Name: Blockchainz by Filastine in special colec
Duration: 3 min 29 s
Description: https://postworldindustries.bandcamp.com/album/drapetomania

special colec

The Wilderness

Obvious Dubious by Tara Putra is another dubwise sequel from previously released albums 'In Dubland' and 'Driven by Dub'. This piece of sound is uncompromising written in a deep, psychedelic, laid-back language of dub. Join this subtle spin and enjoy a conscious tuning.

released November 13, 2019

Written & Produced by Marcus Straczkowski
Mastered by The Elder Studio
Cover & Logo by Espepelen Artwork & Makinoteka

Obvious Dubious

Big Red Switch

Amadou et Mariam • Sabali (Vitalic remix)

shaggy feat. sizzla, collie budz  mashup cumbia by TROPIKANA SOUND CREW

Mad mad cumbia world

waiting for my game to update

go hard

https://www.youtube.com/watch?v=G-XcKvIKE_E
Filastine presents Abandon, a series of four video singles profiling dances of liberation from work. Each video profiles a cathartic dance in a unique, often starkly beautiful, location. An episode of Abandon, featuring a new song by Filastine, will be released quarterly throughout the year. The songs of Abandon will be form part of Filastine's next album, Drapetomania, out in spring of 2017.
Release Dates: 
MAR 29 The Miner (Borneo & Java, Indonesia) escape from extraction
MAY 26 The Cleaner (Lisbon, Portugal) a maid sheds her invisibility 
SEP 22 The Salarymen (Seattle, USA) a day at the office hits a glitch 
Dec. 21 The Chatarreros (Barcelona, Spain) choreography of migrant scrap collectors

Spring 2017 Drapetomania album

Miner

Anne & The Foxx - F.U.N.K

https://postworldindustries.bandcamp.com/album/drapetomania

Drapetomania

Download

Blockchainz

Kilabo is a project born in 2018 with the idea of mixing together different music styles, such as trip hop beats and electronic sounds with Asian and African influences, in order to create one sound.
Etana Vol.1/2 was entierly carried out in a home studio, with the help of some local musicians.
Some of the sounds were recorded during a long trip across Asia.

3. East Is A Blue Bird

Up from the Dust

Taki Ura Matts

From the LP 'Liquid Portraits'
Vinyl/DL/Stream: https://fanlink.to/LiquidPortraits

https://www.instagram.com/clap_clap_beats/
https://www.instagram.com/the_black_acre

Clap! Clap!'s music is a unique blend of global dance and timeless sounds drawing from nature, traditional music, field recordings, and the electronic savvy of modern centres like Chicago and London. At its core are the inspiration of everyday life, what Crisci calls "the search for new flavours," and a unifying narrative approach. The results are albums that play out like sonic movies. 2014's Tayi Bebba was a soundtrack tour of an imaginary island, and 2016's A Thousand Skies told the story of a young girl's journey through the stars. 

Following these albums, Crisci took a break from focusing on samples and composition to study sound dynamics and the science of mixing and engineering. He changed his studio and tools, putting more emphasis on the correct melding of analog and digital technology. His third album, Liquid Portraits, is a result of this process with a new compositional approach that puts a stronger focus on field recording and sound design to achieve clarity without diminishing the energy and enthusiasm of the music. As the name hints at, the album is a collection of sonic paintings, an attempt at capturing furtive, subconscious memories through sound. The tracks reference trips Crisci took and people he met - from southern Italy to Hokkaido via the Kif Mountains of Morocco - as well as more abstract ideas of loss, calmness, and childhood. Helped by a small cast of close collaborators - harpist Kety Fusco, singer Martha Da'ro, percussionist Domenico Candellori, and bassist Piero Spitilli - Liquid Portraits is a major new step in Crisci's evolution as an artist.

Southern Dub

Clap! Clap! - Southern Dub (feat. Domenico Candellori)

Body.Mind.Soul

The Fearless Path (feat. Irina Mikhailova)

Monument

Nocturnal Sunshine

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent

Blockchainz

Filastine

Recent comments

hellgod123

hellgod123

hellgod123

hellgod123

Related tracks