Name: Brown Bread Dream by Firelit Parlor
Duration: 3 min 48 s
Description: When you love brown bread so much, you dream about it.

I recorded these samples to highlight the great tones from a MM RD50 amp I had modded by master amp tech Ed Goforth. I used my dot neck reissue ES 335 plugged straight into the amp with a TC Flashback Delay running through the fx loop on some of the clips. Please excuse cell phone recorder and sloppy playing in places. If anyone is interested in knowing more about Ed Goforth and the mods he offers for these amps feel free to contact me at: pacconsultgmail.com  or just Goolge Ed, plenty of info on him. I am not employed by or professionally affiliated with Ed Goforth.

Cliff's Edge

A collection of mostly original guitar pieces played on steel string 6 & 12 string acoustic.

03 Scarborough Beach

Worst nights

When you love brown bread so much, you dream about it. 

Brown Bread Dream

Teach me Things

Get It Now: http://smarturl.it/InnaLoversQuarrel
Stream: http://smarturl.it/StreamFrightnrsEP
Beatport: http://bit.ly/InnaLoversQuarrel
Pre-order 7" Vinyl: http://bit.ly/Frightnrs7

Get ready for an 80’s dancehall / roots revival with this killer release from Queens, NY’s new Rock Steady dons, The Frightnrs. This four piece ensemble have taken the cooled out vintage vibes of Jamaican Rock Steady, combined it with the raw energy and vocal stylings of 80’s Rub A Dub and added a touch of punk rock spirit to create an entirely unique sound that redefines what a reggae band can sound like. They recently broke through with a soaring cover of Etta James’ “I’d Rather Go Blind” on NY’s esteemable Daptone Records, and have now give us this great 5 track EP for Mad Decent. The Daptone connection should give you an idea of the genuine sound we’re dealing with here- this is the real deal vintage vibes, polished into a beautiful roughness by longtime NY producer Victor “Ticklah” Axelrod. Like Diplo says, “Close your eyes and get transported to Kingston Jamaica 1981.”

Follow The Frightnrs
Facebook: http://www.facebook.com/thefrightnrs
Twitter: https://twitter.com/theFRIGHTNRS
Soundcloud: https://soundcloud.com/the-frightnrs

Inna Lovers Quarrel

Which Way

Get It Now

The Frightnrs - Which Way

From the debut album, Nothing More To Say, available now. Order at shopdaptonerecords.com


The Frightnrs escort Daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade.

Crafted under the meticulous eye of black-belt reggae mastermind/producer Victor Axelrod (AKA Ticklah), Nothing More to Say is a rocksteady masterpiece the likes of which has not reared it’s head since the golden era of Studio One.  However, you’ll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands.  Like all things Daptone, this record is above all soulful and honest. With the exception of two soul covers (both from the Daptone catalog: Bob & Gene’s "Gotta Find a Way” and Saun and Starr’s “Gonna Make Time”,) the record is populated by original compositions of the highest order.  They are simply great songs, and though their treatment here is masterful, each one of them has the melodic and lyrical substance to hold it’s own in any genre. “Till Then” invokes the coquettish hyper-rhymes of top-form Smokey Robinson, while “Hey Brother” sounds like it fell off the desk of Gamble and Huff, and “Purple” defies any comparison at all.  From the first cracking snares of “All My Tears” through the final pulsing echoes of “Dispute,” the murderous rhythms of Rich Terrana (drums,) and brothers Preet and Chuck Patel (bass and piano, respectively) can be heard chunking mercilessly towards oblivion as Dan Klein pours his endearing poetry over over the top like some other-worldy falsetto potion. The combination is a sound birthday-suit raw, mesmerizing, infectious, and above all, lovely. This record will long be treasured by lovers of reggae, lovers of soul and lovers of love.

Nothing More To Say

The Frightnrs - Nothing More To Say

Brazil 45, number 52 – http://www.mrbongo.com/products/antonio-adolfo-a-brazuka-gloria-glorinha-erasmo-carlos-os-tremendoes-coqueiro-verde-7

‘Gloria Glorinha’ – quirky, upbeat MPB-funk with soaring vocals, JB esque stabs, horns and bubbling piano. Originally released as part of a 4-track 7” EP on Odeon from 1970. This is the third appearance for Antonio Adolfo in the Brazil 45 series, previously with ‘Transamazonica’ (BRZ45.11) and ‘Dois Minutos De Uma Nova Dia’ (BRZ45.048).

‘Coqueiro Verde’ is taken from Erasmo’s sought after ‘Erasmo Carlos E Os Tremendões’ LP from 1970 on RGE. Uplifting percussive Samba/MPB laiden with horns and woodwind. Erasmo – one of the leading figures in 70/80s Brazilian alongside Jorge Ben, Tim Maia and Veloso – also appears on our ‘Brazilian Beats Brooklyn’ compilation with the brilliant ‘Jeep’; this is his first appearance in the Brazil 45’s series.

Erasmo Carlos & Os Tremendões – Coqueiro Verde

The Olympians self-titled debut album, featuring members of The Dap-Kings, Lee Fields & the Expressions, and Menahan Street Band, is out now. Order now: shop.daptonerecords.com

The Olympians - Sirens of Jupiter

SC Trax

Trax

Powdered Wig

multi-genre guitar, lazy electronica, and parlor piano music. dream noise/night funk/LA metal/medieval synth. he/him.

Brown Bread Dream

Firelit Parlor

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