Nikka Lorak Tech house x Wild Mint festival

The Jedi Flip

the third installment of crush, which is an experiment on the microtonal harmonies palette, on top of a steady 4/4 drumbeat

this time the microtonality is used by my own voice

it's a pretty quirky blend of classical strings and vocal harmonies in a modern lofi hip hop setting

crush #3

does it mean she thinks im a little cute :(

This track contains so many quirky key changes that it doesn't have a tonal gravity at all

when she tells you you look like a strawberry cake

A fusion of jazz, pop, rock, orchestral with soul music and modern hip hop lo-fi, heavily inspired by the Beach Boys's Surfer Girl and Michael Jackson's Dangerous album

As an experiment with chromaticism, the chord sequences are quite quirky with deceptive endings and modulations, which was quite tricky for me to record those vocal harmonies at the ending

This is a rough backing demo for one of my band's songs

ciel

A sad waltz inspired by the film score of Up.. I wrote this track about a girl that I'm crazy about, this is the original non-orchestrated version, I also uploaded an orchestral version already.

She once told me she likes waltz so I ended up composing a tons of waltzes, this is the best one to my ears.

Of course we never dated, she just doesn't like me the way I like her so we remained good friends.

I hope one day it would become an OST for a sad romantic film.

I Had To Tell The Piano What I Cannot Tell Her (Demo)

CENTLESS BRAND

Caesar - Conspiring

A failed attempt at capturing the magic of Brian Wilson’s ‘Don’t Talk,’ it becomes something that sounds a lot darker but loses the ambiguous fragility it possesses.

It features a pretty weak tonal gravity that gradually resolves to the original key (though I chose to resolve to a Picardy Third at the very end).

Requiem #2

Another over-produced track I made as a fusion of contrasting genres, including lofi chill, RnB, jazz, progressive soul, indie pop, orchestral chamber music, and hip hop trap.

It has so many vocal tags (200+ tracks for vocal tags only) that they kind of cancel each other out in the crowded mix.

Apart from the unusually populated track numbers and contradicting genres fusion, this piece is also an experiment with chromatic chord changes, featuring many non diatonic key changes and modulations.

The original composition was inspired by a girl, so I named it after her (kind of).

FINESSEN - TIME AGAIN ft. PORTION & KAMPAIGN Prod. By JENIUS

Finessen

Recent comments

Brett Thomas

Angelico Lutz

Maynard Fink

Bayard Klein

Related tracks