Get In The Car

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

I'm Hungry!

This track is the second track from my ep CHEMICAL. 120 BPM. 6m6s. The intro is long, but bear with it. It leads into a terrifyingly flashy and groovy tune. This was heavily influenced by Led Zeppelin and punk bands such as Primal Scream. CHEMICAL Link in Bio!

THERE IS LOVE

Shit is going down!
You have been warned.

Dedicated to Ed Wood.

Petra's monologue is from Ed Wood's "so-bad-it's-good" B-Grade Horror Classic, "Plan 9 from Outer Space", from 1957. The film vies for first place as "the worst film ever made" with other similar spectacular celuloid scandals as "Robot Monster" (1953), "Devil Girl from Mars" (1954), "Santa Claus Conquers the Martians" (1964), "The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies" (1964), "Manos: The Hands of Fate" (1966), and Steven Spielberg's singularly woeful soul-crusher, "A.I. Artificial Intelligence" (2001). "Plan 9" is also public domain. So LET'S GO!!!

Produced and curated by Petra Joy Fischer, Peter Roland Kuhn & Jah Bozo.

Grave Robbers from Outer Space

A heartfelt duet of piano by Roberto Guerra and voice by the luminous Oddrun Eikli, composed by Francesco Adornetto.

In a world that often trembles under the weight of conflict and noise, love remains our quiet rebellion.
A gesture, a word, a melody — sometimes that’s all it takes to remind someone they’re not alone.

These tender lines, written and sung by the beautiful soul of Oddrun Eikli, carry that reminder — and borrow from the timeless words of Emily Brontë, who left us far too soon, yet gifted the world with her poetry:

“He’s more myself than I am.
Whatever our souls are made of, his and mine are the same.
If raindrops were kisses, I’d send you showers.
If hugs were seas, I’d send you oceans.
And if love was a person, I’d send you me.”

Let’s keep sharing love — through notes, through silence, through presence.
Because love is the only thing that grows when it’s given. 💙


#HarmonyOfLove #OddrunEikli #FrancescoAdornetto #RobertoGuerra #EmilyBronte #NewMusic #PoetryInMusic #PianoAndVoice #Neoclassical

Harmony Of Love (vocals by Oddrun Eikli)

Hello and thank you for checking out Exo

Music video here:
https://youtu.be/xJY2mf41ZlE

Lyrics

Time to test time
Flow in rhyme
Exo makes jail for mind matter mine
Intuitive thought
Instinctual
No messy thoughts
Divine deliverance
Placebo proof
Chooses truths
No lies emerge when this mode is heard
Thoughts are herd, interferance
The muted one won't see that reverence
Ever present of presence
At one with the mammoth
Still alive as mutated carrot

See, I am everything
So flow chooses to bring
Standing waves for sin
Handing haze the bin
The rubbish of man
No fake thinking
It's Spirit
It's Soul
It's need for good role
It's time that we saw new pathway,
New God
It's me
It's you
It's hill of trees
Truth

We see
We do
It's for new youth
It's retention
Ascension towards my younger proof
It's real want to mute the spoof
Ryhme to test ryhme
Flow divine
We are the whole Earth
It's finally lassoed from both sides
Simultaneous prize
Just by beings alive

~Soothe~

Cometh conduit
Let's dive
Earth's cored connection is live,
Thrive holding hive,
Now is live to survive,
Drive new alive


Love, Light and good intentions to you

From

Sarah & Carl

One Fresh Start

Second song from the rock opera Five Thousand Sasquatch. A musical comedy about a genius toy inventor who is searching for Bigfoot and UFO's in Bellingham, Washington.

The Slurp

Please excuse me for coming up with something new so quickly.

Tomorrow marks the 22nd anniversary of the death of French actress Marie Trintignant, who was beaten to death by her boyfriend, Bertrand Cantat, on 26 July 2003.

Some people will have seen the Netflix documentary about the case and will therefore also be familiar with the media and public debate at the time. This was a broad and heated discussion, as if the categorisation of such a brutal killing was a matter of opinion.

After that, one might have gained the impression that those who prioritise conservative values and traditional social and family roles tend to view domestic violence as an interpersonal tragedy rather than an unequivocal act of violence. ‘Arguments happen in even the best families.’ – ‘Doesn't an argument that gets out of hand often come from both sides?’ – ‘Did the victim overstep the mark and provoke an overreaction instead of making a diplomatic concession?’…

22 years have passed since then. In that time, #MeToo has emerged, alongside all kinds of discussions.

A lot of noise. A lot of media. A lot of talking-is-the-new-doing. But nothing has changed, apart from the number of reported cases of domestic violence, which continues to rise to this day. Whether this is because more and more offences are being reported instead of concealed is massively irrelevant:

In Germany, one woman or girl is beaten, abused or victimised by her partner or a male family member every single minute of every 24-hour day. According to official reporting statistics, this only happens every three minutes. What is clear, however, is that someone dies from their injuries almost every day.

The murder of Marie Trintignant is repeated every day.

There are many explanations for this. Psychological, social, political, and personal, to name a few. After all, we are living in an age of digital polyglotism where everyone has an answer to everything. Somehow, what you can explain is easier to accept. So, let’s talk about acceptance.

The number of car thefts registered in Germany each year amounts to around one sixth of the reported cases of domestic violence. The number of domestic burglaries is less than half.

What would happen if the number of domestic burglaries doubled, or if the number of car thefts increased sixfold? There might also be discussions about the thieves' psychological state of emergency or their possible negligence, provocation or shared guilt. But first and foremost, everyone would agree:

'This has to stop! We must stop it by any means necessary! … Zero acceptance!"

Is a stolen car, despite insurance reimbursement, really more painful, shocking and unacceptable than a woman being dragged through her flat by her hair?

---

Lyrics, music and production by ©Hans-Michael Albers. Vocal performance by suno4.5

video: https://www.youtube.com/watch?v=Kn16cxiq-64

Google translation:

I won't let you rest
It's the only reason you're hitting me
To get revenge for all your frustration
You just have to do so

It's not even good for you
But what are you going to do with your anger?
It's all my fault
I'm pushing your patience to the limit

Your pain should be mine
I deserve to feel it
You give it my face
So it can break me instead of you

What nobody sees or hears
It destroys the perfect world
Whenever it bangs
I wanted it that way

Only because of me do you see red
And because of me, you beat me to death
Only because of me do you see red
And because of me, you beat me to death

I would have liked to live
How I felt, how I moved freely.
One last pain, one moment
Then it's over, happy end

Ich hätte gern gelebt

https://soundcloud.com/rumple-snakeskin
Mat Planet, guitar
Sparky B, rhythm & production
(additional guitar from Sayge)

Philosophy

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Trumpet solo. Hammond B3 Electric Organ Rhythm. Fender Rhodes Electric Piano Rhythm. Acoustic Standup Bass. Roland Synthesizer Bass. Full Drum set kit. Percussion Full Tree Chimes, Zildjain 22" Crash & Ride Cymbal, Tambourine.

Get In The Car

Fire Affair

Related tracks