𓏲 ࣪₊♡𓂃 jellyfish 𓆡 ⋆｡°✩彡

Stream Macrabe Plaza on Spotify https://open.spotify.com/track/5TpxeB5UgBf7Us6cMMAMJX?si=d011b050ab0045bb

Let's Dance in the Dirt! (Macabre Plaza)

Macabre Plaza - Abandoned Plaza

Eleven

I noticed this wasn't on SoundCloud so i posted it.
tomcbumpz if you want this album taken down i will gladly do so!

comfortable silence

tomcbumpz - braincells

Chill Aqua - Nostalgia

BELEZA PULA   . ˚     . ✦

rain café (out on spotify)

a devils touch in the midwest - macabre plaza (jersey club remix) (extended + slowed & reverb)

Macabre Plaza - An Old Farmer's Smile Jersey Club Remix (prod by aaru)

≧◡≦ - plastic sixwall

ALL MUSIC CREDITS GO TO PLASTIC SIXWALL I DO NOT CLAIM THIS AS MY OWN I AM REPOSTING IT

Kitties breakcore jungle idk - PLASTIC SIXWALL

“Moksha” is a sonic journey toward the liberation of the soul from the shackles of illusion. Melodies intertwine with ancient vibrations, like the breath of centuries, and the rhythm leads the listener along the path of inner awakening. In this music, one can feel the breath of emptiness and infinity, where every sound is a step toward enlightenment, and every pause is a touch of the eternal. This is not just a composition, but a meditative portal that reveals a state of peace, unity, and freedom in the heart.

"Moksha" — это звуковое путешествие к освобождению души от оков иллюзии. Мелодии переплетаются с древними вибрациями, словно дыхание веков, а ритм ведёт слушателя по тропе внутреннего пробуждения. В этой музыке чувствуется дыхание пустоты и бесконечности, где каждый звук — шаг к просветлению, а каждая пауза — прикосновение к вечному. Это не просто композиция, а медитативный портал, раскрывающий в сердце состояние мира, единства и свободы.

VadimoooV - Moksha ( Original Mix )

ghost duet

羽田新ルートを曲にした最初の一人じゃないでしょうか。私。
I guess I am the first person to make a song about New Haneda flight routes.

----------

いつのまにかジャンボジェットが
低く飛ぶようになって

きみの声が届かなくなる
南風にのってFly away

Airplanes fly away over my head

上空3000ft ゆられゆられ
ながれ流れて

ビルの隙間ゆらりゆらり
クジラが飛ぶ夢を

インターバル2分に1回の間隔
ながれ流れて

陸も空も過密状態
あふれ溢れて

Airplanes fly away
Airplanes go away

forever

羽田新ルート

Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.

“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”

For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer, drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music.

Although Midonet honed his sound in France, the four albums he released during the late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.

Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound.

Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition. 
Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

Like Fô Ou Tchimbé’s iridescent ‘Antille Ô Cristal’, with its sparse synth stabs and rubbery bassline, Midonet’s music has found a new home on psychedelic dance floors like Beauty and The Beat, where resident Pol Valls first brought Midonet to curator Cedric Lassonde’s attention.

As Lassonde writes in the liner notes: “Midonet’s musical world is cosmic, mystical and he has created his own idiosyncratic style around it: not plain folk, not bélé, chouval bwa, beguine or gwoka, but rather a transcendental fusion of all these and a true reflection of his personality.”

Now based on the South Pacific island of New Caledonia, Midonet and his message of musical unity are ready to resonate once more.

C3 KEROSIN' JAMB' FIN' Mastered

Puzzle - Everyone Left (SLOWED)

I'm a norwegian dude who produces beats and posts them on soundcloud and youtube. Please check it out if you want to support me, i would really appreciate it🙏 https://youtube.com/@HxnouredGuests?si=F2G2TefcwtLhIsfq

a devils touch in the midwest - macabre plaza (jersey club remix) (extended + slowed & reverb)

Emanuel_prod.

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