id786217420

12" Limited edition (vinyl) : 
TFTC : bitly.com/1rTPI1n (vinyl + digital)
CD1D : bit.ly/1lfRpo9 (vinyl + digital)
HHV : bit.ly/1kOJ2RC

Artwork by SLY2 : www.sly2.fr
Mastering by Sven Friederichs

Thanks for your support !

Untitled (feat. Pierre Harmegnies)

EUPHORIA (p. MXTT)

DOWNLOAD

Colony Collapse

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

Gendjer2 (with Nova)

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

Juniper (remix of Y La Bamba)

Informal Sector Parade

STREAM / DOWNLOAD FULL EP ➡️ http://smarturl.it/pluconpla

PRE ORDER REMIX ALBUM (RELEASED FEBRUARY 2021) :
➡️ https://galletascalientesrecords.bandcamp.com/album/no-m-s-velorio-remixes

A innovative approach to reggae music. A truly unique fusion of genres.

From Tumaco, Colombia, Plu Con Pla fuses traditional rhythms from the Pacific coast of Colombia such as Currulao and Bunde, with reggae, hip-hop, and subtle electronic beats.

Plu Con Pla is an eleven piece band that brings together two distinct musical concepts, creating something we’ve never heard before.  
On front of the stage, a complete Currulao section sets the vibe with a powerful vocal combo, traditional instruments from the pacific coast of Colombia (bombo, cununo, marimba), and elements of West African origins (Ngoni, Djembe). They are joined by the force of a full reggae ensemble of drums, guitar, bass and keyboards.

The group takes its name from a traditional dish from Tumaco. “Plu” stands for Plumuda, a local fish, and “Pla” is short for “Platano”, the plantain you’ll have on your plate nearly every time you eat lunch in Colombia.

The title of their first EP, “No Mas Velorio”, speaks for itself: “No More Funerals”, sending a powerful message about how the region suffered from the civil war. “We ask forgiveness for whatever it is we’ve done, and we’ll live in the clouds, that way we won’t hurt anyone. We worked this soil, it was our land, but we’ll leave it to you, because we don’t want any more funerals…”

BOGOTA: CONCIERTOS DE LANZAMIENTO:
◉ 10 DE AGOSTO 2018 EN BOOGALOOP CLUB
◉ 11 DE AGOSTO 2018 EN EL ANONIMO

More about Plu Con Pla: http://www.galletascalientes.com/plu-con-pla/
Plu Con Pla on Facebook: https://www.facebook.com/PluconPla/
Plu Con Pla on Instagram: https://www.instagram.com/pluconpla/

Plu Con Pla are:

Jair Angulo - voice
Fernanda Tenorio - voice
Isacarol Quiñones - voice
Juan Carlos Mindinero - piano
Luis Quiñones - bombo
Kevin Cortés - drums
David Quiñones - cununos
Jhon Cortés - marimba de chonta
Harold Tenorio Quiñones - bass

Recorded at - Estudio 409,  JJB Producciones, Medellin, Colombia

Produced, mixed and mastered by Michael Alfred Wagner AKA Biomigrant

Listen on Youtube: https://www.youtube.com/watch?v=eyAhlf_wd7A

No Mas Velorio

★STREAM / DOWNLOAD★

★OUT NOW★ Plu Con Pla - No Más Velorio EP

Siku

Voz de las Montañas (con Minük)

from the album
Dirty Bomb (2009)

released by France by Jarring Effects, in Japan by ROMZ, everywhere else by Post World Industries

Fitnah feat. Jessika Kenney

Composition: Stacie Noel/Nic Newman
Violin: Doug Penny
Viola: Kash Pande
Engineering: Avery DeAbreu

(Instrumental)

The Cave

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent

Colony Collapse

Filastine

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