A Collection of Hyperboles

Siren Song is the 2nd track from the album 'Advice To The Wayfarer' (2014). All parts written and performed by Rowan Galagher. Lyrics "I've heard Mermaids calling each to each, they do not call to me" based on T.S. Eliot's <i>The Love Song of J. Alfred Prufrock</i>.

Lyrics:

We rain on your parade
‘Cause the games you play have casualties
The lunatics are lost
It doesn’t take a lot to become a martyr here

We’re further from the truth 
As you’re fighting nail and tooth to be in control
I’ve heard Mermaids calling each to each
They do not call to me if I’m in the boat

Siren song
It won’t be long 
Till they’re talking destiny 
The Leviathan is watching me
I’ve lost the will to be among living people

Broken sleep and broken dreams
Nothing here is as it seems
You can have high hopes
It takes more than a load off my back

To realise your dreams 
Not an ounce of levity till the attack
Round and round she goes
Where she stops nobody knows

Siren Song

Pareidolia

Energetic Exorcism

Good Grief

Spitting Tacks

Sad Songs

Glass Empty

the other shoe

It's such an honor and joy to work with these two incredible artists! I have had the privilege of collaborating with Masa (Tot) a few times already, but it is my first making music with Khan. I hope you will enjoy this chilled out summer vibe.

Khan - @khan20233202 - Vocals & Lyrics
Tot - @tot-beat - Beat & Samples
Tea R. Sea - @tea_are_sea - Synth, Drums & Production


Lyrics (by Khan)

ON JULY

We met on July
We don’t know music come from and why
I can hear the storm is coming down down down
We don’t see but we see eye to eye
We can hear muses are coming down down down
We don’t see but we’re brotherhood

I saw fireworks tonight alone
I got the Big echo tonight and moon
I saw fireworks bring me to them
I feel paradise is here for me.

On July (Khan, Tot & Tea R. Sea)

I got a new guitar the other day and when I played it, it had a crisp sound that made me come up with the funky opening riff without even thinking about it. Sometimes an instrument can just make me play something. :)
I played the driving guitar solo in one go on a friend's Les Paul. Again, I felt like I was just being made to play it.
I'm not good at keyboard solos, and I always struggle with them. (^_^;
It's been four months since I moved here after a job change, and I'd like to start playing in a band soon.

Do As You Please

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear on the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B-3

Boxin'

©music and lyrics by Hans-Michael Albers

here comes the album's opener, a melody and playback I wrote and produced 6 years ago with no text idea until yesterday when two guys met to drag the whole world into the abyss with their f....g egos while the whole world watches helplessly and prefers to focus on its own little lives. it's not they, it's we who mess it up then. writing lyrics has never been easier for me than in this case. and I didn't waste much time to direct my virtual singer, the AI seemed to understand the topic instantly...

Street life, busy business
Fast food in the air
Driven spirits never rest
Ant-like, here to there

Pigeons flutter up in fright
someone honks their horn
Baby crying, welcome shouts
An impatient groan

Chips to go, a scent of spice
Old man with a cough
Kids are joking, running wild
Never get enough

No more
We’ve fucked it up
Won’t get it back
No more

Dripping ice cream, lovers flirt
Lady shakes her head
Little girl with curly hair
Upset with her dad

Office buildings line the walk
Modern people swarm
Air-conditioned honeycombs
Just a little worn

Groundhog’s day without a Phil
Living on repeat
To ignore what’s taking place
Right beyond our street

No more
We’ve fucked it up
Won’t get it back
No more

No more
We’ve fucked it up
Won’t get it back
No more

No more
We’ve fucked it up
Won’t get it back
No more

No more

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Vibraphone solo. Trumpet solo. Acoustic Stand-up Bass. Roland Synthesizer Bass. Steinway & Sons Acoustic Piano Rhythm. Vibraphone Background Rhythm. Drums Acoustic full drum kit. Percussion Tambourine, Timbales, Cowbell, Shaker, Congas, Bongos, Chimes.

Boardwalk

Funkyness

method: all the sounds you hear, apart from the voice, stem from a piano that is more than moderately out of tune, most of them morphed by audacity and samplitude
image: copyright jo richter

wunderbar geborgen / copyright jo richter

am wunderstumpfen ende
einer zweispur-einbahnstraße
senkt sich eines planers wendeplatte
zwischen steile bordsteingrate
in deren runden schenkels wölbung
die allerletzte eiderente ein
einzelei ausbrütet - solch memento
prospektiver nostalgie lädt
karrussellgenau zum grübelkreisen
ein, zum rasend innehalten

wunderbar geborgen

Recording sessions from 14-08-2025 - 18-08-2025.
presets, mixing, processing and editing: Pier WILL.

"Waiting for your sunshine"
Lyrics and singing: Special Cecilia 
Music: Pier WILL

Everything here is clear, simple and limpid... a voice, a synth, an old piano... enjoy listening. 
Pier WILL◄┤❤️🕊️🙏├►

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Sony, 
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Pareidolia

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