1h workout beat for LoopDiggers Speed Challenge 89 
Piano samples: Toshiko Akiyoshi - "Kyoshu"
Flute: Henry Jacobs - "Chan"

Once Upon A Beat 1 (LDSC89)

Contains elements from  'All Alone' - The Kings Of Harmony of Kenbridge
and "Under the Street Lamp" - The Exits

Alone

Just imagine if this happened and picture the setting…

It’s the late 1930’s and the local jazz club is packed to the brim with people awaiting the rapper Nas and his jazz musicians (orchestrated by Producer Funky DL) along with featured artists to come and play a 10-track set to forever be remembered. The lights are dim and the hall is filled with smoke, whilst the clinking sound of champagne flutes ambiently gesture in the atmosphere. Nas and Funky DL are having their picture taken outside the club in an array of spotlights glaring from their vehicles (see artwork). Then it happens… The two step inside and “JAZZMATIC” erupts … All you have to do now is… “press play”...  (PLEASE NOTE, THIS IS THE INSTRUMENTAL VERSION)

06. Blazing a 55 (Jazzstrumental)

IRØNŸ.m4a

Glaze Feat. Parm

Lo-Fi with a muted, minimal atmosphere.
Sparse elements leave room to breathe.
A voice appears, brief and close.
Everything stays restrained and intentional.

UNSAID

Airwaves (LDSR 214)

Fouilla (LDSR215)

Astrokid Frequencies Vol.12 - Arabic Lo-Fi Sahara Vibes Packs Part 2

Arabic Lo-Fi Sahara Vibes Pack VOL.8 - Track 14

VOCALOIDAI - Hibari Misora - vocaloid poco conocidos

Inspired By Forest

Based in the outskirts of Chiba, I produce a wide range of tracks—from instrumental and abstract hip-hop to dark, minimal, and experimental beats.
Unbound by genre, I focus on groove, texture, and spatial atmosphere, building tracks daily in my home studio.

My musical influences include Green Assassin Dollar, Budamunk, DJ Krush, KREVA, and Mark Rae.

I began my career as a DJ in 1995 at the age of 17, initially drawn to deep, hypnotic techno.
Later, I became immersed in London’s underground, funk-driven tech house scene surrounding the WIGGLE movement, where I performed with a focus on minimal, swing-heavy grooves.

Today, I carry that sensibility into the realm of hip-hop, breakbeats, and leftfield rhythms—crafting instrumental works that explore the expressive power of space and restraint.

UNSAID

FiNETUNiNG

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