Certain parts of this reminded me immediately of Megamind - Taub. 

when gods speak in 303, they speak through Joyhauser

waited 9 months for this like i wouldn't even wait for a son

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Jason Cluff - Here For Music [Autekone]

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Joyhauser - Lower East Side (Original Mix)

Tunnel

TUNNEL

https://soundcloud.com/saywhatrecords

https://soundcloud.com/asys

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PREMIERE: Ramon Tapia - Last Step (A*S*Y*S Remix) [Say What?]

There is "No Escape" from listening to my new Song. The new one is out now via Fe Chrome

No Escape

Kaspar - No Escape

Gilgamesh

Artist: @lars-huismann
Label: @shdw-mutual-rytm
Release: 7th june 2024
Cat No: MR024
Format: Vinyl & Digital

Support here: www.mutual-rytm.bandcamp.com

Artist links:
Instagram: https://www.instagram.com/l_huismann

Label links:
Instagram: www.instagram.com/mutual_rytm



Lars Huismann drops fourth essential release on Mutual Rytm with 'Catharsis', following his
successful 'Sounds From The Past' trilogy.

German producer Lars Huismann has a percussive and groove-driven take on techno that often comes with
scintillating melodies and separates him from others amongst the genre. His releases have come on labels such as
Dolly and Soma; however, he has also quickly become an essential member of the Mutual Rytm family, having
contributed to the label's 'Federation Of Rytm III' VA as well as serving up a trio of forward-thinking EPs in the form
of his 'Sounds From The Past' trilogy. Delivering yet more stellar material on SHDW's thriving imprint, his latest EP
delivers the newest evolution in his sound while maintaining his signature sonic essence.

The hunched techno funk of 'Divergence' kicks off with plenty of plenty up energy and tight, bouncy synth vamps,
while 'Portal' goes deep into a futuristic landscape with static-laced synths and oversized hi-hat ringlets that ramp up
the pressure. The mighty 'Neural' is brilliantly functional and linear techno with a playful synth that rides up and
down the mix as the sleek and slamming drums race onwards. 'Riot' brings some extra raved-up madness with
serrated synths and raw percussive energy, and 'Technician' then slips into a deeper, more paired back sound with
liquid synth lashing about the mix as dubby undercurrents power along the punchy rhythms and freaky vocals bring
the menace. Digital bonus cuts 'Incognito', a fizzing, busy, textured techno workout, and the machine soul of
'Submerged' close out this high-grade EP in style.

Pre Order on Deejay

GTG Premiere | Lars Huismann - Technician [MR024]

It’s been 11 years since we released the first Spektre production on Noir Music and I’ve been a fan of their music for even longer. 
So it’s a great honor to have them back on the label with this amazing Shadowline release. 
The UK duo is currently making some serious noise in techno-world and well deserved as they keep shooting out great music.
 On this specific release I wanted the guys to show off their excellent production skills, so we get both their in your face, raw and unpolished sound with the acid opener “The Maze” and the more trippy, afterhours hypnotic title track “Shadowline”. “Planet Noir” sits nicely in between with Spektre’s hardhitting beats and signature melodies.
 On top of that we got an incredible remix of “The Maze” by Robert S (PT) who made the acid-journey more minimal and underground.
  I’ve had these tracks for quite some time and I don’t get tired of playing these. In the fast-moving techno- industry that’s saying a lot.
 I am honored and super happy to have the guys back on my label.  
- Noir

Planet Noir

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Buy all

Thomas Schumacher — Feist — Drumcode — DC217

MOTVS - Fracture

Feature on TEKTONES compilation

Release date 29/06/2020 on Autektone

Fracture

Pigment

--- We like FILTH and we do it on ACID NOW ---

Label run by Reinier Zonneveld. 
@reinier-zonneveld

Joyhauser - Lower East Side (Original Mix)

Filth on Acid

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