just awesome!! :) massive atmosphere, loving the bassline :)

slow to start but by time it's over you want to hear more, very well done

Greg Gives Peter Space – the long overdue first collaborative work by Greg Haines and Peter Broderick

TOUR DATES:

04.06. LILLE (FR) – Atome Session (House Concert) · http://on.fb.me/1pLAmKX
05.06. LONDON (UK) – Village Underground · Tickets: http://bit.ly/1eyLl9B
06.06. NORWICH (UK) – Norwich Arts Centre · Tickets: http://bit.ly/1nHkRp6 
07.06. DORDRECHT (NL) – Urban Explorers Festival · Tickets: http://bit.ly/1rF6cZm
09.06. BERLIN (DE) – Berghain Kantine · Tickets: http://bit.ly/1sYgVRT
10.06.  LEIPZIG (DE) – Schauspiel · Tickets: http://bit.ly/1rF6GP6
11.06.  HANNOVER (DE) –  Feinkostlampe · Tickets: http://bit.ly/1ko9ihB
28.09. SEATTLE (US) – Erased Tapes x Decibel Festival · Tickets: http://bit.ly/S8nQdb 

PRE-ORDER the 12"/DL here: http://www.erasedtapes.com/store/index/ERATP058

More info: greghaines.co.uk · peterbroderick.net · erasedtapes.com

Greg Gives Peter Space

The Drive

Greg Gives Peter Space – The Drive

Release Date: 10.11.14

Birthed between the burning fields of Kansas and the surreal landscape of the New Mexican desert, Black Vines is a dense layering of monophonic drones, delayed sitar and large scale cello arrangements. 

Combining the distorted and blackened influence of Aaron Martin’s recent solo and collaborative work with Joseph Angelo’s love of ragas, industrial noise and meditative minimalism, the eight elegiac strands of Black Vines are tribute to redemptive growth that occurs in the shadows.

Mastered by James Plotkin, featuring tracks reworked from the original parts by Dag Rosenqvist with stunning artwork by Chris Koell.

Packaging includes letter-pressed covers, glass mastered CD, 10 x limited edition prints on heavy card stock with glassine bags, all resting inside hand numbered, scented black envelopes. Limited edition of 200 copies!

www.fluidaudio.bigcartel.com/mailing-list

Black Vines - Shadows (Dag Rosenqvist re-work)

From the album "Sonnet"
Purchase & support: http://pioulard.bandcamp.com or http://kranky.net

Released by kranky, ltd. as krank193 on 30 March 2015
Recorded at La Berceuse, Seattle in April 2014
with guitar, bass, voice, warnophone, bowed bells & cassettes

Of Everything That Rhymes

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082
or from iTunes here: http://snip.ftpromo.net/transition

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Transition

What Hath God Wrought?

Buy 12"/DL

Immix Ensemble & Vessel - What Hath God Wrought?

Tak Tak To Ja - Hania Rani & Dobrawa Czocher (A F TE Remix)

It's My Constant

+Info on Christopher Willits
http://www.christopherwillits.com/

Buy / Stream http://phonofile.link/ripples-remixed
More info: https://subtempo.com/releases/ripples-remixed/
Follow: https://www.facebook.com/subtemporecords/

We asked some of the artists we love who we believe are dedicated to pushing the boundaries of electronic music to make their own renditions of the Ripples album by Alejandro Bento. They chose the tune they most resonated with and created very unique pieces honoring the piano yet bringing forth their own distinct sound. They were given full creative freedom in what direction they wanted to take their remix, and what they sent us was very unique and surprising, as expected by these gendre-blurring, boundary-pushing artists. We have collaborations from Memotone, Christopher Willits, Souns, LCC - Las Casicasiotone, Leeward and Axel Toben - this last one being a rendition by Alejandro Bento himself under his electronic music alias. We really like it, hope you do too. 

Art by Oscar Bento, "Pasion". Prints available in our store.

Alejandro Bento - Heartbeat (Christopher Willits Remix)

from 'Non Places' [CD|LP|DIGITAL]
Denovali Records · den293 
available on all formats at [http://denovali.com/waelder]

Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.

Founded 2013 in Vienna by Moritz Nahold and Jan Preißler, Wælder has since played numerous concerts, collaborated with various artists and composed music for theatre, film and installations. In addition to their EPs 'Firn' and '&' they released 'Anachronie' in 2015 on the label Kreismusik. Wælder’s second album 'Non Places' will be released on 26.01.2018 via Denovali Records.

Non Places was recorded and produced in different locations at different times in Vienna and Berlin. Wælder experimented independently with their tracks, later reassembling them over the internet. The eight pieces tell this process and at the same time create an independent perspective on the process of their creation. A church organ, detuned in manuals and registers, a vacuum cleaner embedded in the sound of a piano, and precisely programmed patterns of electronic devices are just a few of the elements found on the album. The name Non Places comes from the eponymous publication Non-Lieux (Eng. non-places) by the French anthropologist Marc Augé. By means of the happenings in the specific space of Vienna / Berlin and the exchange about the nonspecific space of the Internet, the countless server rooms crossed by shared audio data have been interpreted as monofunctional places, without relation and history. If music and the process of creation are two different places, then Non Places is the gap-bridging perspective. What happens and sounds is an experiment of space, body, form and purpose.

[FREE] Steve Reich - 2x5 Movement III Fast (Fine Cut Bodies' space dub)

Fine Cut Bodies

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