Consisting neither of one lone woman, nor hailing from either the Eurasian country or the North American state, this Georgia is in fact comprised of two human males working out of China Town, N.Y.C., namely Brian Close and Justin Tripp. Together they form a creative partnership responsible for not just a slew of output upon such highly regarded imprints as Meakusma, Palto Flats and Emotional Response, but also for a kaleidoscopic variety of multimedia work with a whole host of clients, from the corporate to the counter cultural. With an all embracing, freeform and in some ways contradictory approach to production, their sound is at turns stimulating, terrifying, comforting and confounding. Separated from any visual representation, the audio on its own becomes a soundtrack for the listeners' own intense internal projection screen.

With 'Time', Georgia's vision is especially well realised as here, in collaboration with fellow intuitionists Firecracker Recordings, they release into this world an album which, with any luck, shall help you unlock your inner portals - should they need assistance in that regard anyway. Unquantisable polyrhythms knock against one another in an uncannily externalised, conflicting collage of half remembered dance ritual memories. Fragmented melodies, disembodied vocal snippets, a hint of ethnomusicality in places all give deep nods simultaneously to ancient experience and to post human intelligence, condensing past present and future into one eternal instant.

'Time' the album asks us: what happens when one removes ones expectations of where in time a piece of music or art must sit? And what of time itself as a construct, now that we have myriad ways of measuring it, even at the atomic level; but still its passing is completely relative according to the observer, and indeed may all be in our minds anyway? Equally, you can always just put it on - again, and again - empty your mind of such thoughts completely, and allow all of your particles to move around freely to this joyful noise... after all, that's the point, isn't it? We're gonna have to stop asking questions eventually.

Georgia - 'Ayolas' (From FIREC028LP Georgia 'Time')

Consisting neither of one lone woman, nor hailing from either the Eurasian country or the North American state, this Georgia is in fact comprised of two human males working out of China Town, N.Y.C., namely Brian Close and Justin Tripp. Together they form a creative partnership responsible for not just a slew of output upon such highly regarded imprints as Meakusma, Palto Flats and Emotional Response, but also for a kaleidoscopic variety of multimedia work with a whole host of clients, from the corporate to the counter cultural. With an all embracing, freeform and in some ways contradictory approach to production, their sound is at turns stimulating, terrifying, comforting and confounding. Separated from any visual representation, the audio on its own becomes a soundtrack for the listeners' own intense internal projection screen.

With 'Time', Georgia's vision is especially well realised as here, in collaboration with fellow intuitionists Firecracker Recordings, they release into this world an album which, with any luck, shall help you unlock your inner portals - should they need assistance in that regard anyway. Unquantisable polyrhythms knock against one another in an uncannily externalised, conflicting collage of half remembered dance ritual memories. Fragmented melodies, disembodied vocal snippets, a hint of ethnomusicality in places all give deep nods simultaneously to ancient experience and to post human intelligence, condensing past present and future into one eternal instant.

'Time' the album asks us: what happens when one removes ones expectations of where in time a piece of music or art must sit? And what of time itself as a construct, now that we have myriad ways of measuring it, even at the atomic level; but still its passing is completely relative according to the observer, and indeed may all be in our minds anyway? Equally, you can always just put it on - again, and again - empty your mind of such thoughts completely, and allow all of your particles to move around freely to this joyful noise... after all, that's the point, isn't it? We're gonna have to stop asking questions eventually.

All tracks written and produced by Georgia (B. Close & J. Tripp).

Mixed by Raz Mesinai.

Additional contributions from: 80881, Meron Kibret, Selam X, and Lily McMenamy.

Distributed exclusively worldwide from 30th April 2019 by Rubadub. All enquiries distribution@rubadub.co.uk

FIREC028LP Georgia 'Time' Preview Clips

Firecracker’s dwarf constellation Unthank thaws down from a small cryogenic suspension and delivers it’s first 12”!

Tracks from the vault from Cardiff’s DJ Guy (Other World Music/Cejero/All Caps) who’s been busy since 1992. All tracks designed to be played loud and with the dance in mind whilst taking in all sorts of melancholy, euphoria and pastoral, acid soundscapes.

• First ever 12” Unthank release!
• 6 Track EP
• Small, 85mm metallic labels suspended on 12” crystal clear vinyl
• Silkscreened artwork by House Of Traps

RIYL Dream 2 Science, Autechre, Unit Moebius, μ-Ziq etc

DJ Guy - UNTHANK012

Having issued a solid number of equally solid releases on the likes of Berceuse Heroique, Versatile, Wisdom Teeth, Peur Bleue and his own finely curated imprint, Banlieue Records, Benoit B steps up for the latest Unthank 10" instalment!

A world populated by eerie synth-pop textures, hypno-industrial oddities, electroid dynamics and hip-hop breaks gone astray. 100% retro-futuristic Bauhausian blends for the DJs and dancers out on a limb.

10" Clear vinyl with 75mm, metallic labels. Two colour screen printed sleeves with artwork by House Of Traps.

Available end of November 2019.
Distributed via Rubadub Worldwide.

Pre-order here:
https://firecrackerrecordings.bandcamp.com/album/unthank013-caution-96-high

UNTHANK013 Benoit B - Caution 9'6" High

From their native St. Petersburg, Square Fauna evoke a score for imaginary protoplasmic oceans, surreal, sepia-tinged space operas and Russian sci-fi folk tales; lush, green landscapes littered with the burned out husks of automobiles, military vehicles, and askew telephone poles no longer in use though marked by pools of water in which can be found the debris of modern society.

Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.

‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.

A completely singular, modern sci-fi soundtrack for the discerning sofanaut.

Produced by Dices & Flaty.

https://soundcloud.com/dices
https://soundcloud.com/producedbyflaty

Artwork by Al White aka Crud.

Available end of March 2020. Distributed exclusively worldwide by Rubadub.

FIREC029LP Square Fauna 'Meet The Fauna' Preview Clips

being, then ...

Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin.  Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed.

---------------------------------------------

Firecracker present archival tracks from the legendary Scottish producer Being. 

Downright essential for those who are grabbing the Ampoule reissues, the SW. album on Avenue 66 and whats the likes of Ex-Terrestrial and Ura are releasing on Naff and Temple. 

Throughout the early and mid 90's, Being released a series of records on Weatherall's Special Emissions label. Collaborated with Claude Young and also produced the rare as hens teeth Two Lone Swordsmen And A Being 12" with Weatherall and Tenniswood, whilst his Tides album was remixed by Ectomorph, Insync and more. Years later he'd resurface as the Wee DJ's and releasing idiosyncratic electro on Daz Quayle's SCSI-AV label and Sativa's Gasoline imprint. 

Distributed by Rubadub. Coming Early December 2020.

FIREC030LP Being - Broxburn Funk

For those interested the field recordings contained within Mac-Talla Nan Creag 1 & 2, here is a further contact mic recording by Lindsay Todd from August 2020.

Dun Carloway is currently under conservation work with a huge amount of scaffolding and security fence. There was a fair wind blowing and the whole structure was resonating wildly.

Equipment used:

2x JrF contact mics with Hosa MIT-129 impedance transformers
1x Sound Devices MixPre3

** Headphones or studio monitors recommended for full frequency listening **

Dun Carloway is an excellent cross-section of a broch – a type of structure found only in Scotland. It overlooks Loch Carloway and is built on a rock on a steep south slope at the height of 50 metres and is the best preserved broch in the Outer Hebrides. At 9m tall it still stands close to its impressive full height. It was probably constructed about 200 BC. Broch-building ceased around AD 100, but they may have continued in use.  Evidence from excavations suggests it may have been used until about AD 1000. It’s also said to have been used as a stronghold by members of the Morrison Clan during the 1500s.

Dun Carloway Broch Contact Mic Recording August 2020

** for booking requests and label showcases please get in touch at firecrackerrecordings@gmail.com **

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"All dream, but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity, but the dreamers of the day are dangerous, for they may act on their dream with open eyes, to make it possible." - T.E. Lawrence (Seven Pillars of Wisdom)

Distributed in the underground and played in the underground since 2003.

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