Massive, evolving epic. A sense of foreboding opens this track with a tinge of the supernatural. Swell at 0:45 opens up choral and percussive section featuring sweeping string theme, which builds to 1:30 then drops back to piano theme to finish.

FEM17 4 Evolver (a) (Jesper Kyd)

Iconic, epic fantasy cue opens with sparkly piano theme full of magical wonder. Emotive string theme from 0:32 with percussion from 1:00, builds to glorious mid-section from 1:29. Choir joins at 1:43 layering in grand emotion and pride, building and building to the end. Drop down at 2:40 back to piano reprise.

FEM17 3 Empyrean (a) (Jesper Kyd)

Dark, evolving epic with a modern twist. Intro to 0:20 opens into massive string, guitar, piano and ethereal vocal theme featuring sound design stabs. Dramatic setup from 1:07 into heroic theme building to end.


FEM17 2 Rainmaker (a) (Jesper Kyd)

Huge, emotive orchestral epic featuring percussion, sweeping string theme and almighty choir. Intro to 0:35, building mid-section to 1:15, then driving through to 2:05 with string reprise.

FEM17 1 Freefall (a) (Jesper Kyd)

Dramatic drums, choir and memorable theme, set up this fantasy adventure trailer cue for the first 0:55.   Building from 1:10 with choir and drop down at 1:22 into triumphant back end.

FEM18 1 Supremacy (a) (Mark Petrie)

Classic adventure trailer track with signature brass stabs and driving rhythm and strings with a sense of urgency.  Choir joins from 1:00 adding drama to drop out at 1:21 into massive build to back end.

FEM18 2 Circus Maximus (a) (Mark Petrie)

Victorious trailer cue which builds throughout, featuring unforgettable theme and pounding drums.

FEM18 3 The Valour and the Victory (a) (Mark Petrie)

Swashbuckling action cue with a sense of epic adventure.  Darker mid section featuring choir from 0:54.  Massive back end from 1:07.

FEM18 4 Nola (a) (Ryan Amon)

Lamenting fantasy cue with ethereal female vocals, swelling strings and heart-pounding drums.  Opens up to sweeping mid section at 0:59 with a sense of wonder. Building from 1:22 with powerful male choir and drums into heartbreaking back end.

FEM18 5 The Other World (a) (Mark Petrie)

Dark, foreboding fantasy adventure cue with modern elements.  Pounding rhythm, brass stabs, strings and choir build anticipation to 1:08.  Drop down and electronic set up and rise to 1:23 leads into dark end section of doom, energy and almighty back end featuring massive stabs and rise.

FEM18 6 Tacitus (a) (Daniel Heath & Matthew McGaughey)

Massive dark trailer track which builds throughout, littered with edit points and constantly driving towards its modern, hard-hitting back end.  Choir from 1:12.

FEM18 7 Herculaneum (a) (Daniel Heath & Matthew McGaughey)

Dark yet heroic trailer track with sense of anticipation in the opening with repetitive string sequence. Percussion and brass theme from 0:22.  Heroic string melody from 0:46 repeats throughout to ending with building drama and massive back end.

FEM18 8 Riding Giants (a) (Ryan Amon)

Emotive, heroic action trailer cue with proud string theme and percussion which evolves throughout the entire cue.  Massive male choir joins from 01:34 to end.

FEM18 9 Men at Arms (a) (Mark Petrie)

Proud and memorable brass theme repeats throughout this classic orchestral action adventure trailer cue.  Choir joins from 0:24 as the heightened emotion grows through to the blockbuster back end.

FEM18 10 Battle Cry (a) (Mark Petrie)

Percussive action track with high drama and adrenaline.  Strings join from 0:27 and build with brass towards almighty backend.

FEM19 1 Runner (a) Or Chausha, Udi Harpaz

Sinister sound design opens this hard-hitting action track.  Rise from 0:22 leads into memorable, dark string thriller theme featuring aggressive hits and interesting percussion.  Chilling string theme builds to terrifying back end.

FEM19 2 Shooter (a) Or Chausha, Udi Harpaz

The ultimate suspense thriller.  Electronic stabs, dark strings and unnerving percussion opens this most sinister trailer track. Rise from 0:45 leads into rhythmic string section with electronic drones building suspense.  Unforgettable string theme from 0:55 repeats throughout the second act, building bone-chilling backend.

FEM19 3 The Code (a) Or Chausha, Udi Harpaz

Electronic hybrid thriller cue.  Sound design, percussive tension and foreboding strings.

FEM19 4 Agent 54 (a) Or Chausha, Udi Harpaz

Eerie guitar opens this thriller cue with a rock twist.  Think spies, sabotage and forensic evidence.

FEM19 6 Silent Witness (a) Or Chausha, Udi Harpaz

Thriller trailer cue with percussive opening for the first 37 seconds.  A hit sets up the unforgettable dark string theme from 0:37.  Top strings from 0:49 lead this frantic chase scene with male choir joining from 1:03 leading to its dramatic backend.

FEM19 7  Man Down (a) Or Chausha, Udi Harpaz, Rotem Moav

Energetic thriller track opens with huge rise into driving beats.  Strings join from 0:18 with dread and suspense building throughout.

FEM19 10 Mastermind (a) Or Chausha, Udi Harpaz

Sweeping, ominous, fantasy evolving throughout with anticipation and heroism. Choir, strings and brass build tension up to drop down at 1:26. Rise from 1:27 opens up into huge, heroic orchestral theme supported by rousing choir and drums build to 2:19 where dark brass leads to huge backend. 

FEM20 1 The Black Sorcerer (a) David Buckley

Orchestral fantasy. Dark into light. Ominous orchestral set-up slowly builds to a tense, three-second drop down at 0:56. Strings and ethereal female choir lead into the dramatic, emotive and uplifting orchestral theme from 1:09. Continual build to the huge backend featuring brass stabs and choir.

FEM20 4 Beyond the Abyss (a) Robert L. Bennett

Pure family cinematic action adventure. Heartwarming and victorious with a marching rhythm. 

FEM20 7 Celtic Knights (a) David Buckley

Dark sci-fi sound design track. Eerie stabs, hits, lashes, growls and otherworldly screeches. Opens with pure sound design then breaks into electronic rhythmical section from 0:48. Build from 1:30 with chopper effect and warped siren to a thriller climax.

FEM21 1 Panic Stations, Planet Earth (a) (Russell A. McKamey)

Sexy, twisted, dark action, sci-fi track. Pure attitude and maximum swagger. Sound design intro to 0:30 then breaking into tough, rhythmical, theme with aggressive guitar stabs. Drop down at 1:10 into electronic mid section. Rise at 1:22 into sequence of double hits repeating over moody, twisted guitar theme. Electronic rise at 1:45 into foot-stomping final act.


FEM21 2 Edge Of Humanity (a) (Russell A. McKamey)

Sexy, action sound design. Tough, cool electric guitar riff, rock drums and modern sound design. Drop down at 0:30 into main theme. Hit at 0:46 into tension section with building anticipation, guitar stabs and futuristic sound effects. Killer back-end from 1:53 with aggressive rock theme.

FEM21 3 Metal Mission (a) (Russell A. McKamey)

Growling, futuristic, sound design track. Isolation, space, aliens and dreaded fear of the unknown. Spacious and daunting. Sequence of eerie design with human heartbeat or pulse. Terrifying mechanical rise from 1:15 to end.


FEM21 4 We Are Not Alone (a) (Russell A. McKamey)

Cool, punchy action sound design track. Crunchy guitars, tough beats, robotic sound design and dub effects. Drop down at 1:26 into driving rhythm and powerful back-end with two double hits and rise.


FEM21 5 Start 'Em Up (a) (Russell A. McKamey)

Terrifying sound design cue, featuring haunting piano and heartbeat. Opens with creepy, sporadic sound design and heartbeat. Piano section from 0:38 - 0:59 over blood-curdling sound design. From 1:00 a sequence of slams, drones and drums repeat over a heartbeat and a terrifying siren joins from 1:40 to the end.

FEM21 6 Siren Of The Damned (a) (Russell A. McKamey)

Futuristic, tough action track. Rock guitars, drums, hits and sound design. Dark, futuristic intro up to 0:16 when the iconic, aggressive guitar riff announces itself. Tough hits, drums, guitars, futuristic sound design and drop downs. Constant build from 1:20 to hard-hitting, explosive back-end.

FEM21 7 Ascendance (a) (Russell A. McKamey)

Guitar and synth action track reminiscent of a 1980's car chase movie. Opens with ticking clock and whoosh into treble hit with guitar and synth. Cool guitar theme, pulsing rhythm, hits and synth. Rhythmic guitar stabs and drums at 0:55. Mid section full of anticipation from 1:11 features the ticking clock and synth, then rise begins at 1:32 and clock speeds up. 1:42 to end takes no prisoners with a full-throttle back-end.

FEM21 8 The Super Race (a) (Russell A. McKamey)

Dizzying sci-fi sound design track. Dark, sporadic sound design with heart beat from 0:23, speeding up at 0:29. Series of hits interspersed with strange and dark sound design between 0:32 and 0:37 and 0:53. Breaks into stomping, rhythmical section from 0:53 with a robotic feeling. Drop down at 1:28 into a series of eerie stabs which speed up. An urgent, screaming, siren joins at 1:42 as the stabs speed up in a terrifyingly ominous back-end.

FEM21 9 Submerged (a) (Russell A. McKamey)

Otherworldly, sci-fi sound design track. Aliens and outer space. Eerie and sporadic space sounds. Beds, atmospheres, chimes and growls. Regular pulse at 0:40 and warped pulse at 1:02. Terrifying crunchy march of a monster from 1:14 to end.

FEM21 10 Earth To Mars (a) (Russell A. McKamey)

Beautiful, haunting intro, featuring choir, strings and piano.  Bursts into dramatic set-up featuring low strings, modern beats, growling guitar, brass and modern electronic elements from 0:37.  Beautiful, emotive, but powerful string and brass melody from 1:19 with pounding drums.  Top strings at 1:47 leading into drop down.  Rise at 1:56 into powerful third act with emotive and epic theme.  Massive rise at 2:44 into major back-end. 

FEM024 3 Final Dawn (a) (Erick L.D. DeVore BMI)

Established in Los Angeles in 2009, FIRED EARTH MUSIC is a label delivering epic cues for Motion Picture Advertising, dedicated to delivering premium, progressive theatrical cues with impact.  

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